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The Alfa Romeo 412 Spider Vignale

The Alfa Romeo 412 Spider Vignale was a racing car built in 1939 with a Touring body then changed in 1951 by Vignale who used a more modern and aerodynamic livery in line with Alfa Romeo style of that period. It took part in different races with the original body but also with the one made by Vignale.

One-off belonged to Felice Bonetto until 1953, it was sligthly modificated during the years for road use. 412 passed away in the early 1960s.

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The car’s origins: the 12C-37 saved from the war

“I remember a itemized list of experimental racing cars existing at the Experience Service right after the war. It was the end of 1945.” In this way the memory about this car made by Elvira Ruocco, manager of the Alfa Romeo Historical Archive from 1983 to 2005, begins. She continues: “From this itemized list it appeared there were two 412 completed, (of 4 made), and one of them was located at the headquarter of Portello and anothe one was in another warehouse. Although I remember very well at the Triuggio decentralization a chassis complete with engine was in storage, another engine was storaged together with the 412 hospitalized in the Melzo decentralization.“

Its Story

The 412 was built in 1939 by Touring on the chassis of the 8C 2900A. Its engine is the 12-cylinder 4500, the same as the 12C of 1937. It had its debut on May 31, 1939 at the G.P. of Antwerp and it classified first and second thanks to the race drivers Giuseppe Farina and Raymond Sommer, and second at the G.P. of Luxembourg in 1939 thanks to Clemente Biondetti.

After the Second World War one of the four speciments produced (according to the book wrote by Fusi) was sold to the Swiss Willy Daetwyler, who led it to victory in different mountain races and in 1948, he won the G.P. of the Bremgarten.

The chassis shared with the 8C 2900-A was identified with the number 412151. Probably this number was used to named the car. It was equipped with a 12-cylinder V engine of 4495 cm3, built with two monoblocks 6 cylinders, which developed up to 430 hp and was turbocharged. It was designed by Vittorio Jano in 1937.

Therefore, the 412s derived from the 12C-37 single-seat, from which they inherited their engine. In 1936, the Grand Prix Alfa Romeos were called 12C-36s and they had an engine of 4,1 liter V12 and a similar, if not identical, car body to the 8C35 of 1935. In 1937 these cars were called 12C-37, and the engine was increased at 4,5 liters, but on a new and lower chassis.

On account of the subsequent limitation of the engine size for Gran Prix cars (3 liters), the 12 cylinders became useless, and were used since 1939 for sports-type races. With the Touring car body, the 412151 took part in different races, including the Mille Miglia of 1950 (Bonetto – Casnaghi) and the Targa Florio of 1950.

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Carrozzeria Vignale

In 1951, the Alfa Romeo 412 of Felice Bonetto took part at the “Giro di Sicilia”, from 31 March to the first of April, but it off the road wrecking its car body. So, coachbuilder Vignale built a very light Spider as a second dress, deeply modifying the previous one. With this new car, at the end of April 1951, Bonetto  took part at the Mille Miglia ranking sixth with the number 427.

So, the intervention of Vignale can be dated to April 1951. This photography taken during the above mentioned Mille Miglia in which it’s not painted (maybe to reduce its weight for the race) and with the number 427 painted by hand. The car then participated in a race in Oporto in 1951, which it won  beating the Ferrari 166s and the Maserati’s.

Successive changes and use on the road

After the Mille Miglia of 1951 the car was modified. In Oporto we can see it painted, but other photos shows the car with further modifications.

On Road & Track magazine of October 1951 we can find an article called “A special 230 hp Alfa”, written by Corrado Millanta in which we can see other images of this car. In these photos we can see that the aerodynamic appendix placed behind the drivers head has been removed (which it was present during the Mille Miglia of the same year). It was designed to eliminate the aerodynamic turbulence caused by the driver’s head on account of the windscreen which was placed very low; moreover we can notice thin moldings surrounding the ‘volume’ in relief that comes from the shield, which runs through the hood reaching the ends of the windshield and up to the end of the car. The painting has a slight chromatic variation: the central part is slightly darker, giving the idea of a two-tone or a tone on tone body car. Comparing the other Alfa’s of that period, colors could be red with the central part dark red, red with the central part blue or red with the central part red blood, like the colors of the 6C 2500 Ala Spessa of 1939- 40.

