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The Lancia Flaminia “Fuoriserie”

The Lancia Flaminia was born as the Lancia flagship model of the 50’s and 60’s with the aim to replace the glories of the previous Aurelia. More or less when, in 1955, the Lancia family sold the majority shareholding to the Pesenti group, a small revolution took place in the technical department of Lancia: engineer Vittorio Jano, who moved to Ferrari in 1955 was replaced by Antonio Fessia, an illustrious and highly experienced technician.

Fessia was in charge of the Flaminia project, and the first speciment, the sedan version, sees the light in April 1956. It was a voluminous limousine, designed by Pininfarina, equipped with a V6 engine, delivering about 100 HP and capable to reach 160 km/h. Compared to the Aurelia, it had a completely new design language, but with mechanics that are certainly not revolutionary. However, the development of this new model toke more than a year and the final version, was finally unveiled at the 1957 Geneva Motor Show.

The market success of the Flaminia sedan was unquestionably good, but Lancia had to think about how to replace the sportier versions like the Aurelia B20 Coupe and the B24 Spider. As usual, the Turin-based company relied on the best italian coachbuilders. The sporty Flaminia versions were exhibited at the 1958 Turin Motor Show: three Coupè “Fuoriserie” versions were made respectively by Pininfarina, Touring and Zagato which were sold officially by Lancia’s car dearlers.

In addition to these, 5 special Flaminia one-off’s were also built:

1959 Lancia Flaminia Spider (Vignale)

At the 1959 Turin Motor Show, Lancia exhibited only closed versions of its Flaminia including a sedan and a coupé. On the other hand coachbuilder Vignale, based on a design of Giovanni Michelotti, unveiled a spider built on the 252 cm wheelbase Flaminia chassis equiped with the 119 hp engine which we already have seen on the Touring and Zagato coupés. This open version of the Flaminia was built by Vignale as attempt to win the commission for the official Lancia Cabriolet against Touring without success. The one-off featured a dark blue paint, defined at the time as “midnight light”, leather interior and a foldable top which disappears in the trunk. The air intake on the bonnet faced in an unusual way the windshield. 

1960 Lancia Flaminia Coupé "Loraymo" (Motto)

The eclectic and less known Turin coachbuilder Rocco Motto was hired by famous designer Raymond Loewy to built, after his design, an extremely original body for a Flaminia Coupé. Motto, who among other things was a specialist in aluminum processing, accepted and was able to finish the work for the 47th Paris Motor Show, which toke place from 6 to 16 October 1960. Here, the metallic dark amber painted car made its debut for the first time. For the name of his creation, the designer, chose his design studio’s telegram address “Loraymo”, which is a combination of letters included in his name and surname: LOewy RAYMOnd. Among the many peculiarities and quirks we can notice the adjustable wing placed on top of the rear window (this feature will be adopted later by two other Lancias, the Stratos and the Delta Integrale Evoluzione), whose purpose is to reduce the low-pressure aerodynamic turbulence. The “Loraymo” is equipped with the Flaminia type 823.00 engine tuned by the Turin specialist Nardi. Loewy, who commissioned the car for its personal use, first used the Loraymo in Europe and later in America. A few years after the designer’s death (14th July 1986), the car was found by the president of the Lancia Club of America who donated it to the Lancia museum, where it was completely restored.

1961 Lancia Flaminia "Amalfi" (Boneschi)

In April 1961, the Milanese coachbuilder Boneschi built this convertible on one of the Flaminia chassis which in origin was destined for Touring (chassis 824.04, therefore equipped with the 119 hp engine). The car, called “Amalfi”, received mixed opinions due to its angular lines (called Linea Tesa) created by world famous designer Rodolfo Bonetto, who at the time collaborated on several project with Boneschi. It remained a one-off and is still in existance in very good shape.

1963 Lancia Flaminia Speciale Coupé (Pininfarina)

At the 1963 Turin Motor Show Pininfarina unveiled a coupé, designed by Tom Tjaarda, characterized by a stylistic contrast between the front – clearly inspired by its smaller sister, the Flavia coupé – and the rest of the car, which was very multifaceted and elusive. The passenger compartment features a black leather upholstery, the seats are anatomically shaped; the dashboard is fully padded to better protect the occupants in the event of any collisions. The car exhibited at the Turin Motor Show reappears, unaltered, at the 1964 Geneva Motor Show. After the 1965 Shows, the Flaminia Speciale became Battista Pininfarina’s personal car. New rear lights were mounted and the color changed to metallic silver. Pininfarina kept the car until 1972, when an American doctor managed to negotiate (after 6 month) its purchase for $ 4,200. The new owner, Dr. Richard Buckingham was the 63rd member of the Lancia American Club and  president for 15 years. The car had only 9100 km (5642 miles), when he bought it. It was shown  regularly at exhibitions and competitions, including the 1989 Pebble Beach Concours d’Elegance, where the car reached 3rd place in his class. Later the car was sold to the Matsuda collection in Japan, and there the car was restored to its original pearl white paint. In 2003 it was sold to a collector in British Columbia, Canada, and then to its fourth owner in 2008, Mr. Heumann, President of the Pebble Beach Concourse d’Elegance. Collector Corrado Lopresto purchased the car in 2011 and brought it back to Italy. The car remains essentially original with only 19,000 km (11,780 miles). Today the car is very well preserved and in very good, basically original condition.

