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The Chrysler Norseman

chrysler norseman

The Chrysler Norseman, a concept car from 1956 that never made its debut at any car show, was tragically involved in the sinking of the Italian ocean liner Andrea Doria on July 26, 1956. This unfortunate event claimed the prototype along with many others, marking a significant chapter in automotive history.

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The origin

Chrysler’s idea was to create a car without A-pillars for the 1957 exhibitions, the prototype project was developed in October 1954 by the American stylist Virgil Exner, a member of the Chrysler Advanced Styling Group, at the Centro Stile Ghia di Torino based on the Lincoln Futura.

chrysler norseman

The Design of the Chrysler Norseman

The project for the large four-seater experimental Coupé had started in October 1954 and a 1:4 scale model had been sent to Italy for Carrozzeria Ghia as reference for a running model for display. The complexity of the forms, of the technical and stylistic solutions occupied the workers who worked in Corso Unione Sovietica for almost 15 months; it is likely that Pietro Frua, then head of the Ghia style center, was kept out of the operation.

chrysler norseman

The Chrysler Norseman featured many innovative technical solutions for the time. All major body panels on the car were made of aluminum as a result of research in advanced structural techniques to reduce weight. It had a sharply sloping hood, upswept tail fins and a covered, smooth underbody for aerodynamic efficiency. The chief designer of the technical office Sergio Coggiola was part of the working group of Ghia, who in 1966 founded its own company and to whom we owe the resolution of the biggest problem: that of creating a roof which had no posts or pillars. This was accomplished by means of structural cantilever archs which curved upward from the rear of the frame and over the passenger compartment of the car. Glass surrounding the passenger compartment was uninterrupted (using the Vistotal system, already seen on Castagna’s models) with the exception of the two archs of steel curving upward in the rear. The same criticality was faced by Coggiola for the construction of the Ferrari 212 Inter “Uovo”, built by Carrozzeria Fontana for the driver Giannino Marzotto for the 1951 Mille Miglia. In addition there was a 12 square foot panel of glass in the roof that was power operated and slid forward leaving the roof over the rear seat area open.

chrysler norseman

Over-all the smoothness of the car was enhanced by concealed automatic headlights, door handles, and concealed trunk lid opening device. Other innovations modern for the time, were the powered adjustable seats, automatic petrol cap, the PowerFlite automatic gearbox with steering wheel controls used in all Imperial cars, interior lighting with diffused light and the radio integrated in the central tunnel of the dashboard. Color of the car was two-tone metallic green with a touch of red inside the flared wheel openings.

chrysler norseman

5.8 meters long, 2 wide and 1.4 high, the Chrysler Norseman did not boast major mechanical innovations, being equipped with a classic V8 Hemi of 5.4 liters and 235 hp similar to that mounted on the Chrysler 300C in 1957.

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The disaster

On July 26, the ocean liner Andrea Doria tragically sank after being rammed by the Swedish ship Stockholm, taking dozens of lives and the Chrysler Norseman concept car to the bottom of the sea. Chrysler issued an official statement the same day, mourning the loss of the car, which was never rebuilt or unveiled to the public, and was never put into production. However, another concept car, the Ford Bimini, was spared from this fate. Though it was nearly loaded onto the Andrea Doria, it was not on the ship when it sank.

Photo courtesy of Harry Trask

Turin coachbuilder Ghia in 1961 resumed its line and many of the technical solutions for the construction of the Dodge Flitewing and Chrysler TurboFlite concept cars.
But Chrysler never used the cantilevered roof design in any subsequent vehicle.

Despite numerous attempts to bring to the surface the treasures sunk with the Andrea Doria, it has not yet been possible to recover it from the hold of the wreck.

The Chrysler Norseman today

After almost 65 years, the Norseman is probably not there anymore, under 75 meters of water on the bottom of the Atlantic off the coast of Massachusetts (40 ° 30′N 69 ° 53′E / 40.5 -69.883).

A diver named Bright was one of the last people to pay homage to the Norseman in 1994. As he stated, the car was in cargo hold number 2 packed in a crate which had completely disintegrated, leaving the Norseman in very poor conditions. The tires were the only element which helped with the cars identification. Considering that 25 years have passed, no one else will be lucky enough to see the remains of this prototype involved in this tragedy.

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Mark84
Mark84
3 years ago

Such a sad story, The cantilevered roof was the highlight

LowRider
LowRider
3 years ago
Reply to  Mark84

its a pitty Ghia didn’t tried to rebuilt it, i mean, insurances do exist back in the day right?

Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.