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Ranking The 20 Greatest Concept Cars by Bertone

#20 1978 Lancia Sibilo

#20 1978 Lancia Sibilo

Built on the Lancia Stratos chassis, this is how Bertone imagined the futuristic wedge-shape Coupé back in 1978. Bertone had come up with many daring solutions regarding windows, and with the Sibilo he attempted to blend them in completely with the bodywork. Photo courtesy of © Lopresto

#19 1976 Alfa Romeo Navajo

#19 1976 Alfa Romeo Navajo

Talking about wedge-shapes...the Navajo is based on the Alfa Romeo 33. Unveiled at the 1976 Geneva Motor Show, it features futuristic, almost "cyber punkish" design elements, like the pop-up headlights situated on the front fender. The Navajo is another demonstation of Bertone's unique style.

#18 1969 Autobianchi Runabout

#18 1969 Autobianchi Runabout

With the Runbout, Bertone took its inspiration from the motorboat world. Despite its unusual look and evident dream car status, the prototype was used as the starting point for the design of the future Fiat X1/9, which was launched a couple of years later.

#17 1976 Ferrari Rainbow

#17 1976 Ferrari Rainbow

The Ferrari Rainbow signalled Bertone’s return, after nearly 15 years, to the Ferrari theme, this time with a freer interpretation. While the design of the Dino 308 GT4 represented a blend of sobriety and tradition, the Rainbow is an experiment in unconventional styling. In fact there were no intentions to put this model into production, and Bertone was able to interpret the theme without any constraints but functionality.

#16 1999 Alfa Romeo Bella

#16 1999 Alfa Romeo Bella

The Bella was a prototype for a very stylish sports coupé, built on the chassis of an Alfa Romeo 166. The Alfa Romeo Bella, which Bertone presented at the 1999 Geneva Motor Show, relaunched the Alfa-based GT tradition which had characterised the 1950’s and 1960’s, with the Alfa Romeo Giulietta Sprint, the Alfa coupé GT, and the Alfa Montreal coupé.

#15 1969 BMW 2800 Spicup

#15 1969 BMW 2800 Spicup

The Bertone design for the BMW Spicup is a reworking of the glorious 507 Spider produced by the German carmaker. It is based on the chassis of the 2500 saloon, shortened from 269 cm to 234 cm, with a 2800 cc. engine, which was already being mounted on the coupé presented by BMW in the same period. The considerable dimensions of the mechanical components were handled by creating almost excessively fluid vertical lines.

#14 1984 Chevrolet Ramarro

#14 1984 Chevrolet Ramarro

Bertone began to explore the possibility of approaching the US market with the Ramarro, an exercise in applied technology around mass-produced mechanics. The prototype was created on the chassis of the well-known Chevrolet Corvette, and the underlying concept aimed to modify the layout of the mechanical components in order to make the most of the design quality. It won the Car Design Award in 1985.

#13 1967 Alfa Romeo Montreal Prototipo

#13 1967 Alfa Romeo Montreal Prototipo

Nuccio Bertone was entrusted to interpret this concept, and to show the Expo visitors Alfa Romeo’s genuine commitment to come up with a car of great class, futuristic in its design but still respecting the style and taste canons of the day, all within a limited period of time. Once again, Bertone managed to come up with one of the most beautiful cars of its day, the Montreal. He created a two-seater + 2 coupé with innovative lines, featuring some highly original elements such as the radiator grille, front headlights and lateral air outlets.

#12 1980 Lamborghini Athon

#12 1980 Lamborghini Athon

Following the ups and downs of Lamborghini, Bertone came up with this rather strange roadster, deliberately taking the roadster concept to extremes. The general proportions of the model, and in particular the rear of the car, tend to underline the sheer power of the engine, and this sensation is enhanced by the treatment given to the wings. The ample windscreen, with its pronounced double curve, and original chromatic effect, is a central styling element.

#11 1995 Lancia Kayak

#11 1995 Lancia Kayak

The Kayak, presented for the first time at the 1995 Geneva Motor Show, was a Bertone interpretation of a modern Lancia coupé in line with the traditions of the manufacturer. The car is a modern reworking of the style canons of the Italian coupé, of the great cars of the 1950’s and 1960’s. In our opinion, the Kayak is the better Lancia Kappa Coupé which never was.

#10 1974 Lamborghini Bravo

#10 1974 Lamborghini Bravo

In the first half of the 1970’s the energy crisis hit the car market, and as everyone ran for cover, the designers were forced to scale down their work too. However, in 1974, at the Turin Motor Show, Bertone presented the Lamborghini Bravo, a prototype with a central transversally-mounted engine, using the same mechanics as the Urraco. At a difficult time like this, when the use of even the most economic car was curtailed by the energy restrictions, the Lamborghini Bravo came across as a provocation. The car featured some very interesting design and functional elements, like its total visibility window surfaces, a classic in Bertone’s repertoire.

