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The Marzotto Ferraris

Giannino Marzotto was one of the Marzotto family’s heirs, a well know family of entrepreneurs in the textile industry; Enzo Ferrari’s friend and great car racing enthusiast, he started to compete in 1948. He was the second of four children – Paolo, Giannino, Umberto and Vittorio – all very good gentleman drivers. He stood out the most; he was able to win the Mille Miglia in 1950 and 1953 and finish 5th overall at the 1954 Le Mans 24h. He won as well the Golden Cup of Dolomiti in 1950, ending in 2nd place in the 1952 edition. The four brothers founded in 1951 the “Scuderia Marzotto” (Team Marzotto) in Valdango, near Vicenza, In order to enter various automotive competitions, like the Mille Miglia and the Giro di Sicilia (Sicily Tour), mostly with Ferrari vehicles. The team didn’t just buy the vehicles,but often would also modify them based on Giannino’s specifications.

Special attention deserves the project carried out by the Padova based coachbuilder Fontana on the design of Franco Reggiani (well-known designer and sculptor), which delivered to the Marzotto brothers two very special cars that mechanically were two Ferrari 212 Export: one is known as ‘Carretto Siciliano‘ (Sicilian Cart), winner of the 1951 ‘Giro di Sicilia’, the second, a very aerodynamic Berlinetta named ‘Ferrari Uovo‘ (Ferrari Egg) after its egg shaped front air intake, entered the 1952 Mille Miglia driven by Giannino himself, whom managed to lead the race until he was forced to retire the car, while in 1953 was given to Mancini/Ercolani but they didn’t manage to qualify.

Back to the ‘Carretto Siciliano‘, is the 0086E that left the factory in 1951 and chassis and engine registered by the Scuderia Marzotto with the plate VI20371. For the Sicily Tour the Marzotto brothers made a very basic bodywork, then painted over the typical decorations of Sicilian carts in very bright colour such as turquoise and yellow, therefore the nickname. Paired with Paolo Fontana, Vittorio Marzotto won the 1951 Sicily Tour. Once the race was over, the bodywork was replaced with a standard one from an Export Vignale after replacing the engine with a 0084E with single carburettor.

A third modification occurred when Fontana transformed the car in an estate car (giardinetta), replacing again the engine with a triple carburettor 0086E, and used it as spare car and support vehicle for the Marzotto Team. By the end of 1951 Fontana modifies the car again, transforming the bodywork in a graceless spider with the distinctive ‘fianchi stretti’ inswept flanks.

In June 1952 the spider still undergoes a modification, the grille was enlarged, the bodywork further lightened. With these changes and with Guido Mancini again behind the wheel he participates in the Targa Florio. The 0086E in 1958 takes the road of America, purchased by Jim Flynn with whom he participates in the classic American SCCAs. Since 2005 purchased by US collector Peter Markowski, the Ferrari 0086E undergoes a series of restorations, during which the bodywork used at the 1952 Targa Florio reappears. Count Marzotto, with regard to the extravagance of the cars he had commissioned to Carrozzeria Fontana, stated: “Those cars were perhaps ugly, but they were much lighter and faster than the usual Ferraris. When the Commendatore saw the “Egg” for the first time, he etiolate, mute, as if an evil spell had distorted one of his creatures. ” And indeed the results proved him right.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.