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The story of Touring Superleggera

The early years

In early 1926, two lawyers from Milan – Felice Bianchi Anderloni and Gaetano Ponzoni – decided to leave behind the world of law and follow their passion for the automobile, purchasing a controlling interest in Milan-based coachbuilder Carrozzeria Falco from its founder, Vittorio Ascari, who would then leave the company two years later

They changed the name of the company to Carrozzeria Touring with Anderloni, a former test driver for Isotta Fraschini and Peugeot Italia employee, assuming styling and engineering duties, while Ponzoni took over responsibility for the firm’s business activities. The new company – based in Via Ludovico da Breme 65 in Milano – was destined to become one of the most famous coachbuilder.

Located as they were in close proximity to legendary automobile manufacturers Alfa Romeo, Citroën and Isotta Fraschini, it should come as no surprise that their first bodywork assignments were for chassis produced by these companies.

Initially, they took a traditional approach to their work, based on aesthetic and qualitative excellence, which guaranteed a stable of exceptional clientele from Benito Mussolini – who would prove to be a regular and affectionate customer – to the Italian King Vittorio Emanuele II and his wife, Queen Elena. The company licensed Weymann’s system of fabric-covered lightweight frames, a predecessor to their own Superleggera construction system, and hired Giuseppe Seregni, who had previously collaborated with Anderloni on the 1931 Isotta Fraschini ‘Flying Star’, as its first professional designer.

1928 Milan Auto Show. From left to right A.R. 6C 1500, Isotta Fraschini 8A, Lancia Lambda.

The “Superleggera” technique and its success

Their success with lightweight alloys and fabric-covered tubing forms brought Touring commercial success with aircraft production in the 1930s, which led Anderloni to developed the Superleggera system, patented in 1936.

This super lightweight system consists of a structure made from small diameter tubes forming the shape of the body with thin alloy panels attached to cover and strengthen the framework. This gave them the flexibility to quickly construct innovative body shapes for their cars.

Photo courtesy of Touring Superleggera

During the 1930s, the company focused on a continuous collaboration with Alfa Romeo, producing a wide range of vehicles from gran turismo to real racing cars, applying its own concept of aerodynamics and lightness to this and other collaborations with well-known manufacturers such as Bianchi and Lancia.

Flying Star
1938 Lancia Astura 'Flying Star'

Post-WWII

With the outbreak of the second world war, the company’s name was Italianized to “Touringa”, in order to avoid seeming too Anglicized, which was particularly unwelcome at the time, and they focused on producing aircraft parts according to the Superleggera system. They continued their research on paper during this time, suspending automobile production. When they were able to start building cars again – reverting to the “Touring” name in 1947 – after the end of the war, their style gradually became more Americanized, partially due to the fact that Europe had not been producing cars for the previous few years. The Superleggera system was widely licensed and copied, contributing to reenergization of the company following the end of the war. Anderloni died in 1948 and his son, Carlo Felice “Cici” Bianchi Anderloni, took over management of the firm under Ponzoni’s guidance. The two men would remain in charge of the company until it discontinued production in 1966.

Before Anderloni’s death, the company worked on a number of interesting projects overseas, first with Bristol, followed by the Spanish Pegaso and the American Hudson, and finally with Aston Martin and Lagonda (production took place in England by Mulliner and Tickford, under license of Touring).

Between 1947 and 1948, Touring also collaborated with Isotta-Fraschini in an ultimately unsuccessful attempt to bring the brand (to which Anderloni was extremely attached, having begun his carrer there as quality manager) back to life, creating prototypes for several different models (8C Monterosa & the 8C Monterosa Special Sedan) that will sadly never be produced.

Touring worked with Enzo Ferrari, before going back into business with Alfa Romeo, and in 1949, the company started production on the Granturismo 6C 2500 “Villa d’Este”.

Photo courtesy of RM Auctions

Cici’s first major project was to create a body for the Ferrari 166 MM Touring barchetta, which debuted in 1948. Automotive design critic Robert Cumberford Cumberford once referred to the body design for the 166 as “one of the most charismatic shapes ever”; the egg-crate grill of the 166 became a signature Ferrari design element and is still in use by Ferrari today. Touring was particularly active late in the late 50s, working on design and body production for the Pegaso Z-102, Alfa Romeo 1900 Super Sprint, Aston Martin DB4, Lancia Flaminia GT, Lamborghini 350 & 400 GT and the Maserati 3500 GT.

