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The Fiat 8V

In March 1952, Fiat surprised the world at the Geneva Motor Show with the Fiat 8V. A two-seater sports car that was also designed as a racing car. What was surprising was that Fiat had not shown any interest in re-entering the racing scene up to this point. Fiat left it to other companies to convert their vehicles for racing. In its production time until 1954, 114 “8 VU’s” were built totally by Fiat and various Coachbuilder.

The origin

In 1945, Fiat began developing the Tipo 101, a four-seater vehicle that was originally intended to replace the Fiat 1100 and, in 1950, replaced the Fiat 1500 as the Fiat 1400. For the first prototype, designated as 101E1, 1.3-liter engines were provided. Dante Giacosa, at that time head of the development department for engines at Fiat, developed the engine. When the 101E1 was tested with the engine in 1946, it turned out that the power was too low and the engine had to be revised. In addition, the Fiat management decided at the end of October that it would be better to build a five-seater car and so the order was given to modify the 101E1 accordingly.

When the new requirements were issued, Giacosa, together with his employees, began developing the vehicle and engine now known as the 101E2 at the end of 1946. By May 1947 the engine had been completed. In mid-May, Fiat sent Giacosa to Detroit to study new developments in the auto sector. There he visited Budd, Chrysler and General Motors and was also allowed to look at vehicle and engine developments. Representatives of the companies explained to him that the trend was towards engines with a larger bore than stroke and that higher compression would soon be possible as the octane number of the fuel would rise (in Italy it was 65 in 1947).

Dante Giacosa

Once back in Italy, he discarded the finished engine and developed a 1.2-liter engine with a bore of 80 mm and a stroke of 60 mm. During testing, it turned out that the 1.2-liter engine delivered the same output as the discarded 1.3-liter engine. The prototype 101E2 equipped with the new engine was tested at the end of January 1948. But a short time later, Fiat decided to direct future production to the American market. It was now requested that the front of the car should have a bench seat for three people, so that a total of six people can be transported. In addition, the request was expressed to redesign the engine in such a way that it should now have a displacement of 1.3 liters and offer the possibility of being able to derive a six-cylinder V-engine. Giacosa then suggested developing either a two-liter engine as a four-cylinder in-line engine or as an eight-cylinder V-engine, as balancing a six-cylinder V-engine was very difficult. After further discussion it was decided to first produce the prototype 101E3 with a 1.4 liter engine. This was completed in October 1948 and came onto the market in 1950 as the Fiat 1400. Then began work on a car derived from it with a larger engine and space for a six-cylinder V in the engine compartment, which led to the Fiat 1900 in 1952.

Since the Fiat sales department preferred to offer a six- or eight-cylinder luxury car instead of a car derived from the engine and body of the Fiat 1400, in 1950 Giacosa began developing an engine with more than four cylinders in parallel with the work on the Fiat 1900. In his search for the right format, he sequentially rejected an in-line six-cylinder engine because it was too long, a six-cylinder V-engine because Giacosa was convinced that it would be difficult to balance and an eight-cylinder V-engine with a 90 ° fork angle because it was too wide. After some consideration, technical and other factors led him to an eight-cylinder V-engine with a fork angle of 70 °. Such an engine would not be optimally balanced, but it would be very compact.

The 8V Tipo 104

After the first tests of the finished engine with the designation Tipo 104 in the same year, it had to be revised again. The subsequent test runs were promising and so, at the request of the sales department, the wheelbase of a Fiat 1400 chassis was extended to 2850 mm and powered with it. This chassis, known as Tipo 104, was then sent to Pininfarina to build a limousine. Fears expressed in advance that the vehicle would be too big and too heavy for the engine were confirmed and the project was discontinued. Giacosa then suggested to Fiat management to build a sports car for the engine and then derive a sedan from it. The management agreed and the prototype Tipo 106 was commissioned. In order not to lose time and not to overwhelm the development department, it was decided that Siata would develop the chassis and install the mechanics and Fiat would build the engine and the body. The body was then designed by Fabio Luigi Rapi with some form and shape assistance from Giacosa. After the car was ready, Carlo Salamano helped set it up. After the presentation of the now called Fiat 8V at the Geneva Motor Show in 1952, finally production began. The Fiat 8V got its name because at the time of its making, Fiat believed Ford had a copyright on “V8”.

