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The Lancia Flaminia “Fuoriserie”

The Lancia Flaminia was born as the Lancia flagship model of the 50’s and 60’s with the aim to replace the glories of the previous Aurelia. More or less when, in 1955, the Lancia family sold the majority shareholding to the Pesenti group, a small revolution took place in the technical department of Lancia: engineer Vittorio Jano, who moved to Ferrari in 1955 was replaced by Antonio Fessia, an illustrious and highly experienced technician.

Fessia was in charge of the Flaminia project, and the first speciment, the sedan version, sees the light in April 1956. It was a voluminous limousine, designed by Pininfarina, equipped with a V6 engine, delivering about 100 HP and capable to reach 160 km/h. Compared to the Aurelia, it had a completely new design language, but with mechanics that are certainly not revolutionary. However, the development of this new model toke more than a year and the final version, was finally unveiled at the 1957 Geneva Motor Show.

The market success of the Flaminia sedan was unquestionably good, but Lancia had to think about how to replace the sportier versions like the Aurelia B20 Coupe and the B24 Spider. As usual, the Turin-based company relied on the best italian coachbuilders. The sporty Flaminia versions were exhibited at the 1958 Turin Motor Show: three Coupè “Fuoriserie” versions were made respectively by Pininfarina, Touring and Zagato which were sold officially by Lancia’s car dearlers.

In addition to these, 5 special Flaminia one-off’s were also built:

1959 Lancia Flaminia Spider (Vignale)

At the 1959 Turin Motor Show, Lancia exhibited only closed versions of its Flaminia including a sedan and a coupé. On the other hand coachbuilder Vignale, based on a design of Giovanni Michelotti, unveiled a spider built on the 252 cm wheelbase Flaminia chassis equiped with the 119 hp engine which we already have seen on the Touring and Zagato coupés. This open version of the Flaminia was built by Vignale as attempt to win the commission for the official Lancia Cabriolet against Touring without success. The one-off featured a dark blue paint, defined at the time as “midnight light”, leather interior and a foldable top which disappears in the trunk. The air intake on the bonnet faced in an unusual way the windshield. 

1960 Lancia Flaminia Coupé "Loraymo" (Motto)

The eclectic and less known Turin coachbuilder Rocco Motto was hired by famous designer Raymond Loewy to built, after his design, an extremely original body for a Flaminia Coupé. Motto, who among other things was a specialist in aluminum processing, accepted and was able to finish the work for the 47th Paris Motor Show, which toke place from 6 to 16 October 1960. Here, the metallic dark amber painted car made its debut for the first time. For the name of his creation, the designer, chose his design studio’s telegram address “Loraymo”, which is a combination of letters included in his name and surname: LOewy RAYMOnd. Among the many peculiarities and quirks we can notice the adjustable wing placed on top of the rear window (this feature will be adopted later by two other Lancias, the Stratos and the Delta Integrale Evoluzione), whose purpose is to reduce the low-pressure aerodynamic turbulence. The “Loraymo” is equipped with the Flaminia type 823.00 engine tuned by the Turin specialist Nardi. Loewy, who commissioned the car for its personal use, first used the Loraymo in Europe and later in America. A few years after the designer’s death (14th July 1986), the car was found by the president of the Lancia Club of America who donated it to the Lancia museum, where it was completely restored.

1961 Lancia Flaminia "Amalfi" (Boneschi)

In April 1961, the Milanese coachbuilder Boneschi built this convertible on one of the Flaminia chassis which in origin was destined for Touring (chassis 824.04, therefore equipped with the 119 hp engine). The car, called “Amalfi”, received mixed opinions due to its angular lines (called Linea Tesa) created by world famous designer Rodolfo Bonetto, who at the time collaborated on several project with Boneschi. It remained a one-off and is still in existance in very good shape.

1963 Lancia Flaminia Speciale Coupé (Pininfarina)

At the 1963 Turin Motor Show Pininfarina unveiled a coupé, designed by Tom Tjaarda, characterized by a stylistic contrast between the front – clearly inspired by its smaller sister, the Flavia coupé – and the rest of the car, which was very multifaceted and elusive. The passenger compartment features a black leather upholstery, the seats are anatomically shaped; the dashboard is fully padded to better protect the occupants in the event of any collisions. The car exhibited at the Turin Motor Show reappears, unaltered, at the 1964 Geneva Motor Show. After the 1965 Shows, the Flaminia Speciale became Battista Pininfarina’s personal car. New rear lights were mounted and the color changed to metallic silver. Pininfarina kept the car until 1972, when an American doctor managed to negotiate (after 6 month) its purchase for $ 4,200. The new owner, Dr. Richard Buckingham was the 63rd member of the Lancia American Club and  president for 15 years. The car had only 9100 km (5642 miles), when he bought it. It was shown  regularly at exhibitions and competitions, including the 1989 Pebble Beach Concours d’Elegance, where the car reached 3rd place in his class. Later the car was sold to the Matsuda collection in Japan, and there the car was restored to its original pearl white paint. In 2003 it was sold to a collector in British Columbia, Canada, and then to its fourth owner in 2008, Mr. Heumann, President of the Pebble Beach Concourse d’Elegance. Collector Corrado Lopresto purchased the car in 2011 and brought it back to Italy. The car remains essentially original with only 19,000 km (11,780 miles). Today the car is very well preserved and in very good, basically original condition.

1969 Lancia Flaminia "Marica" (Ghia)

The last of the 5 “fuoriserie” Flaminia is a Coupé designed, once again, by Tom Tjaarda but this time built by Ghia. Its name “Marica” (from the mythological name of a Roman nymph), was presented at the 51st Salone dell’Automobile in Turin in 1969. This one-off was built in autumn of 1969, when the “Flaminia” was already out of production. It was built on chassis #1168, the last of the series marked by the initials 826.138 which identifies, with two exceptions (the “Speciale” by Pininfarina of 1963 and, in fact, the “Marica “) the Lancia Flaminia 3C 2800 GT with Touring Coupé bodywork.  Some believes that the Marica was built at the express wish of Alejandro De Tomaso (who in 1967 had taken over Ghia) in order caught the attention of Lancia, which was in financial difficulties and was looking for a buyer. The car, classic and deliberately devoid of stylistic excesses, has an evident Lancia-style grille, strongly inclined windshield and rear window, spacious and refined interiors: the walnut wood covered dashboard is, among the main instruments, placed centrally. Other features are the electric powered windows and light alloy wheels. The truncated tail design was clearly inspired by the Fulvia Coupé. Today the Marica is part of the Lopresto Collection.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.