The famous Aston Martin DB4 and the DB5 (famously driven by fictional character James Bond) were named after the one-time Aston Martin owner David Brown, who entrusted Touring Superleggera to design the company’s next generation GT, following the introduction of the successful DB2. The license agreement allowed Aston Martin to use the design and the Superleggera construction method at its Newton Pagnell plant against a license fee of £9 for each of the first 500 bodies and £5 for each further unit.

The decline

Touring Superleggera’s fortunes started to decline as automobile manufacturers started to replace body-on-frame construction with monocoque construction. Carmakers began to build their own bodies in their production lines but were unable to produce fewer than a thousands units per year, so decided to assign body production to coachbuilders, who invested in additional manufacturing capacity as a result. Touring built a new plant in Nova Milanese, but market fluctuations upon its completion in 1962 resulted in the loss of contractors and the company was forced to wind-up operations in 1966, although it never formally declared bankruptcy.

1963 Touring Sunbeam Venezia

The decision to build the new plant was based in part on negotiations with the Rootes Group, which commissioned the installation of the Sunbeam Alpine to Touring, which should have been followed by the Hillman Super Minx and the Sunbeam Venezia. These orders were cancelled, however, and Touring suddenly found itself in crisis mode with an insufficient amount of work and an inability to deliver on the quality that it had been able to guarantee at its old factory in Rome.

Further negotiations with Maserati, O.S.C.A, and Aston Martin (which also commissioned the DB5 carriages project in 1962, and then again with the DB6 in 1966, but continued to build in England) brought no results and therefore, against an enormous debt exposure, Touring was forced into receivership in 1964. The Fiat group attempted to help by commissioning Touring to work on the study and production of the Autobianchi Primula Coupé – and Alfa Romeo commissioned the company to build the bodywork of the Giulia GTC – but even with these new orders, the situation did not improve. Many models didn’t make it past the prototype stage including the Aston Martin DBS, coupè and cabriolet, several studies for Lamborghini including the beautiful Flying Star II. During the winding up period, roughly 80 percent of Touring Superleggera’s archives caught fire. Seeking to reestablish a record of the firm’s production, Carlo Felice Bianchi Anderloni got in touch with every owner, creating the Touring Superleggera registry and leading it from 1995 on. In 1995, he contributed to the revival of Concorso d’Eleganza Villa d’Este, serving as President of the Jury until his death in 2003. In his honor, the show started to award the “Carlo Felice Bianchi Anderloni Memorial Trophy” to the most elegant car with a body by Touring each year.

photo courtesy of www.concorsodeleganzavilladeste.com

The rebirth

In 2006, the Touring brand was taken over by the Dutch financial company Zeta Europe BV Group (owned by the Belgian family D’Ieteren, who were also coachbuilders and entrepreneurs in the automotive sector), which also owns the historic Borrani brand. A newly created firm, Carrozzeria Touring Superleggera was established in Milan to provide automotive design, engineering, coachbuilding, homologation services, non-automotive industrial design, and restoration of historic vehicles.

At the 2008 Concorso d’Eleganza Villa d’Este, Touring debuted the Bellagio Fastback Touring, based on the Maserati Quattroporte and the A8 GCS Berlinetta Touring, a concept car powered by a Maserati drivetrain. At the 2010 Geneva Motor Show, the Touring Bentley Continental Flying Star premiered: a shooting-brake model based on the Bentley Continental GTC, coach-built in limited series with the endorsement of Bentley, and in 2011, it was followed by Gumpert Tornante by Touring, a super-fast Grand Tourer commissioned by the German sports car manufacturer.

In recent years, Touring has worked on projects for Alfa Romeo (with the revival of the legendary “Disco Volante” inspired by the C52 from 1953), and Mini (Superleggera Vision), and most recently on the Ferrari based Touring Berlinetta Lusso and Sciàdipersia Coupè, with a cabriolet version presented in 2019, paying homage to the notorious model made in 1959.