After 114 vehicles, production was stopped at the end of 1954 for economic reasons. There was no derivation as a sedan because it was decided that the Fiat 1900 should initially be Fiat’s top model.

Carrozzerie Speciali

The “Rapi Ottovù”

The 8V bodies for Fiat were manufactured in the company’s own body shop, Carrozzerie Speciale. The first version was built from 1952 to 1953 and then replaced by a slightly more pleasing model that was built from 1953 to 1954. Dante Giacosa preferred the model from 1952/53. From 1953, Fiat also experimented with fiberglas, but there was no series production.

Ghia

Carrozzeria Ghia Torino made 2 types of designs for the Fiat 8V.

The Ghia Fiat 8V Boano

This coupé has the chassis number 106.000042 and is a one-off. It was built in 1953 based on designs by the designer Mario Boano.

Photo courtesy of RM Auctions

The Supersonic

The Supersonic was originally a prototype based on Alfa Romeo 1900C, which was commissioned by Virgilio Conrero, a tuner for Alfa Romeo and Lancia in Turin, at the request of a Swiss for the 1953 Mille Miglia. For the body, Conrero turned to Ghia and the designer Giovanni Savonuzzi. The design impressed Ghia so much that in 1953 it was decided to produce a small series. The choice of the base fell on the Fiat 8V, and in October 1953 the first car was presented to the public at the Mondial de l’Automobile. A total of no more than 20 Supersonic were built, depending on the source up to 15 on a Fiat 8V, three on a Jaguar XK 120, one on an Aston Martin DB 2/4 Mark II. The Fiat 8V Supersonic inspired Virgil Exner for his DeSoto Adventurer II design in 1954.

Read our special about the Ghia Supersonic.

Pininfarina

The 8V Berlinetta Speciale

Pininfarina only designed and built one coupé based on the Fiat 8V in 1955. The vehicle known as the Fiat 8V Berlinetta Speciale is a one-off and was made by Fiat for Giovanni Nasi

Vignale

Vignale built a total of eight cars on the Fiat 8V. Specifically, there were five coupés, a Spider, a Coupé Corsa and the Démon Rouge design study. All vehicles were designed by Giovanni Michelotti.

The Vignale 8V’s

From 1953 Vignale produced various coupés based on the Fiat 8V. A total of five models were made of them.

The Coupè Corsa

In 1954 Vignale wanted to present at the Mondial de l’Automobile the Coupé Corsa , but the work was not finished in time. The vehicle was not presented at any motor show and was sold to Casimiro Toselli. Toselli showed the car for the first time in 1955 at the Sestriere Rally. Many races were done with the Coupé Corsa up to 1957, but never with great success. In 1957 the Fiat 8V had to be extensively repaired and, among other things, it got a new front and a new rear. The chassis bears the number 106.000052.

The 8V Spider

In 1953 Vignale presented the Fiat 8V Spider. Only one car was built. The vehicle had a very massive, continuous front bumper. Later the vehicle was redesigned on the front end and got a new paint job, the front bumper had been replaced by a split bumper and its color is now red. The Fiat 8V Spider achieved 1,120,000 € at the RM Sotheby’s auction and had the chassis number 106.000050 and the engine number 104.000 000184.

The “Red Devil”

In 1953 Vignale presented the Démon Rouge at the Turin Motor Show. It is a pure design study. Interesting details are not only the curved rear window, but also the door handles. They are integrated as chrome-plated plates in the rear roof struts. In 1955 the design won the ‘Coppa Campione d’Italia’ Concours d’Elegance and in 2004, more than 50 years later, the best of the show at the Concours d’Elegance at Palace Het Loo in Apeldoorn, Netherlands. It can be seen in the Louwman Museum in The Hague.

Zagato

In total, Zagato got 32 chassis (according to other sources 30) and at least one Spider was built.