#09 1967 Lamborghini Marzal

#09 1967 Lamborghini Marzal

Designed by Marcello Gandini, it was created to supply Ferruccio Lamborghini with a true four-seater car for his lineup which already included the 400GT 2+2 and the Miura. The car’s main styling feature is the design of the doors, which balance the proportions of front and rear in a harmonious whole. The car’s aesthetics were completely Photo courtesy of Tom Wood

#08 1968 Alfa Romeo Carabo

#08 1968 Alfa Romeo Carabo

Built on the Alfa Romeo 33 chassis with a centrally-mounted engine, it became a style classic, known for its creativity and original features, some of which contribute to its legendary standing. Design features like its tight lines, tapering front blending in seamlessly with the windscreen, and the air inlets and outlets.

#07 1955 Alfa Romeo B.A.T. 9

#07 1955 Alfa Romeo B.A.T. 9

The BAT 9 is the third concept car built on the chassis of the Alfa Romeo 1900 presented at the Turin motor show in 1955. For this car Nuccio Bertone asked Franco Scaglione to evolve the aesthetic concepts of the B.A.T. 5 and 7, again on the chassis of the Alfa Romeo 1900C, to try to make it more similar to a car suitable for production.

#06 2011 Jaguar B99

#06 2011 Jaguar B99

Oh yes, at rank 06, probably too high for many. The Jaguar B99 represents, for Jaguar lovers (like me) the true heir of the XJ. It is simply beautiful. It was first shown to the public on the Bertone stand at the 2011 Geneva Motor Show. The 4-door saloon was shown in two versions: compact executive (B99) and grand tourer (B99 GT). It was designed by Bertone’s Michael Robinson and Adrian Griffiths and was based more on traditional Jaguars of the Geoff Lawson era compared to more recent Jaguars designed by Ian Callum.

#05 1952 Abarth 1500 Coupé Biposto

#05 1952 Abarth 1500 Coupé Biposto

Considered the first B.A.T, the Abarth 1500 Coupé Biposto sands out for its impressive front view, with the third central headlight reaching forward, and for the dynamics of the wheel arches which underline the car’s sporty character. The large wrap-around rear windscreen and the interesting profile of the tail fins, which were taken all the way with the B.A.T. experiments testify to the work which went into the lines of the car, and the focus on innovative elements which work perfectly together.

#04 1953 Alfa Romeo B.A.T. 5

#04 1953 Alfa Romeo B.A.T. 5

The first car of the B.A.T. series to appear was the B.A.T. 5 launched at the Turin Motor Show 1953. The design of the model was the result of many aerodynamic studies and empirical knowledge. The shape of the front, in fact, aims to cancel aerodynamic turbulence at high speeds. The design also aims to eliminate any additional resistance generated by the wheels, as well as the construction of a structure that can create the least possible number of air turbulences to ensure stability at high speed. In practice, these strict criteria translate into a Cx of 0.23 which would allow the car to reach 200 km / h with the engine fitted as standard.

#03 1963 Chevrolet Testudo

#03 1963 Chevrolet Testudo

Designed by Giorgetto Giugiaro, the Testudo turned out to be a revolutionary car in more ways than one. The innovative spirit of this car, with its bold, even provocative, styling recalls the numerous American dream cars of the period. It was totally original car, above all for its rear-mounted air-cooled boxer engine – especially considering its American origins. It was built as a fully-functioning prototype, and included many entirely new bodywork features and innovative materials. Futuristic not only from a design point of view but also for its proportions, with a vertical height of 106 cm, it was well ahead of its time for the structural characteristics of a GT.

#02 1954 Alfa Romeo B.A.T. 7

#02 1954 Alfa Romeo B.A.T. 7

One year after the B.A.T. 5 at the 1954 Turin Motor Show Bertone unveiled the B.A.T. 7. For this car Nuccio Bertone asked Franco Scaglione to evolve the aesthetic concepts of the B.A.T. 5 further to reduce the already low coefficient of aerodynamic drag. The design of the B.A.T. 7 is the clear evolution of the stylistic features of the previous model taken to the limit with two even larger, curved and thin fins.

#01 1970 Lancia Stratos Zero

#01 1970 Lancia Stratos Zero

The Stratos Zero was unveiled for the first time by Bertone at the 1970 Turin Motor Show; it was presented as a mid-engined sports car project, a futuristic conception for those times. The stunning wedge-shape design by Marcello Gandini immediately aroused great interest in all visitors for its innovative and breakthrough style. Since the lack of doors, the prototype could be entered by opening the whole windshield. With no doubt the most spectacular concept car ever made.

Bertone was probably the most innovative and certainly the most courageous coachbuilder in the automotive history. We’ve tried to rank them, here are the 20 greatest concept cars made by Bertone. We are aware that you will not always agree with us, so let us know what are your favourite one’s in the comment section.

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PP90
PP90
3 years ago

After all the ranking, except for 2-3 is ok, wouldnt have include the Jag, or at least not that high, but its a matter of taste

Carlo Pinin
Carlo Pinin
3 years ago

My Top 3:
1. BAT 9
2. BAT 7
3. BAT 5

Stefano
Stefano
3 years ago

The Sibilo is one of the ugliest car ever made

Mark84
Mark84
3 years ago
Reply to  Stefano

same opinion!

Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.