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Ghia Supersonic

Ghia Supersonic

The Supersonic was a small series of bodies built by Ghia on different chassis of various car manufacturers. The origin of the series was a bodywork for a racing car, designed as an individual and built by Giovanni Savonuzzi for Virgilio Conrero. After the car was destroyed in its first race, Ghia decided to use the design and continue to manufacture it as a series of sports cars. From 1953 to 1956, an unknown number of supersonics, probably no more than 20, were created.

Ghia Supersonic

The space era or supersonic age began after Chuck Yeager first broke the sound barrier in 1947 with the Bell X-1. In the following years, the design of various daily things were influenced by it. Many designers wanted to reflect the modern feel of fast aircrafts and rockets in their work, as did Giovanni Savonuzzi in designing the sports car for Virgilio Conrero.

Alfa Romeo 1900 Sprint Conrero

Leading up to the 20th Mille Miglia, Swiss gentleman driver Robert Fehlmann approached the turin tuner for Alfa Romeo and Lancia vehicles, Virgilio Conrero, with the desire to build him a special racing sports car for the upcoming race. As a result, Conrero first developed a racing car chassis. For the front suspension he chose parts of the Fiat 1400 and parts of the Lancia Aurelia for the rear suspension.

Ghia Supersonic

As an engine, he used an Alfa Romeo 1900, which he heavily modified and equipped with four Dell’Orto carburetors. The transaxle power transmission was also taken over by the Lancia Aurelia. For the development of the body, Conrero commissioned his friend Giovanni Savonuzzi. Savonuzzi, known by Cisitalia, had just become head designer for bodies at Ghia. He designed a streamlined body with a long bonnet, squat passenger compartment and short tail. The sideline resembled a fast plane or rocket, tapering at the front and nozzle at the rear. The roof was reminiscent of an airplane cockpit and had a rear window that stretched to the windscreen and gave the impression of a glass dome. The first public presentation took place at the Turin Motor Show in 1953. There, the car was one of the big attractions. The car’s second public appearance was at the Mille Miglia, when it started as number 453. In the race, it crashed and burned out. The body, which was likely partly made of aluminum, was so badly damaged that it could not be saved. Chassis and engine were however further used. Conrero revised the engine and designed a Spider body for the chassis. Now called Conrero Sport or Conrero Alfa Romeo Sport, the race car started again as number 511 while controlled by Fehlmann at the Mille Miglia in 1954. There, it featured a plexiglas dome, which wasn’t used again later.

In 2013, the Conrero Sport was displayed at the Salon Rétromobile in Paris.

Fiat 8V Supersonic

After the destruction of the Conrero Alfa Romeo and the strong interest during the presentation in Turin, Ghia’s management decided to revive the design as a small series. The choice of chassis fell on the Fiat 8V, although Ghia had just built another coupe on its base. The shape of the vehicle was changed only slightly, mainly to match the different chassis.

Ghia Supersonic
photo courtesy of bonhams.com

The only big difference was the rear window. It no longer reached the windscreen, but was designed as a normal rear window. Now called Ghia Supersonic, the car was presented at the Paris Motor Show in 1953 and was voted the most beautiful car of the show. Depending on the source, up to 15 Fiat 8V Ghia Supersonics were made. None of these cars is one hundred percent like the other, as during construction, customer requests were taken into account as far as possible.

Since it is not known how many Supersonics were built, there’s only an overview of those shown at exhibitions.

Willment 427 Coupe

Ghia Supersonic
photo courtesy of bonhams.com

The only confirmed information about this car is that it was built. The general story is told the same way in different sources, but the details of the stories differ. John Willment, racing team owner and largest British Ford dealer at the time, built a Supersonic body on an AC 427 Cobra chassis in 1965. The body is said to come from a no longer roadworthy Fiat 8V Supersonic. The chassis he acquired from Shelby when they had discontinued the manufacturing of coupe racing cars using Cobra as a base. To be able to put the body on the chassis, the structure had to be heavily modified. According to a sales ad from the 1970s, the resulting super sports car had a Holman & Moody motor featuring about 480 hp and reaching about 200 mph. Since then, the coupe was offered for sale several times.

Ghia Supersonic

In 2010, the Willment 427 coupe was displayed at The Cartier Style at Luxe at the Goodwood Festival of Speed.

Jaguar XK120 Supersonic

A total of three Jaguar XK120 are said to have been equipped with a Supersonic body. Two of them were rebuilt at Ghia‘s request by a French Jaguar dealer. Both vehicles are left-hand drive vehicles. One of the cars has the chassis number 679768 and was built in 1953 as a coupè at Jaguar. Not only did it get the Supersonic build, but Conrero reworked the engine and built in three Weber twin carburetors.

Ghia Supersonic
Darin Schnabel, courtesy of RM Sotheby's

In 1954 the XK, provided with the Ghia Supersonic body and white at the time, was shown at the Paris Motor Show. The second Jaguar has been significantly modified over the years regarding the grille, hood, fender and exhaust system. It also received two windshield wipers on the rear window. Nothing is known about the third car.

Ghia Supersonic
Darin Schnabel, courtesy of RM Sotheby's

There’s information only about two XK120 Supersonics.

Aston Martin DB2/4 Mark II

The DB2/4 Supersonic was exhibited for the first time at the 1956 Turin Motor Show. It is the last vehicle made in this design. Aston Martin and Ghia give no specific information about the construction initiative. It seems that the car was made on private request. Nevertheless, Ghia officially exhibited it in 1956. It is assumed that the race driver Harry Schell ordered it;because he was first seen with the vehicle in 1956.

Ghia Supersonic
photo courtesy of RM Auctions

He used the car to drive to the racetracks at that time where he worked as a driver for Vanwall. Since the DB2/4 has a 2+2-seat layout, the Ghia Supersonic body had to be changed accordingly. A closer look at the side surfaces shows stylistic differences compared to the Fiat and Jaguar Supersonics.

photo courtesy of RM Auctions

In 2013, the Aston Martin DB2/4 Mark II Supersonic with chassis number AM300/1/1132 was auctioned off for $2,310,000 at RM Sotheby’s auction Art of the Automobile.

DeSoto Adventurer II

In early 1954, a Supersonic on a Fiat chassis was imported to Chrysler into the United States. Virgil Exner, chief designer, used the vehicle as a base and developed a design for the Chrysler S-19 chassis. Then, everything was shipped to Ghia in Italy and where the designed body was built. Upon completion, everything was returned to the US and the car was presented as DeSoto Adventurer II on June 16, 1954, at the opening of Chrysler’s Chelsea Proving Grounds.

photo courtesy of Barret Johnson

After this premiere, the car was returned to Italy and Ghia exhibited it in Turin and Brussels in 1954. The S-19 chassis was equipped with a DeSoto Red Ram HEMI V8 engine and a two-stage Powerflite automatic. The body, designed by Exner was built by Ghia resembled the supersonic design in the broadest sense. Since the vehicle is much larger than the rest of the Ghia  Supersonics, the shape had to be adjusted accordingly. It features an Italian style interior. Despite its size, the Adventurer II is only a two-seater. A special feature is the retractable rear window.

photo courtesy of Barret Johnson

In 2012, the DeSoto Adventurer II with the chassis number 14093762 was auctioned off in Scottsdale at an auction held by Barrett-Jackson for $1,430,000.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.