The “Elaborata”

Basically the series Rapi 8V heavily modified by Zagato. Among other things, they got Zagato’s famous bubble roof. The vehicles are labeled “Zagato elaborazione” and are called Fiat 8V Elaborata. Only 5 were built.

Photo courtesy of Gooding & Co.

The 8VZ

Zagato presented its first coupé in early 1952. The vehicles all received lightweight bodies, which were largely made of aluminum. The interior was individually tailored to each buyer. The exterior design could also be influenced; For example, the Bubble Roof could be ordered. Some of them were used at racing events. The vehicles were sold until 1959. The vehicles are referred to as Fiat 8VZ, with the “Z” standing for Zagato.

Photo courtesy of Wouter Melissen.

The 8VZ Spider

The vehicle has the chassis number 000005. The car was originally built as a coupé by Fiat in 1952 and sold to the industrialist Franco Auricchio from Cremona. He left the coupé to the racing drivers Vincenzo Auricchio and Piero Bozzinio for the Mille Miglia 1952, in which they finished 5th in the class up to 2000 cc. He later passed the car on to racing driver Ovidio Capelli, who sent the coupe to Zagato to have a lightweight Barchetta built. The vehicle was badly damaged in an accident in Sardinia. In this condition he sold the racing car to the Leto di Priolo brothers. They sent the car back to Zagato, which built a new and different Spider body. This racing car, known as the 8VZ Spider, was used by Massimo Leto di Priolo in the Grand Prix of Sweden on August 7, 1955 in the GT class up to 2 liters. Leto di Priolo achieved 2nd place with the vehicle. The vehicle was shown on the spot sul Liston Edizione 2015 in Padova, Italy.

The Siata's

The Siata 208 CS

Siata also presented its new 208 series at the 1952 Geneva Motor Show. Since Siata had helped develop the vehicle, they were also able to present a V8 model. The main thing in common with the 8V is the engine. This was offered with power levels from 105 to 122 hp and compressions from 7.5 to 8.5: 1. Since Siata had developed the chassis for the Fiat 8V, this could also have had an impact on the 208. Production of the 208 ended at the latest when the Fiat 8V was discontinued. The bodies were built by Stabilimenti Farina (Coupè and Spider) and Balbo (only Coupè).

Renato Ambrosini President of Siata with race driver Otto Linton and the Siata 208 CS August 1952

The Bertone Siata's

In addition to the 208 series, Bertone built at least 3 one-offs with different bodies.

The Corsa Spider

In 1952 Nuccio Bertone built for himself the Corsa Spider based on the Siata 208 CS. It was designed by Franco Scaglione and was recently restored by Strada e Corsa.

Photo courtesy of Strada e Corsa

The Berlinetta 2+2

First shown at the Paris Auto Show in October 1952, then with 2 other Siatas at the New York International Motor Sports Show in April 1953, this car designed by Scaglione was sold in Chicago in 1953. This one-off, four-seat, Siata Berlina uses the Fiat derived 2.0 liter V8 engine which can also be found in the more common Fiat 8Vs, and Siata 208s. Like other one-off Italian designs, this car boasts many unique details in the head and taillight structures, and throughout the dash and doors.

The Siata 8V

The Siata 8V boasts unique details designed by Michelotti such as the doors and front and rear lights. The first time it was presented at the Paris Motor Show in the same year, then at the New York International Motor Show. Arnolt sold the car to Stuart Sherman in Illinois in 1955. It was then bought by Roy Thoressen, Minnesota who drove it for a few years, until he put it in a warehouse and for several years, it wasn’t driven. They “remembered” the Siata when a large infiltration of water and the weight of the snow caused the roof to collapse, it was 1989. It was bought in 1993 by Walter Eisenstark, still in its original conditions, but finally a real restoration could be carried out , with high quality standards. Currently, the car has found a home in Belgium.

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Stefano
Stefano
3 years ago

Sarebbe interessante approfondire le 8V Vignale, di cui la carrozzeria di una in particolare è stata riproposta pure sulla MG

Bugatti EB110

In the world of high-performance automobiles, few cars command as much intrigue as the Bugatti EB110. Brought to life by Italian entrepreneur Romano Artioli, the EB110 was a groundbreaking effort to revive the storied Bugatti name. Combining avant-garde engineering, meticulous design, and theatrical presentation, it was a car that set new benchmarks for what a supercar could achieve—both on paper and in practice.