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Bugatti EB110

In the world of high-performance automobiles, few cars command as much intrigue as the Bugatti EB110. Brought to life by Italian entrepreneur Romano Artioli, the EB110 was a groundbreaking effort to revive the storied Bugatti name. Combining avant-garde engineering, meticulous design, and theatrical presentation, it was a car that set new benchmarks for what a supercar could achieve—both on paper and in practice.

Who Is Romano Artioli?

Romano Artioli is a visionary entrepreneur and car enthusiast who played a pivotal role in the revival of the Bugatti brand. Born in the Province of Mantua, he grew up in Bolzano, where he established himself as a key figure in the luxury and performance automotive world. In the 1980s, he managed the largest Ferrari dealership in the world, expanding his reach into northern and southern Germany.

Artioli’s expertise extended beyond Italian exotics. He entered the business of importing Japanese cars through his company Autexpò, which in 1982 became the first official importer of Suzuki vehicles in Italy. This venture bolstered his business acumen and financial resources, laying the groundwork for larger ambitions.

Bugatti EB110

A passionate admirer of Bugatti, Artioli joined forces with Ferruccio Lamborghini and Paolo Stanzani to resurrect the legendary French marque. Leveraging their credibility and Stanzani’s industrial expertise, Artioli negotiated with the French government, which controlled the Bugatti brand at the time. In 1987, he successfully acquired the rights to Bugatti, forming the Bugatti International holding company, with Jan-Krister Breitfeld as president.

The same year, Artioli and Stanzani co-founded Bugatti Automobili S.p.A., with Stanzani acting as sole administrator and technical director. Initially, Artioli took a backseat, not assuming a direct managerial role until 1990, when he became president of the company. However, deep-seated disagreements over business strategy led to Stanzani’s departure just as the Bugatti EB110 prototypes were nearing completion.

Romano Artioli’s Vision for Bugatti

The Bugatti marque, dormant since the mid-20th century, was revived in 1987 when Artioli acquired the rights. For Artioli, Bugatti was more than a brand; it was an embodiment of perfection and artistry. His vision was to resurrect the marque in a way that honored its legacy while propelling it to the forefront of automotive innovation.

Bugatti EB110

To that end, he established Bugatti Automobili S.p.A. in Campogalliano, Italy, a high-tech facility designed to reflect Bugatti’s meticulous ethos. Even the smallest details of the factory, from its architecture to its branding, were crafted to exude sophistication. Artioli’s pursuit of excellence extended to every facet of the operation, with no expense spared to ensure that the car would become a technological and artistic marvel.

The Bugatti EB110: Designed for Elegance and Performance

The design of the EB110 emerged after several high-profile proposals were reviewed. While initial sketches by Marcello Gandini offered an angular and aggressive aesthetic, Artioli found them inconsistent with Bugatti’s legacy of elegance. Additional proposals were considered, including contributions from Italdesign Giugiaro, Bertone, and Paolo Martin.

Ultimately, the task of finalizing the car’s design fell to Gianpaolo Benedini, who also oversaw the construction of the Campogalliano factory. Benedini reworked Gandini’s initial drafts, softening the harsh lines and introducing a more aerodynamic, timeless shape. The final design balanced modernity with subtle nods to Bugatti’s heritage, including a minimalist interpretation of the iconic horseshoe grille.

Artioli’s design philosophy for the EB110 drew inspiration from the weight-saving principles famously championed by Carrozzeria Touring, applying advanced materials and innovative techniques to achieve unparalleled efficiency and performance.

A Technical Masterpiece

At the heart of the EB110 was a 3.5-liter quad-turbocharged V12 engine, a marvel of engineering that delivered both raw power and remarkable sophistication. The engine, featuring five valves per cylinder (three intake, two exhaust), produced 553 horsepower in the GT model and 603 horsepower in the more aggressive SS variant.

This technological showcase included 12 individual throttle bodies, ensuring razor-sharp response. Engineered to operate at a stratospheric 8,600 RPM redline, the powertrain underscored Bugatti’s commitment to pushing the boundaries of what was mechanically possible.

