carrozzieri-italiani.com

The ultimate italian coachbuilder site

The story of Carrozzeria Scioneri from Savigliano

Apart from a few Lancias and Alfa’s, the atelier founded in ’43 in Savigliano (Cuneo) by Cavalier Antonio, a simple pannel-beater, made a name for himself for his custom-built cars fitted on chassis of the Turin-based company, particularly in the 1950s and 1960s. But from 1969 to 1984 the activity was limited to the simple customization of the most popular models.

The beginning

Antonio Scioneri began his activity as an apprentice at Carrozzeria Vittoria and then at Fissore. He worked at Fissore from 1928 to 1943. Between the end of 1943 and the beginning of 1944 with great effort, he managed to become independent and opened his own workshop in the town of Savigliano, in the Italian region of Piedmont, as “Scioneri Carrozzeria Automobili” where he performed subcontracting commissions for his two former employers, both engaged in providing cabins for Fiat and Lancia military trucks.

1953 Fiat 1400 Promiscua

At the end of the war Antonio Scioneri continues taking care of everything he can find, from the repair of old vehicles to the reconversion of military trucks. He takes out the subcontract for an important order of fittings for the Army, but the client does not pay and he is forced to go bankrupt in 1950. He starts again, however, immediately and gradually takes on a certain notoriety with the outfitting of trucks, especially on behalf of the Italian importer of Hanomag. At the beginning of the 1950s, he began to deal with cars, first with some Giardiniera station wagons based on the Fiat 1100 and later, in 1953, with a coupé, again on 1100.

Carrozzeria Scioneri in 1954 - Photo courtesy of Centro della Memoria Savigliano

The success

The real turning point came in 1955 with the birth of the Fiat 600. Antonio Scioneri realizes there is a big market in Italy for cars that are slightly different from the Fiat versions, which were extremely standardized and had very long delivery times. He organizes an alternative sales network on his behalf, made up of small provincial dealers, and manages for a small surcharge, to offer cars with personalized design elements, improved finishes and way faster delivery times.

1957 Fiat 500 Elaborata

In 1956, while still very young, Antonio Scioneri’s son Renato joined the company. He was a good salesman and gives further imputs to this type of business model. The formula works very well and is soon extended to a large part of the Fiat range – 500, 600 Multipla and 1100 – and occasionally also to Alfa Romeo Giulietta and Lancia Appia, although the latter are rather a promotional initiative of the respective manufacturers and do not have a real sales feedback.

In 1957, Scioneri unveiled officially its first model for the Turin Motor Show.
It was a car derived from the Fiat 1100 with a very special line, halfway between a saloon and a coupe. Scioneri also produced some particular versions, such as the Fiat 600 with four doors and giardiniera.

Fiat 600 berlina. Courtesy of "Io Carrozziere"

The workshop was expanded in 1958 with the creation of a new department dedicated to the “customization” of new automobiles. The new business consisted of changing or adding chrome parts and the addition of a two-tones body painting, like it was done for the American models of that time. With this type of customization Scioneri achieved great success, standing out, among others, the Alfa Romeo Giulietta Scioneri Two-tone, and the Fiat 600D Scioneri Two-tone.

In 1959 Scioneri also tried to create a more luxurious model, based on a Fiat 1500 which was designed by Michelotti. This seemed to be not the right direction, in fact Scioneri decided to concentrate the production on spider and coupé versions of the Fiat 600. The idea of a true sports car, however, was not abandoned; once again, based on a design by Michelotti, Scioneri unveiled another ephemeral 1500 two-door sedan in 1961 and finally, in 1962 the beautiful Sportinia, also based on a Fiat 1500 chassis. In 1960, Scioneri’s workshops had become too small and moved to new plant in another area of Savigliano.

1961 Fiat 1500 Sportinia

The main activities, however, remain customization of series cars, and in smaller numbers, sport cars derived from the 600s, replaced later in 1964 by similar models based on the newly created Fiat 850.

The decline

In the mid-1970s, the business began to decline. The great proliferation of small coachbuilders made this market very competitive and the smallest companies were forced to close their doors or diversify its activity for more orders.

In case of Scioneri, the dramatic drop in sales that happened from 1974, forced the company to cease production of automobiles, and to resume the business of customizing large series models by modifying the interiors, creating luxury versions for Fiat models.

The offer includes a large part of the Fiat range, up to the 124 sedan, plus the Alfa Romeo Giulia.

Fiat Ritmo Scioneri Jolly

Other successful versions of the Fiat 128, 127 and, even later, the Ritmo followed between the end of the 1960s and the 1970s. Despite the relatively good sales achieved, the company’s financial situation began to deteriorate dramatically, to the point that Scioneri had to close its doors definitely in late 1979.

With the 1980s Renato Scioneri continued his strategy of luxury versions at a relatively low price, but now, even the big manufacturers like Fiat are now offering different trim levels and the alternative proposals of the coachbuilders are less and less competitive. In any case, the business continues with the Panda “Valentina”, the custom versions of the Uno, Tipo and the Cinquecento.

2 Tatra T613 at the Scioneri Workshop

In 1989 Renato Scioneri also unsuccessfully attempted an agreement to import and develop the Tatra T613 and tried to build a van derived from the Fiat Uno, but times became increasingly difficult.

Fiat Punto Scioneri 3 doors

The custom versions of the Fiat Punto, presented in 1994, are the latest innovations. In 1995, the death of his father Antonio, who had also retired from business ten years earlier, further reduced Renato Scioneri’s confidence; his last presence is at the Turin Motor Show in 1996 with a Fiat Tipo, which was no longer in production. In fact, the last years of activity concern only the trade of cars and components, which ends definitively in 2005. Renato dies shortly after, in 2008.

0 0 votes
Article Rating
Subscribe
Notify of
0 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.