Who Is Romano Artioli?

Romano Artioli is a visionary entrepreneur and car enthusiast who played a pivotal role in the revival of the Bugatti brand. Born in the Province of Mantua, he grew up in Bolzano, where he established himself as a key figure in the luxury and performance automotive world. In the 1980s, he managed the largest Ferrari dealership in the world, expanding his reach into northern and southern Germany.

Artioli’s expertise extended beyond Italian exotics. He entered the business of importing Japanese cars through his company Autexpò, which in 1982 became the first official importer of Suzuki vehicles in Italy. This venture bolstered his business acumen and financial resources, laying the groundwork for larger ambitions.

Bugatti EB110

A passionate admirer of Bugatti, Artioli joined forces with Ferruccio Lamborghini and Paolo Stanzani to resurrect the legendary French marque. Leveraging their credibility and Stanzani’s industrial expertise, Artioli negotiated with the French government, which controlled the Bugatti brand at the time. In 1987, he successfully acquired the rights to Bugatti, forming the Bugatti International holding company, with Jan-Krister Breitfeld as president.

The same year, Artioli and Stanzani co-founded Bugatti Automobili S.p.A., with Stanzani acting as sole administrator and technical director. Initially, Artioli took a backseat, not assuming a direct managerial role until 1990, when he became president of the company. However, deep-seated disagreements over business strategy led to Stanzani’s departure just as the Bugatti EB110 prototypes were nearing completion.

Romano Artioli’s Vision for Bugatti

The Bugatti marque, dormant since the mid-20th century, was revived in 1987 when Artioli acquired the rights. For Artioli, Bugatti was more than a brand; it was an embodiment of perfection and artistry. His vision was to resurrect the marque in a way that honored its legacy while propelling it to the forefront of automotive innovation.

Bugatti EB110

To that end, he established Bugatti Automobili S.p.A. in Campogalliano, Italy, a high-tech facility designed to reflect Bugatti’s meticulous ethos. Even the smallest details of the factory, from its architecture to its branding, were crafted to exude sophistication. Artioli’s pursuit of excellence extended to every facet of the operation, with no expense spared to ensure that the car would become a technological and artistic marvel.

The Bugatti EB110: Designed for Elegance and Performance

The design of the EB110 emerged after several high-profile proposals were reviewed. While initial sketches by Marcello Gandini offered an angular and aggressive aesthetic, Artioli found them inconsistent with Bugatti’s legacy of elegance. Additional proposals were considered, including contributions from Italdesign Giugiaro, Bertone, and Paolo Martin.

Ultimately, the task of finalizing the car’s design fell to Gianpaolo Benedini, who also oversaw the construction of the Campogalliano factory. Benedini reworked Gandini’s initial drafts, softening the harsh lines and introducing a more aerodynamic, timeless shape. The final design balanced modernity with subtle nods to Bugatti’s heritage, including a minimalist interpretation of the iconic horseshoe grille.

Artioli’s design philosophy for the EB110 drew inspiration from the weight-saving principles famously championed by Carrozzeria Touring, applying advanced materials and innovative techniques to achieve unparalleled efficiency and performance.

A Technical Masterpiece

At the heart of the EB110 was a 3.5-liter quad-turbocharged V12 engine, a marvel of engineering that delivered both raw power and remarkable sophistication. The engine, featuring five valves per cylinder (three intake, two exhaust), produced 553 horsepower in the GT model and 603 horsepower in the more aggressive SS variant.

This technological showcase included 12 individual throttle bodies, ensuring razor-sharp response. Engineered to operate at a stratospheric 8,600 RPM redline, the powertrain underscored Bugatti’s commitment to pushing the boundaries of what was mechanically possible.

Bugatti EB110

The engine’s advanced systems were paired with a six-speed manual gearbox, allowing precise control over the car’s immense power. To harness this energy, the EB110 employed a sophisticated all-wheel-drive system that delivered 27% of the torque to the front wheels and 73% to the rear. This rear-biased setup provided excellent traction while maintaining the dynamic feel of a rear-wheel-drive sports car.