Bugatti EB110

The engine’s advanced systems were paired with a six-speed manual gearbox, allowing precise control over the car’s immense power. To harness this energy, the EB110 employed a sophisticated all-wheel-drive system that delivered 27% of the torque to the front wheels and 73% to the rear. This rear-biased setup provided excellent traction while maintaining the dynamic feel of a rear-wheel-drive sports car.

The EB110’s chassis was equally advanced. Its carbon-fiber monocoque, developed in collaboration with aerospace specialists, was one of the first of its kind in a production car. This construction provided exceptional rigidity while keeping weight to a minimum. The suspension system, with double wishbones at all four corners, ensured precise handling and a planted feel at high speeds.

The car’s aerodynamics were optimized through extensive wind tunnel testing, with active features like a deployable rear spoiler that adjusted based on speed and braking inputs. All of this culminated in a car capable of 0 to 60 mph in just 3.2 seconds and a top speed of 218 mph, making it one of the fastest cars of its era.

A Spectacular Debut

The launch of the EB110 on September 15, 1991; Ettore Bugatti’s 110th birthday; was a spectacle befitting its ambitious design. The unveiling began in Paris, the birthplace of the original Bugatti marque, where a carefully choreographed celebration honored the brand’s heritage. Over 70 vintage Bugatti cars were displayed in a horseshoe formation, evoking both history and exclusivity. Thousands of guests, including dignitaries, journalists, and celebrities, were treated to an elaborate presentation that emphasized Bugatti’s past and future.

Bugatti EB110

After the Parisian festivities, the EB110 was transported to Molsheim, France, where Ettore Bugatti had established his original factory. There, the car was revealed to the public, symbolizing the brand’s return to its roots.

Artioli spared no effort in making the event memorable. From champagne receptions to grand dinners, the entire celebration reflected the opulence and ambition that defined the EB110 project.

Challenges and Legacy

Despite its technological brilliance, the EB110 faced significant challenges. The global economic recession of the early 1990s reduced demand for ultra-expensive supercars, and Bugatti’s ambitious production targets proved unattainable. Financial pressures mounted, exacerbated by Artioli’s overextension into ventures like the acquisition of Lotus.

Rumors of industrial sabotage and pressure from rival manufacturers added to the drama. Bugatti Automobili declared bankruptcy in 1995, having produced only 139 units of the EB110. The company’s assets, including the Campogalliano factory, were eventually sold.

Yet, the EB110’s legacy endures. It set the stage for modern Bugatti hypercars like the Veyron and Chiron, which adopted its pioneering use of carbon fiber, all-wheel-drive systems, and quad-turbocharged engines. The EB110 is now a highly coveted collector’s car, celebrated for its engineering prowess and historical significance.

Why the Bugatti EB110 Failed

The failure of the Bugatti EB110 was a tragic convergence of bad timing, overambition, and industrial intrigue. Romano Artioli’s vision for Bugatti included not just reviving the brand but also acquiring Lotus, creating a global network of luxury dealerships. While Lotus found modest success, Bugatti faced a rough start, worsened by external and internal challenges.

The EB110 launched in 1991, during a global recession that decimated the exotic car market. Bugatti aimed to sell 150 cars annually, but only 115 were produced over three years. Compounding this was the Black Monday crash in 1987, just as Bugatti Automobili was established, creating economic turbulence that hampered the brand’s revival.

Bugatti EB110

Behind the scenes, Artioli claimed sabotage: suppliers allegedly cut off deliveries under pressure from rivals, and even employees were rumored to have tampered with production. Adding to the turmoil, Suzuki terminated its distributorship deal with Artioli, cutting a critical revenue stream.

Ambitious projects, like the state-of-the-art factory in Campogalliano, drained resources, while Bugatti’s inability to meet supplier payments strained production. Despite a car that dazzled in engineering and design, the company’s collapse was a tale of overreach and misfortune. The EB110 remains a brilliant but brief chapter in Bugatti’s storied history.

A Bold Dream, A Lasting Impact

The Bugatti EB110 was a supercar born of audacity and innovation. Though its production run was short-lived, the EB110 remains a symbol of what is possible when visionaries push the limits of technology and design. Its story, marked by triumph and turbulence, encapsulates the essence of the Bugatti spirit: a relentless pursuit of excellence in the face of overwhelming odds.