The 412 Vignale is a pure two-seater Spider, characterized by a very long hood, 4 chromed air intakes for each side placed between the front fender and the cockpit. The front has 4 headlights, two at the ends and two central plus turn signals. Moreover it has the “scudetto”, appeared in a completed shape for the first time the year before (1950) on the 1900 sedan.

Unlike the 1900s, the shield has a very subtle vertical shape, recalling the design of the one of 6C 2500 Villa d’Este and other 6C 2500 made by Touring from 1946. As mentioned before, the shield is placed on a raised volume which continues along the entire bonnet up to the windshield, creating its basis in a very clear and marked way, as for the Villa d’Este, but here its smoother and without details/chrome, probably on account of the ‘essential’ character of this racing car. This is a beautiful Alfa Romeo which expresses a strong balance between great elegance and a sporting spirit. Its line is absolutely particular because it blends features of the Villa D’Este with others of the 1900 in a really unique way that we can’t see in other Alfa Romeo. Moreover the 12-cylinder engine equipped on this car increases enormously its appeal. Starting from the end of 1951 this car was also used on road (or maybe only forprivate use only, because it no longer took part in competitions and it was registered), as mentioned in another article appeared on Road & Track Magazine in September 1952, written by Burton Harrison. The journalist is accompanied on a breathtaking journey on the 412 driven by Bonetto, probably around the San Siro stadium in Milan. During the path of the car, an increasingly large crowd is witnessing the driver’s skills with growing enthusiasm. The 412 was parked at the Scuderia Volpini and its engine had just remade by Alfa Romeo, which had recommended not to exceed 5000 rpm. Although Bonetto was ‘in love’ with this car, it had already been put for sale, as confirmed also by an advertisement appeared on Road & Track Magazine in January 1953.

The death of Bonetto and the succession of sales

Felice Bonetto died on November 21, 1953 due to a racing accident, in Mexico, during the IV Carrera Panamericana. The 412 was sold to Cortese, who on 4/12/1954 offered it for 20 million lire to Henry Wessells, an American, well-known automobile collector, in particular of Alfa Romeo. In another letter of 12/1/1955 Cortese replied to Wessells that it  was no longer available because the car had been sold in Spain, but this step is not documented enough, and probably the car was sold to the Italian branch of a Spanish dealer.

The car was ‘saw again’ by Marc Wallach in Milan in 1958, who in 1999 wrote a letter to the editor of ‘Forza’ telling this episode, when he visited the last workshop of Enrico Nardi, in via Vincenzo Lancia in Turin. In that workshop he noticed 2 touring bodied cars with 6C 2500 engines and “a wonderful Alfa Romeo V12 GP 12C, with a 2-seat body from Vignale. There’s a photo taken in the workshop where we can see Wallach near the 412, identifiable by the rear air intake, placed between the cockpit and the rear fender.

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The end of the 412

Probably Enrico Nardi kept the car as it is until 1960, a year that maybe marked the end of the 412. There are few sources about the last chapter of the history of this car and all referable to the history of Nardi and his activity, so they come from a single source and they aren’t verifiable, although no other source contradicts what is told in all publications about Nardi’s activity.

In 1960 the car was dismantled: chassis, engine and body were separated and had different fates. Part of the chassis was used to make a new car (read here our special): the Plymouth Silver Ray designed by Michelotti which remained a one-off.

It had a Plymouth engine, an eight-cylinder 320 hp. The news is also supported by a 1992 Nardi  calendar which shows it, specifying it was made on (or part of) an Alfa Romeo 4500 chassis.