1969 Lancia Flaminia "Marica" (Ghia)

The last of the 5 “fuoriserie” Flaminia is a Coupé designed, once again, by Tom Tjaarda but this time built by Ghia. Its name “Marica” (from the mythological name of a Roman nymph), was presented at the 51st Salone dell’Automobile in Turin in 1969. This one-off was built in autumn of 1969, when the “Flaminia” was already out of production. It was built on chassis #1168, the last of the series marked by the initials 826.138 which identifies, with two exceptions (the “Speciale” by Pininfarina of 1963 and, in fact, the “Marica “) the Lancia Flaminia 3C 2800 GT with Touring Coupé bodywork.  Some believes that the Marica was built at the express wish of Alejandro De Tomaso (who in 1967 had taken over Ghia) in order caught the attention of Lancia, which was in financial difficulties and was looking for a buyer. The car, classic and deliberately devoid of stylistic excesses, has an evident Lancia-style grille, strongly inclined windshield and rear window, spacious and refined interiors: the walnut wood covered dashboard is, among the main instruments, placed centrally. Other features are the electric powered windows and light alloy wheels. The truncated tail design was clearly inspired by the Fulvia Coupé. Today the Marica is part of the Lopresto Collection.

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Bugatti EB110

In the world of high-performance automobiles, few cars command as much intrigue as the Bugatti EB110. Brought to life by Italian entrepreneur Romano Artioli, the EB110 was a groundbreaking effort to revive the storied Bugatti name. Combining avant-garde engineering, meticulous design, and theatrical presentation, it was a car that set new benchmarks for what a supercar could achieve—both on paper and in practice.

Who Is Romano Artioli?

Romano Artioli is a visionary entrepreneur and car enthusiast who played a pivotal role in the revival of the Bugatti brand. Born in the Province of Mantua, he grew up in Bolzano, where he established himself as a key figure in the luxury and performance automotive world. In the 1980s, he managed the largest Ferrari dealership in the world, expanding his reach into northern and southern Germany.

Artioli’s expertise extended beyond Italian exotics. He entered the business of importing Japanese cars through his company Autexpò, which in 1982 became the first official importer of Suzuki vehicles in Italy. This venture bolstered his business acumen and financial resources, laying the groundwork for larger ambitions.

Bugatti EB110

A passionate admirer of Bugatti, Artioli joined forces with Ferruccio Lamborghini and Paolo Stanzani to resurrect the legendary French marque. Leveraging their credibility and Stanzani’s industrial expertise, Artioli negotiated with the French government, which controlled the Bugatti brand at the time. In 1987, he successfully acquired the rights to Bugatti, forming the Bugatti International holding company, with Jan-Krister Breitfeld as president.

The same year, Artioli and Stanzani co-founded Bugatti Automobili S.p.A., with Stanzani acting as sole administrator and technical director. Initially, Artioli took a backseat, not assuming a direct managerial role until 1990, when he became president of the company. However, deep-seated disagreements over business strategy led to Stanzani’s departure just as the Bugatti EB110 prototypes were nearing completion.

Romano Artioli’s Vision for Bugatti

The Bugatti marque, dormant since the mid-20th century, was revived in 1987 when Artioli acquired the rights. For Artioli, Bugatti was more than a brand; it was an embodiment of perfection and artistry. His vision was to resurrect the marque in a way that honored its legacy while propelling it to the forefront of automotive innovation.

Bugatti EB110

To that end, he established Bugatti Automobili S.p.A. in Campogalliano, Italy, a high-tech facility designed to reflect Bugatti’s meticulous ethos. Even the smallest details of the factory, from its architecture to its branding, were crafted to exude sophistication. Artioli’s pursuit of excellence extended to every facet of the operation, with no expense spared to ensure that the car would become a technological and artistic marvel.

The Bugatti EB110: Designed for Elegance and Performance

The design of the EB110 emerged after several high-profile proposals were reviewed. While initial sketches by Marcello Gandini offered an angular and aggressive aesthetic, Artioli found them inconsistent with Bugatti’s legacy of elegance. Additional proposals were considered, including contributions from Italdesign Giugiaro, Bertone, and Paolo Martin.

Ultimately, the task of finalizing the car’s design fell to Gianpaolo Benedini, who also oversaw the construction of the Campogalliano factory. Benedini reworked Gandini’s initial drafts, softening the harsh lines and introducing a more aerodynamic, timeless shape. The final design balanced modernity with subtle nods to Bugatti’s heritage, including a minimalist interpretation of the iconic horseshoe grille.