The EB110’s chassis was equally advanced. Its carbon-fiber monocoque, developed in collaboration with aerospace specialists, was one of the first of its kind in a production car. This construction provided exceptional rigidity while keeping weight to a minimum. The suspension system, with double wishbones at all four corners, ensured precise handling and a planted feel at high speeds.

The car’s aerodynamics were optimized through extensive wind tunnel testing, with active features like a deployable rear spoiler that adjusted based on speed and braking inputs. All of this culminated in a car capable of 0 to 60 mph in just 3.2 seconds and a top speed of 218 mph, making it one of the fastest cars of its era.

A Spectacular Debut

The launch of the EB110 on September 15, 1991; Ettore Bugatti’s 110th birthday; was a spectacle befitting its ambitious design. The unveiling began in Paris, the birthplace of the original Bugatti marque, where a carefully choreographed celebration honored the brand’s heritage. Over 70 vintage Bugatti cars were displayed in a horseshoe formation, evoking both history and exclusivity. Thousands of guests, including dignitaries, journalists, and celebrities, were treated to an elaborate presentation that emphasized Bugatti’s past and future.

Bugatti EB110

After the Parisian festivities, the EB110 was transported to Molsheim, France, where Ettore Bugatti had established his original factory. There, the car was revealed to the public, symbolizing the brand’s return to its roots.

Artioli spared no effort in making the event memorable. From champagne receptions to grand dinners, the entire celebration reflected the opulence and ambition that defined the EB110 project.

Challenges and Legacy

Despite its technological brilliance, the EB110 faced significant challenges. The global economic recession of the early 1990s reduced demand for ultra-expensive supercars, and Bugatti’s ambitious production targets proved unattainable. Financial pressures mounted, exacerbated by Artioli’s overextension into ventures like the acquisition of Lotus.

Rumors of industrial sabotage and pressure from rival manufacturers added to the drama. Bugatti Automobili declared bankruptcy in 1995, having produced only 139 units of the EB110. The company’s assets, including the Campogalliano factory, were eventually sold.

Yet, the EB110’s legacy endures. It set the stage for modern Bugatti hypercars like the Veyron and Chiron, which adopted its pioneering use of carbon fiber, all-wheel-drive systems, and quad-turbocharged engines. The EB110 is now a highly coveted collector’s car, celebrated for its engineering prowess and historical significance.

Why the Bugatti EB110 Failed

The failure of the Bugatti EB110 was a tragic convergence of bad timing, overambition, and industrial intrigue. Romano Artioli’s vision for Bugatti included not just reviving the brand but also acquiring Lotus, creating a global network of luxury dealerships. While Lotus found modest success, Bugatti faced a rough start, worsened by external and internal challenges.

The EB110 launched in 1991, during a global recession that decimated the exotic car market. Bugatti aimed to sell 150 cars annually, but only 115 were produced over three years. Compounding this was the Black Monday crash in 1987, just as Bugatti Automobili was established, creating economic turbulence that hampered the brand’s revival.

Bugatti EB110

Behind the scenes, Artioli claimed sabotage: suppliers allegedly cut off deliveries under pressure from rivals, and even employees were rumored to have tampered with production. Adding to the turmoil, Suzuki terminated its distributorship deal with Artioli, cutting a critical revenue stream.

Ambitious projects, like the state-of-the-art factory in Campogalliano, drained resources, while Bugatti’s inability to meet supplier payments strained production. Despite a car that dazzled in engineering and design, the company’s collapse was a tale of overreach and misfortune. The EB110 remains a brilliant but brief chapter in Bugatti’s storied history.

A Bold Dream, A Lasting Impact

The Bugatti EB110 was a supercar born of audacity and innovation. Though its production run was short-lived, the EB110 remains a symbol of what is possible when visionaries push the limits of technology and design. Its story, marked by triumph and turbulence, encapsulates the essence of the Bugatti spirit: a relentless pursuit of excellence in the face of overwhelming odds.