The engine of the 412 remained for years in Nardi’s workshop until his daughter sold it in auction in 1998. It was bought by Larry Auriana, an American collector, who had it restored by Epifani Restorations, in Berkeley (USA). Probably he still owns it. The comment accompanying the engine at the auction is quite inaccurate but provides interesting news about the car.

There are no sources or news about the destiny of the car body of the 412 Vignale. The end of this beautiful, unique and engaging ‘dress’ is a mystery, although probably it didn’t survive, since there are no news about it.

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Interesting facts

There’s at least one test of replication of the 412 Vignale, in red color. This is only an imitation with many inaccuracies compared to a photo of the original.

There are many scale models of this car which represent it both in the Mille Miglia race configuration and painted in different colors. Searching on internet we can find many photos of them, as further proof of the fact that 412 Vignale fascinated thousands of car enthusiasts, alfisti and not, from its birth to the present day.

Many years have passed since the last time in which the powerful and metallic sound of the 12-cylinder Alfa Romeo engine resounded on the streets of Milan and Italy, combined to the unique livery created by Vignale. Since then the Alfa has built the history of motoring in Italy and all over the World, marking it with its unique and admired brand, even if sometimes it experienced crises and dark times. The history of this car inserts itself into all stories of cars and men who making great this brand thanks to their passion, their tenacity and their Sports Heart.

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Mark84
Mark84
3 years ago

I read about the replica which is currently for sale for around $350.000 !!!! This is crazy considering that it has the 6c engine. I would never pay for a replica that much money

Sultan Brunei Car Collection

Everyone has heard stories about the Sultan of Brunei’s immense and almost mythical car collection, but few details have ever been confirmed. Shrouded in secrecy, this legendary fleet of rare and bespoke automobiles has fascinated enthusiasts for decades. Recently, a handful of insider photos emerged online, offering a glimpse into the hidden treasure trove.

What many don’t realize is that much of the collection’s extravagance can be traced back to the Sultan’s younger brother, Prince Jefri Bolkiah. With the Royal Family’s extraordinary fortune; largely built on Brunei’s vast oil and gas reserves; Prince Jefri spearheaded an era of unparalleled spending in the 1980s and 1990s. The Sultanate’s wealth was immense, with the Sultan’s net worth reportedly reaching $30 billion, enabling extravagant purchases on a scale that stunned the world.

At its peak, the Royal Family’s car collection was rumored to include around 7,000 vehicles, valued at over $5 billion. This included custom Ferraris, Bentleys, Rolls-Royces, and bespoke models from almost every luxury automaker, many of which were tailored to the exacting tastes of Prince Jefri. It’s estimated that the family’s spending on Rolls-Royces alone exceeded £480 million during the 1990s, making them the brand’s single most important clients.

Italian design house Pininfarina played a vital role in bringing many of the family’s automotive visions to life. From reengineering Ferraris like the 456 into custom sedans and wagons to crafting entirely unique vehicles, Pininfarina became deeply entwined with the Royal Family’s car projects. However, this dependence on the Sultan’s commissions came at a cost. When the family’s spending spree came to an end, Pininfarina faced severe economic difficulties, forcing it to sell parts of its private collection to survive.

In this article, we dive into some of the most iconic custom cars from the Sultan’s collection, focusing on the Italian masterpieces created by Pininfarina and other renowned coachbuilders. From bespoke Ferraris to completely reimagined Bentleys, these cars showcase an extraordinary chapter in automotive history—one driven by unparalleled wealth, obsession, and creativity.

Paolo Garella: The Architect Behind the Collection

Paolo Garella is an Italian engineer whose career spans over three decades, defined by his blend of technical expertise and creative innovation. His journey began at Goodyear’s Technical Center in Luxembourg, where he honed his skills in advanced testing and vehicle dynamics. His ability to solve complex problems and his leadership potential quickly became apparent, leading him to PTI-Albatech, where he worked on hybrid and electric vehicle projects.