Artioli’s design philosophy for the EB110 drew inspiration from the weight-saving principles famously championed by Carrozzeria Touring, applying advanced materials and innovative techniques to achieve unparalleled efficiency and performance.

A Technical Masterpiece

At the heart of the EB110 was a 3.5-liter quad-turbocharged V12 engine, a marvel of engineering that delivered both raw power and remarkable sophistication. The engine, featuring five valves per cylinder (three intake, two exhaust), produced 553 horsepower in the GT model and 603 horsepower in the more aggressive SS variant.

This technological showcase included 12 individual throttle bodies, ensuring razor-sharp response. Engineered to operate at a stratospheric 8,600 RPM redline, the powertrain underscored Bugatti’s commitment to pushing the boundaries of what was mechanically possible.

Bugatti EB110

The engine’s advanced systems were paired with a six-speed manual gearbox, allowing precise control over the car’s immense power. To harness this energy, the EB110 employed a sophisticated all-wheel-drive system that delivered 27% of the torque to the front wheels and 73% to the rear. This rear-biased setup provided excellent traction while maintaining the dynamic feel of a rear-wheel-drive sports car.

The EB110’s chassis was equally advanced. Its carbon-fiber monocoque, developed in collaboration with aerospace specialists, was one of the first of its kind in a production car. This construction provided exceptional rigidity while keeping weight to a minimum. The suspension system, with double wishbones at all four corners, ensured precise handling and a planted feel at high speeds.

The car’s aerodynamics were optimized through extensive wind tunnel testing, with active features like a deployable rear spoiler that adjusted based on speed and braking inputs. All of this culminated in a car capable of 0 to 60 mph in just 3.2 seconds and a top speed of 218 mph, making it one of the fastest cars of its era.

A Spectacular Debut

The launch of the EB110 on September 15, 1991; Ettore Bugatti’s 110th birthday; was a spectacle befitting its ambitious design. The unveiling began in Paris, the birthplace of the original Bugatti marque, where a carefully choreographed celebration honored the brand’s heritage. Over 70 vintage Bugatti cars were displayed in a horseshoe formation, evoking both history and exclusivity. Thousands of guests, including dignitaries, journalists, and celebrities, were treated to an elaborate presentation that emphasized Bugatti’s past and future.

Bugatti EB110

After the Parisian festivities, the EB110 was transported to Molsheim, France, where Ettore Bugatti had established his original factory. There, the car was revealed to the public, symbolizing the brand’s return to its roots.

Artioli spared no effort in making the event memorable. From champagne receptions to grand dinners, the entire celebration reflected the opulence and ambition that defined the EB110 project.

Challenges and Legacy

Despite its technological brilliance, the EB110 faced significant challenges. The global economic recession of the early 1990s reduced demand for ultra-expensive supercars, and Bugatti’s ambitious production targets proved unattainable. Financial pressures mounted, exacerbated by Artioli’s overextension into ventures like the acquisition of Lotus.

Rumors of industrial sabotage and pressure from rival manufacturers added to the drama. Bugatti Automobili declared bankruptcy in 1995, having produced only 139 units of the EB110. The company’s assets, including the Campogalliano factory, were eventually sold.

Yet, the EB110’s legacy endures. It set the stage for modern Bugatti hypercars like the Veyron and Chiron, which adopted its pioneering use of carbon fiber, all-wheel-drive systems, and quad-turbocharged engines. The EB110 is now a highly coveted collector’s car, celebrated for its engineering prowess and historical significance.

Why the Bugatti EB110 Failed

The failure of the Bugatti EB110 was a tragic convergence of bad timing, overambition, and industrial intrigue. Romano Artioli’s vision for Bugatti included not just reviving the brand but also acquiring Lotus, creating a global network of luxury dealerships. While Lotus found modest success, Bugatti faced a rough start, worsened by external and internal challenges.

The EB110 launched in 1991, during a global recession that decimated the exotic car market. Bugatti aimed to sell 150 cars annually, but only 115 were produced over three years. Compounding this was the Black Monday crash in 1987, just as Bugatti Automobili was established, creating economic turbulence that hampered the brand’s revival.

Bugatti EB110

Behind the scenes, Artioli claimed sabotage: suppliers allegedly cut off deliveries under pressure from rivals, and even employees were rumored to have tampered with production. Adding to the turmoil, Suzuki terminated its distributorship deal with Artioli, cutting a critical revenue stream.

Ambitious projects, like the state-of-the-art factory in Campogalliano, drained resources, while Bugatti’s inability to meet supplier payments strained production. Despite a car that dazzled in engineering and design, the company’s collapse was a tale of overreach and misfortune. The EB110 remains a brilliant but brief chapter in Bugatti’s storied history.

A Bold Dream, A Lasting Impact

The Bugatti EB110 was a supercar born of audacity and innovation. Though its production run was short-lived, the EB110 remains a symbol of what is possible when visionaries push the limits of technology and design. Its story, marked by triumph and turbulence, encapsulates the essence of the Bugatti spirit: a relentless pursuit of excellence in the face of overwhelming odds.