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The Lancia Stratos: the Rally Queen

Lancia Stratos

The origin of the Lancia Stratos

Before the Lancia Stratos, if we exclude the “fuoriserie” of the past, Bertone had never officially collaborated with Lancia. To create this opportunity, Bertone, recovering the V4 from a demolished Lancia Fulvia Coupe, built a dreamcar capable of capturing the attention not only of the well-known Turin brand, but also of the public.

The Lancia Stratos Zero was unveiled by Bertone at the 1970 Turin Motor Show; it was presented as a mid-engine sports car project, futuristic in concept for those times. The design by Marcello Gandini, immediately aroused great interest among all visitors of the show for its innovative and “breakthrough” style, especially for a brand like Lancia. Abolishing the doors, one got into the prototype by directly opening the windshield and lowering oneself inside by stepping over the articulated steering column; the rear hood had an unprecedented arrow motif, the rear lights were formed by the simple luminous outline of the tail volume, and the front lights by 10 headlamps side by side on the sharp nose of the car, painted in metallic bronze. 

Cesare Fiorio, at the helm of the Lancia HF racing team and in search of a suitable replacement in rallying for the outdated Fulvia Coupé 1600 HF, saw in this mid-engine prototype the right amount of novelty needed for the company, which had joined the Fiat Group the year before. To design the worthy heir to the Fulvia Coupé, Fiorio listened to the opinions of the drivers and technicians of the successful HF racing team and established the basic guidelines: short wheelbase, 2 seats, powerful mid-engine, advanced aerodynamics and exploitability in all conditions (track, road and dirt).

However, international regulations required at least 500 examples of a new car to be built in order to be homologated in Group 4. For this reason, in spring 1971, Cesare Fiorio and Pier Ugo Gobbato, Lancia’s new general manager, who wanted to bring prestige to the company through prestigious international victories, asked Nuccio Bertone to design and produce a car that would be less futuristic than the “Zero” but that, while meeting Fiorio’s demands, would be suitable for mass production, albeit limited.

The original Lancia Stratos HF design sketch by Gandini

So throughout the summer Carrozzeria Bertone and Lancia HF worked to present in time for the 1971 Turin Motor Show the semi-definitive prototype of the Lancia Stratos HF (High Fidelity), lacking, however, the engine. Only after a long negotiation between Pier Ugo Gobbato and Enzo Ferrari himself was an agreement reached to use the V6 Dino engine. At that point the first car specifically designed for rallying and then mass-produced was ready. A short 2-seater coupe with fiberglass bodywork, rear mid-engine for optimal weight distribution, and rear-wheel drive for improved traction. Ultimately the Strato’s Zero prototype only inspires the actual Stratos, which in fact takes no mechanical parts from it.

The final version

Lancia engineers led by Gianni Tonti, fully supported by Gobbato and, in great secrecy, also by Gianni and Umberto Agnelli, set to work expressly to create a car that could dominate the world rally scene. They started by designing the cockpit as a steel safety cell to which they welded two square steel tube frames to support the power train and suspension. The rear suspension used the MacPherson scheme with anti-roll bar, which was very strong, adaptable to various tire sizes, and easily adjustable to the different heights required for off-road and street use. The front suspension, on the other hand, made use of a classic double wishbone overlapping system with coil springs, hydraulic telescopic dampers and anti-roll bar; a true sports car solution. Front and rear overhangs were kept to a minimum, the wheelbase was only 2180 mm, and the front and rear track widths were 1430 and 1460 mm, respectively. The ratio of wheelbase to track dimensions and a very precise and direct rack-and-pinion steering made the car very maneuverable.

The Lancia Stratos HF at the 1971 Turin Motor Show

The Lancia Stratos race version mounted Campagnolo alloy wheels with a distinctive star design and different sizes of tires at the front and rear, 205/50-15 and 295/35-15 respectively, this was to ensure excellent rear-end grip and just as much directionality up front. However, on the road version the Lancia marketing department wanted the car to be more of a comfortable granturismo than a sports car, so they replaced the suspension on uniballs with more comfortable silentblocks and demanded that equal wheels be mounted on all four wheels. These modifications changed the behavior of the car so much that it became much more inaccurate and less effective in corners.

As soon as homologation was obtained, the cars were sent to Lancia dealers, who were obliged to take back at least one each. In the midst of the oil crisis, selling the 500 examples of Stratos with thirsty engine, spartan trim and uncomfortable seats for the hefty sum of 10,725,000 liras was so difficult that many dealers got rid of the stock only after years and at huge discounts. Moreover, Lancia did not advertise the road-going Stratos at all; rather it was the Stratos HF that was used as an advertising vehicle.

Disc brakes on the 4-wheel self-ventilating ATE-Girling wheels had no brake booster, unnecessary on a car intended for competition. The two tanks, centrally located, held up to 85 liters of fuel, just enough for a car that traveled just 7 km/liter.

The rear and front parts of the body were made of a single piece of fiberglass, as were the doors, so that they could be opened, and if necessary removed, quickly. Thus excellent accessibility to mechanical parts, vital at rally service points, was also guaranteed. The line was also completely redesigned by Gandini and, while maintaining an extreme wedge design, shared no panels with the Lancia Strato’s Zero. Three fixed spoilers were placed on the car, one front, one rear and one center spoiler to improve aerodynamics.

A choice was made to place the powertrain in a central rear position. Thus the engine and gearbox, the same as those from the Ferrari Dino 246 GT, combined with a ZF limited slip differential, were mounted transversely, exactly as on the car from which they came.

