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The Volvo Tundra vs Citroën BX

tundra citroen bx

The Volvo Tundra, introduced alongside the Citroën BX, startled Citroën with its striking similarity to their upcoming model, sparking curiosity within the automotive sphere.

In December 1975, Citroën embarked on a mission to redefine automotive design with the replacement program for the GS, known as XA. This set the stage for the birth of the iconic Citroën BX—a journey marked by collaboration, creativity, and visionary thinking. Join us as we delve into the story behind the BX, tracing its evolution from concept to reality and exploring the pivotal role played by visionaries like Marcello Gandini and Xavier Karcher in shaping its legacy.

Inception of a Icon

In December 1975, Citroën embarked on a journey that would redefine automotive design for years to come. Under the code XA, they initiated the replacement program for the iconic GS, a car that had left an indelible mark on the automotive landscape. This was not merely a task of replacing a model; it was about shaping the future of Citroën.

Less than two years later, in a testament to the company’s commitment to excellence, the specifications underwent a profound revision. Under the new code XB, a new vision emerged, one that would set the stage for a revolutionary design language.

For this ambitious endeavor, Citroën sought inspiration from beyond its own walls. In addition to the expertise of the Citroën Styling Center in Vélizy, led by the visionary Jean Giret, they turned to renowned design houses Italdesign and Bertone. Among the luminaries of the latter was Marcello Gandini, whose visionary ideas would leave an indelible mark on automotive history.

In 1977, Gandini proposed a theme that drew inspiration from the Jaguar Ascot and Reliant FW11, two icons of automotive design unveiled that same year. With two alternatives—a 4-window and a 6-window version—Gandini’s proposals captivated Citroën’s attention, especially that of Xavier Karcher, the driving force behind Citroën’s quest for a new stylistic identity.

Shaping the Future

In July 1978, the culmination of months of intense creativity and collaboration took form as all 1:1 scale models were unveiled. Among them, Gandini’s 4-window design stood out, capturing the essence of Citroën’s vision for the future. Yet, the journey was far from over.

Repatriated to Vélizy, the Styling teams embarked on a meticulous process of refinement. Over the course of a year, every aspect of the model was scrutinized and perfected. From the sleek contours to the intricate details, no stone was left unturned in the pursuit of automotive perfection.

One area of particular focus was the rear section, where the challenges posed by the wheel arches demanded innovative solutions. Through perseverance and ingenuity, the styling teams overcame these obstacles, culminating in the freezing of the exterior style in October 1979.

Beyond Boundaries

But the story does not end with the completion of the exterior design. In the summer of 1978, as Gandini’s model was validated and reintegrated into the fold, Bertone found themselves at a crossroads. With Citroën’s mission accomplished, they turned their attention to new horizons.

Fiat X1/10

First came the Fiat X1/10, followed by the Renault 9, each a testament to Bertone’s versatility and creativity. Yet, it was the collaboration with Volvo that would prove to be truly groundbreaking. Inspired by the success of the 262c coupe, Gandini and his team set out to create a concept that would push the boundaries of automotive design.

Displayed alongside the Lancia Sibilo at the 1979 Geneva Motor Show, the Volvo Tundra captured the imagination of enthusiasts and industry insiders alike. Yet, for Citroën, the unveiling of this concept came as a shock—a revelation of the future BX three years in advance.

A Legacy Unfolds

As Citroën grappled with the implications of Bertone’s visionary concept, the Italian coachbuilder remained resolute. While their response may have been less than convincing, Citroën’s surprisingly muted reaction paved the way for future collaborations.

Yet, the Volvo Tundra, as the concept would come to be known, was far from finished. Despite Volvo’s rejection in its current form, it served as a springboard for the development of the future 780 coupe. In the chronicles of Bertone’s creative journey, the Tundra occupies a unique place—an interlude between Citroën and Volvo, a testament to the enduring legacy of Marcello Gandini’s vision.

As the automotive world continues to evolve, the story of the Tundra serves as a reminder of the power of collaboration and the enduring pursuit of excellence. From its inception in the halls of Citroën to its transformation into a symbol of innovation at Bertone, the Tundra remains a beacon of inspiration for generations of automotive enthusiasts to come.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.