In 1992, Garella joined Pininfarina, where he would become a key figure in the company’s development. He rose through the ranks, managing the Prototype Engineering and Manufacturing Department, and later founding Pininfarina Special Projects in 2002. Under his leadership, this division produced bespoke, one-off cars for clients with unique tastes, reinforcing Garella’s reputation as a master of tailored automotive solutions.

Sultan Brunei Car Collection

A defining chapter of his career was his work with the Sultan of Brunei’s legendary car collection. Garella’s ability to navigate the pressures of working with the royal family and his focus on creating personalized, exceptional vehicles earned him their trust and solidified his position as a leading figure in automotive design.

After leaving Pininfarina in 2009, Garella continued to contribute to the automotive world, founding Manifattura Automobili Torino in 2014. Throughout his career, he remained focused on craftsmanship, collaboration, and innovation, earning respect not only for his technical expertise but for his leadership and dedication to creating extraordinary cars.

Pininfarina and the Right-Hand Drive Conversions

Pininfarina’s collaboration with the Sultan of Brunei involved a unique challenge: converting left-hand drive performance cars, like the Ferrari 288 GTO and F40, to right-hand drive, as preferred by the Sultan. Led by Paolo Garella, Pininfarina’s engineers had to re-engineer the entire car, from repositioning the dashboard to adjusting the suspension, all while maintaining the cars’ performance.

In addition, Garella and his team upgraded the air-conditioning systems to handle Brunei’s tropical climate, ensuring comfort without compromising the cars’ high-performance standards. This project wasn’t just technical; it was an opportunity for Pininfarina to blend craftsmanship with engineering, creating bespoke vehicles tailored to the Sultan’s exact needs. Each car became a one-of-a-kind masterpiece, reflecting the Sultan’s vision of luxury.

The love for the 456 GT

The Ferrari 456 designed by Pietro Camardella became a key part of the Sultan of Brunei’s collection, with Pininfarina tasked to create unique versions, all known as “Venice” models. In total, around 42 bespoke Ferraris were built, including four-door sedans, five-door wagons, and two-door convertibles, all tailored to the Sultan’s preferences. Notably, Pininfarina adapted a night vision and a Porsche 928 automatic transmission to the 456, as the Sultan preferred automatic gearboxes.

Sultan Brunei Car Collection

Additionally, the cars received modifications to suit Brunei’s tropical climate, including enhanced air-conditioning and subtle design tweaks. These Venice versions weren’t just custom cars; they were a blend of luxury and innovation, each reflecting the Sultan’s distinctive vision.

The Ferrari 550 Bahar

Sultan Brunei Car Collection

The Ferrari 550 Bahar is a unique one-of-a-kind vehicle commissioned by the Sultan of Brunei for his son, Prince Bahar. Built by Pininfarina with Paolo Garella managing the project, it’s a bespoke version of the Ferrari 550 Barchetta, created before the official release of the model.

The most notable modification is the custom hardtop, transforming the open-top Barchetta into a coupe-like design for a more weather-resistant, luxurious experience. The car also features a front-mounted automatic gearbox from Mercedes-Benz, offering greater comfort compared to the traditional Ferrari manual transmission. The roof system was borrowed by the Mercedes-Benz R129 SL, but was widened for improved structure and elegance. Only three units were built, making the 550 Bahar an exclusive creation.

The Ferrari FX

Sultan Brunei Car Collection

The Ferrari FX is a unique, bespoke car created by Pininfarina for the Sultan of Brunei. Only few units were produced, featuring a flat-twelve engine from the Ferrari Testarossa and a 7-speed sequential manual transmission from Williams F1, allowing it to reach a top speed of 205 mph. Each car was custom-built to the Sultan’s specifications, blending luxury with performance. While five were delivered to Brunei, the fourth car was cancelled by the Sultan and later acquired by Dick Marconi. This car is now displayed at the Marconi Automotive Museum in California, making the Ferrari FX a rare and exceptional part of automotive history.

