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The Maserati Chubasco: the cyber punk concept car designed by Gandini

The origin

On 14 December 1990, under the management of De Tomaso, on the anniversary of Officine Maserati, the “tridente” brand unveiled its new models.

Along with the Shamal, presented in its final form, and the “Racing” (a sports coupe derived from the Maserati Biturbo), Maserati unveiled also one of the most innovative and stunning prototypes in its history: the Maserati Chubasco which its production should have started two years later, becoming the most advanced and innovative super car of the Trident brand. Marcello Gandini, famous for having designed the world most extreme sports cars for Bertone, was commissioned the design and project of this very high performance car created with the most advanced technologies of the early nineties.

A functional "Cyber Punk" design by Marcello Gandini

From the very first, it was immediately clear that the Chubasco would become a truly revolutionary car in every aspect. Technology and mechanics were under a futuristic designed cyber punk body, which aerodynamics were developed with the aim to make the Chubasco a high performance car.

A design that could have come straight out of the anime movie "Akira"

Some oscillating supports separated the lower structure (the chassis and mechanics) from the upper part (the body), isolating the occupants from the vibrations reducing the noises.

Scissors doors allowed an easy access, with windows created to maximize lateral visibility, usually very poor in mid-rear engine cars. The Chubasco features some innovative technical solutions, such as the engine hood which can be open electric in order to cool down the engine for an improved performance. The car also features a Targa roof.

After the first tests, the Maserati technicians thought of a chassis that would allow the a big air flow inside the cooling ducts of the main mechanical parts, like the engine, turbines, radiators and so on. So, after careful studies, it was decided to use a particular chassis with a central crosspiece leaving only a rigid central structure around on which all the components of the car were mounted.

This prototype features a central rear engine and support frames for the suspension derived directly from formula 1. The anchor points of the chassis were connected to the wheels with a push rod system at the front and with a pull rod at the rear, with solutions typical of racing cars, and air flow intakes for a better handling.

The engine was the eight-cylinder with 90 ° V, 3,217 cc with four-shaft distribution and 32 valves already mounted on the Shamal.

Designed to improve the car’s aerodynamic flows, the numerous air intakes cooled the car’s critical components, such as the braking system and the mechanical components of the engine, also giving it greater handling. The front had three main intakes: one central and two on the side. Just the side of the car carried out a fundamental calculation for aerodynamics, conveying the air towards the rear radiators and the engine compartment, with two rear vents that allowed the hot air to escape while increasing the aerodynamic load on the rear axle.

The flat bottom of the car and the particular F1 style rear extractors generated a ground effect, which further emphasized the dynamic performance of the Maserati Chubasco.

The name Chubasco is a sea storm that with its impetuous winds and violent rain showers scourges some areas overlooking Central America.

Conclusions

For the first time in the history of the Maserati brand, the Trident presented a mock up (non-running car) rather than an actually drivable prototype with many innovative solutions that were then taken up for future models

A road version of the Chubasco, which was originally scheduled for debut in 1992, given the many innovative solutions, would have cost too much, so production was aborted.

The Chubasco is part of the Panini collection.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.