This engine was the latest evolution of the well-known 65° V-shaped 6-cylinder, 2418 cm³, with cast-iron cylinder block and light alloy twin-shaft cylinder head fed by 3 inverted twin-body Weber 40 IDF carburetors. On the road version, with a 9:1 compression ratio, it delivered a maximum power output of 190 hp at 7000 rpm and a maximum torque of 23 kgm at 4000 rpm. With the favorable power-to-weight ratio of 5.2 kg/hp, the car could reach 100 km/h in less than 7 seconds and could go from 0 to 160 km/h in about 18 seconds.

The power train was already good, but it also brought with it some flaws. In right-hand turns taken at high speed, the (side) bowl of the Weber 40 DCN carburetors mounted on the Ferrari Dino cars was not fed enough due to a centrifugal effect and caused fuel gaps. These carburetors were designed to be mounted on longitudinal engines (the large front-mounted Ferrari V12s in the longitudinal position). Lancia and Weber had to redesign the intake manifold and adopt Weber IDF carburetors (now with a center tank) after discarding the idea of mechanical injection for a reason of cost and ease of tuning. In addition, the transmission was in lockstep with the engine, and in case of gearbox failure, it was impossible to intervene promptly in the harsh conditions of the rally points.

The V6 Dino was then tuned for racing to a maximum power output of 280 hp at 8000 rpm, and a maximum torque of 37 kgm at 5300 rpm with three Weber 48 DCF double-body inverted carburetors. In this case the twin-shaft V6 had only two valves per cylinder; a 4-valve-per-cylinder version (later banned along with other upgrades in 1978) was also immediately planned and then developed to gain another 40 hp and thus reach an impressive 320 hp at 8500 rpm. Finally, a version with 560 hp supercharged with a KKK turbocharger and Kugelfischer injection was also created by Carlo Facetti for Endurance racing.

It has already been mentioned that the engine and transmission of the Ferrari Dino 246 GT were adopted in the final version, but the situation was more complicated than expected. The supply of the engines was in fact granted to Lancia only “at the last minute,” on December 14, 1972, by Enzo Ferrari to Pier Ugo Gobbato after the latter, tired of the various difficulties encountered with Ferrari, had sounded out the path of Maserati engines, in particular the 3.0 V6 from Maserati Merak. Only the risk of Trident engines being fitted caused all the resistance still present in Maranello to fall away.

Throughout 1972 in fact there were several tugs and pulls between Turin and Maranello; on February 2 Enzo Ferrari telephoned Gobbato to congratulate him on the victory of the Fulvia Coupé in the Monte Carlo Rally and gave his willingness to supply 500 engines for the Stratos; however, in early March, difficulties arose with the supply of the engines by the Maranello production managers. On May 21, the Ferrari 312 PB won the Targa Florio with Arturo Merzario and Sandro Munari driving, “on loan” from Lancia, and Ferrari delivered 10 Dino engines to the Lancia Racing Department to be tuned and mounted on Stratos prototypes. In early November a Lancia Stratos makes its debut in international rallies, at the Tour de Corse, among the Group 5 prototypes, while there is still no certainty that the engines needed for the production of 500 cars will be supplied. Finally in December, after Gobbato’s phone call to Modena, the last qualms fell away, and on February 11, 1973 the legal agreement with Ferrari was signed.

lancia stratos production

The whole of 1972, however, was not wasted time because it was very useful in developing the car and making it competitive on all kinds of tracks, from the hot dirt roads of Kenya to the cold Finnish ice, via the Monaco asphalt. Under the direction of Cesare Fiorio and Gianni Tonti, drivers and engineers such as Sandro Munari, Claudio Maglioli, Carlo Facetti, Mike Parkes, Gianni Gariboldi, Giampaolo Dallara, Sergio Camuffo, Francesco De Virgilio, Francesco Faleo, and Nicola Materazzi actively collaborated for the ultimate success of the newborn. Extensive road tests were also conducted with the support of Pirelli, which developed tires specifically for dirt and asphalt.

Once the engines were obtained, the race to produce the cars needed for homologation in Group 4 began, however, slow production activity at the Bertone plant in Grugliasco forced the Stratos to compete as a Group 5 until the minimum number of units needed (500) was reached. In this regard, the homologation statement signed by Fiorio states that as of July 23, 1974, 515 units had been built. The veracity of this statement was questioned by many; on the other hand, 17 months later, the minimum required threshold was lowered to 400 speciments, thus making any controversy useless.

The Lancia Sibilo

The Lancia Sibilo is a concept car designed by Marcello Gandini and built by Carrozzeria Bertone on the basis of the Lancia Stratos in 1978. The Sibilo inherits all the mechanicals directly from the Stratos except for the wheelbase, lengthened by 10 cm. The prototype is intended to be a “monolithic” sculpture with sharp, square lines that includes all elements and accessories in a single surface. Even the polycarbonate windows blend with the body; the chocolate-colored paint does not stop on the panels but is also shaded on the windows themselves, harmoniously incorporating them into the whole. On the latter there is a small circular portion as an opening porthole to ventilate the passenger compartment. Today the Lancia Sibilo is part of the Lopresto Collection.

The New Stratos

In late November 2010, Pininfarina created a one-off called the New Stratos, inspired by the Lancia Stratos and based on the Ferrari F430 Scuderia; the car was commissioned by automotive entrepreneur and classic car collector Michael Stoschek. After its design and construction, the model passed and received TÜV approval to drive on the road.

In 2018, MAT Manifattura Automobili Torino announced the limited series production of the New Stratos, “estimated at 25 examples,” built upon the car’s debut at the 2018 Geneva Motor Show.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.