The Ferrari Mythos

Sultan Brunei Car Collection

Unveiled at the 1989 Tokyo Motor Show, the Mythos is a stunning concept car by Pininfarina, based on the Ferrari Testarossa. Designed by Pietro Camardella, it features a bold, wedge-shaped body with a 4.9-liter flat-12 engine producing 390 hp, paired with a 5-speed manual transmission. Though not intended for production, the Sultan of Brunei commissioned several specimens, one in red and another in turquoise, adding them to his legendary collection. The Mythos’ design would later inspire the Ferrari F50, and its story is further connected to the Ferrari F90, a proposal that became a limited production for Prince Jefri of Brunei.

The F90

Sultan Brunei Car Collection

The Ferrari F90 is a unique creation that emerged from Enrico Fumia’s rejected concept for the 1989 Tokyo Motor Show. Although the design wasn’t chosen for the show, it was revived in 1988 when Prince Jefri of Brunei requested a bespoke supercar. Fumia’s design was adapted and approved for the Prince, leading to the creation of the F90.

Unveiled in 2005, the F90 featured a Targa roof, sleek lines, and functional yet stylish elements like elliptical front motifs. It retained the Testarossa’s V12 engine but introduced innovative design features. The car was tested secretly and remained largely unknown until a 2002 photo revealed one in the Sultan’s garage. Ferrari officially recognized the F90 in 2005.

Today, the six Ferrari F90s remain part of the Sultan of Brunei’s private collection, with Fumia hoping one day to share his creation with the world.

The Bolide

Sultan Brunei Car Collection

The Ferrari F50 Bolide was an ambitious project by the Brunei Royal Family and Pininfarina in the late 1990s. The plan was to convert six F50s into right-hand-drive models and create six unique track-focused Bolide variants. While a full-scale model was made, featuring a wooden chassis and foam body, the project never reached production.

The Bolide was envisioned with a V10 engine derived from Ferrari’s F1 technology, offering a true performance experience. However, financial and logistical challenges led to its cancellation, leaving only the model as a legacy. The F50 Bolide remains a fascinating “what if” in automotive history.

The Love for Bentey

Bentley was one of the Sultan of Brunei’s favorite brands, and his collection of bespoke vehicles crafted in collaboration with Pininfarina is a testament to his love for luxury and exclusivity. These unique creations, most assembled by the Italian coachbuilder Coggiola, reflect the Sultan’s penchant for personalization and his desire to own the finest automobiles in the world.

Among the standout pieces is the Bentley Azur 2-Door Convertible, a one-of-a-kind vehicle based on the Bentley Turbo R. Finished in a striking black-on-black color scheme, it combines high performance with supreme elegance, featuring a 6.75-liter V8 engine and a rare four-wheel-drive system. The Azur 4-Door Convertible, also a custom creation, reimagined the original design into a four-door version, finished in an elegant blue with a matching interior, and similarly equipped with four-wheel drive to meet the Sultan’s specific preferences.

The Bentley B2 Coupé, originally introduced in 1994, underwent a significant interior retrofit inspired by the Bentley B3, a model the Sultan of Brunei favored for its more refined and successful cabin design. While only 13 units of the B2 were ever built, this bespoke grand tourer reflected the Sultan’s desire for exclusivity. The Bentley B3, another highly exclusive creation, was based on the Bentley Continental R and produced in an even more limited run of just 12 units. Renowned for its elegant design and luxurious interior, the B3 set a benchmark for the Sultan’s bespoke fleet, influencing the modifications made to the earlier B2 Coupé. Among the Sultan’s unique collection was also the Bentley Phoenix Cabriolet, a striking and rare model from the 1990s, with only five examples ever made. One of these was finished in the Sultan’s official shade of yellow, further enhancing its uniqueness. Additionally, the Bentley Spectre Convertible, introduced in 1995, showcased the pinnacle of personalized luxury, combining exclusive design with tailored craftsmanship to suit the Sultan’s precise tastes.

