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Pininfarina 90 anni / 90 years: the official book

The volume describes over 600 models that, from 1930 to today, have dictated the history of the motor car and spread Italian style around the world

Five hundred and twenty-eight pages, more than 800 colour and black and white photographs accompanied by short descriptive texts documenting, model by model, Pininfarina’s production during these “first” ninety years of its history. This, in extreme synthesis, describes Pininfarina 90 anni/90 years, the official book that is being published on the occasion of the ninetieth anniversary of the historic Turin design studio under the imprint of Giorgio Nada Editore, in close collaboration with Pininfarina.

Ninety years is a highly significant milestone and marks a journey on which Pininfarina – founded in Turin in 1930 by Battista “Pinin” Farina – has shown itself able on more than one occasion to innovate Italian car design and more. In the light of evolving taste and stylistic horizons, it has managed at the same time to introduce solutions that target the future. In almost a century, this intriguingly unique path has seen the historic Italian brand sign one-off models, models that end up on the assembly line for high volume production, but also futuristic concept cars that in many cases have become authentic icons of Italian design in the world.

This striving to innovate was the hallmark of Pinin Farina – at the time still written in two separate words – from its very beginnings. In the Thirties, for example, the coachbuilder was acclaimed for its de luxe creations of particular sobriety and elegance, tackling the first problems related to aerodynamics with models like the “Tipo Bocca” aerodynamic cabriolet of 1936, the same year as the Alfa Romeo 6C 2300 Pescara berlinetta aerodinamica.

The 1940s were the decade in which mudguards were progressively integrated into the seamless surface of the sides, but this was above all the decade in which Pinin Farina designed the Cisitalia 202 berlinetta (1947), an authentic “moving sculpture” and icon of automotive design.

Real success, however, arrived in the Fifties when Pinin Farina, which had by now entered a more industrial dimension, though without ever losing sight of its craftsmanship origins, opened the door to new partnerships, most importantly with Ferrari and Peugeot. In that period Pinin Farina put its name to a series of masterpieces: the Alfa Romeo Giulietta spider (1954), the Lancia Aurelia B24 S and the Aurelia Florida, both from 1955, without forgetting the various Ferrari 250 GTs that would find their crown jewel in the short wheelbase 250 GT berlinetta at the end of the decade.

This leitmotif of excellence continued in the Sixties – which also saw the death of the founder Battista, “Pinin” in 1966 – marked by other landmarks in car design like the Ferrari 250 LM (1963), the Alfa Romeo 1600 Spider, alias “Duetto” (1966), the Dino 206 GT (1967) or the Ferrari 365 GTB/4 “Daytona” of 1968, to which we might add prototypes of great appeal and charm such as the Dino berlinetta speciale (1965) or the “triptych” Sigma Grand Prix, Alfa Romeo 33 and Ferrari 512. These three concepts from 1969, passed the metaphorical baton on to the sensational Modulo, at the dawn of the 1970s, which in their turn were distinguished by other iconic Ferraris but also by models later produced on an industrial scale for Peugeot – another historic Pininfarina client – and Lancia.

The Eighties turned out to be just as lively with the debut of the iconic Testarossa, the 8-cylinder Ferrari family that continued to acquire new members (the iconic GTO of 1984, the F40 of 1987 and the 348 of 1989), and the partnership with Peugeot that generated the unforgettable 205 (1983), while the collaboration with General Motors led to the creation of the sumptuous Allanté, offspring of the longest assembly line in the world: the bodies were built by Pininfarina and shipped to Detroit to be assembled with the mechanicals.

Multiple collaboration agreements were also a feature of the Nineties: the one with Ferrari that led to the birth of the 456 GT (1992); new 8 cylinder models, the F355 (1994) and the 360 Modena (1999); and the sensational F50 of 1995. But this was also the decade of the Fiat Coupé (1994), the Alfa Romeo Spider and the GTV, both dated 1995, and the Peugeot 406 coupé (1997).

So here we are in the first two decades of the new millennium, twenty years during which Pininfarina has continued to contribute to the Ferrari product range by designing and collaborating in the creation of new models, while for Maserati it has designed the Birdcage 75th concept car as well as a family of vehicles of undoubted appeal like the Quattroporte of 2003, the GranTurismo of 2007 and the GranCabrio of 2009, and has given life to sensational environmentally-friendly concepts and hybrids such as the Nido, Sintesi and Blue Car, the last two presented during the chairmanship of Andrea Pininfarina, who died prematurely in 2008. But there is more: in these same years the company signed up to a series of collaboration agreements in China, confirming its status as an unparalleled exporter of Italian design in the world. Also noteworthy in 2013, the Ferrari Sergio, dedicated to the memory of Sergio Pininfarina, who passed away in 2012, and the BMW Pininfarina Gran Lusso Coupé.

The book closes with the Pininfarina Battista concept (2019) and the Battista Anniversario (2020), two evocative concepts designed for the new company “Automobili Pininfarina“, which contain the moniker Battista in their name, a tribute to the founder of this extraordinary and unrepeatable story of style, art and industry.

“Pininfarina 90 anni/90 years”, which describes 632 models produced from 1930 to 2020, dedicates a specific record for each car containing a short descriptive text and accompanied by one or more images, depending on the importance of the car. A reference book and, at the same time, a precious tool for car history lovers to consult but also for the neophyte eager to learn about a long, exciting history.

This book is an important moment in the celebrations for the Company’s 90th anniversary”, explains Chairman Paolo Pininfarina. “Underlying it was the desire to be able to review all our automotive projects so as to weigh up their merits and defects too, years later: an enthralling, passionate operation for me and, I hope, also of interest to the reader”.

Published by Giorgio Nada Editore, the book is available online here

Pininfarina 90 Anni/90 Years
Preface by Paolo Pininfarina
Published by Giorgio Nada Editore
Format: 26 x 28.5 cm
528 pages, bound with dust jacket
approx. 800 colour and B/W images
Bilingual text: Italian/English
EAN: 9788879118095
Europe: October 2020
€ 90 / £ 90.00 / US$ 150.00

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.