The Aston Martins

The Aston Martin AM3 and AM4 were custom creations commissioned by the Sultan of Brunei in 1995, designed by Pininfarina’s Scott A. Barras. Both models were built on the Aston Martin Vantage 600 chassis, with only three units of each produced.

The AM3 features a sleek, modern design with a composite nose cone and unique rear lights, offering a forward-thinking take on Aston Martin’s classic grille shape. The AM4, on the other hand, blends retro styling inspired by the DB5 and DB6 with modern elements, creating a muscular yet elegant silhouette.

Both cars reflect the Sultan’s desire for luxury and exclusivity, with each being a rare and distinctive addition to his extraordinary collection.

The Argento Vivo

Sultan Brunei Car Collection

The Honda Argento Vivo, unveiled at the 1995 Tokyo Motor Show, was a futuristic two-seater convertible with a sleek aluminum frame and a retractable hardtop. Captivated by its design, the Sultan of Brunei commissioned four unique versions based on the Mercedes-Benz SL73 AMG R129 platform, each with a powerful 7.3-liter V12 engine. Valued at over $1 million each, two of these bespoke vehicles were delivered to his collection, while the other two remained unfinished—one briefly appearing on eBay in 2009, and the other disappearing into mystery.

The Jaguar XJ220 Pininfarina

Sultan Brunei Car Collection

The Jaguar XJ220 Pininfarina, commissioned by the Sultan of Brunei in 1995, featured bespoke updates by Pininfarina and Coggiola. The custom design included fixed headlights, new rear lights, and a reworked rear wing, while the interior was upgraded to match its luxurious exterior in dark green. Retaining the original supercharged V6 engine and aluminum chassis, only two were made. One was destroyed in a fire, and the other’s location remains unknown.

The Cinquecento Pick-Up

Sultan Brunei Car Collection

The Fiat Cinquecento Pick-Up AH, a one-off creation by Pininfarina is a unique evolution of the original Cinquecento Pick-Up concept. Designed under the guidance of Paolo Garella, the car features a roll bar over the loading bed, Spiaggina-inspired doors, and an open-air design for a breezy, summer aesthetic. Finished in elegant “Agnelli” blue with a matching leather interior, it includes exclusive AH logos and Pininfarina badges. As a right-hand-drive model, it perfectly aligns with the Sultan’s preferences, blending compact functionality with luxurious design.

The Other Design Houses

The Rolls-Royce Majestic, created by Bertone for the Sultan of Brunei between 1995-1997, is an exclusive model with only six units built. Powered by a turbocharged V8, it features active seat belts and a luxurious interior designed to the Sultan’s specifications.

The BMW Nazca M12, a prototype designed by Fabrizio Giugiaro, was powered by a BMW V12 engine and was built as a lightweight supercar. While it never went into production, at least one was made for the Sultan, finished in a unique blue paint.

The Aston Martin Lagonda Vignale, a 1993 concept by Ghia Design, was powered by a Lincoln V8 engine, though it was intended to feature a V12. Only three units were built, with one going to the Sultan of Brunei, finished in a striking brown color and fitted with a V12 Jaguar engine.

The Legacy and Lessons of Brunei’s Automotive Obsession

The Sultan of Brunei’s car collection is a remarkable showcase of the artistry and craftsmanship that comes from working with renowned coachbuilders like Pininfarina. Each bespoke vehicle represents a unique blend of luxury, performance, and personalization, highlighting the Sultan’s deep passion for cars. From custom Ferrari 456s to one-off Aston Martins and Jaguars, these cars are not just machines but works of art. However, as the Sultan eventually stopped commissioning new cars, Pininfarina faced challenges due to their heavy reliance on this one client. With limited diversification, the company faced economic difficulties and was eventually forced to sell part of their private collection to stay afloat. It’s a reminder of how even the most successful collaborations can face challenges when they lack balance and diversification.