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The Lamborghini P140 Project

As Lamborghini approached the twilight of the 1980s, it faced the daunting task of succeeding the iconic Jalpa. The result was the internal project P140, a venture that transcended the mere replacement of a model; it was an ambitious exploration of design, innovation, and a relentless pursuit of the unmistakable Lamborghini spirit.

The Need for a New Icon

With the Jalpa bowing out in 1988, Lamborghini found itself in a market where German and Japanese competitors vied for attention in the same price range. The P140 wasn’t just meant to fill a void; it was a statement – a bold proclamation that Lamborghini would not only match the performance of its rivals but surpass them with an unparalleled fusion of speed and distinctive style.

To bring this vision to life, Lamborghini collaborated with Carrozzeria Bertone, Chrysler Design Center, and the acclaimed Marcello Gandini. Preliminary scale models hinted at the design possibilities, and Lamborghini sought to encapsulate the essence of the Miura and Countach in the new P140. The goal was clear – an attention-grabbing design that oozed speed and remained unmistakably Lamborghini.

Innovative Engineering

The P140 wasn’t content with a mere aesthetic overhaul; it demanded cutting-edge mechanics. Lamborghini’s engineers embarked on a seven-month sprint to create the heart of the P140 – a revolutionary V-10 QuattroValvole engine with electronic fuel injection. Lightweight, compact, and modern, the engine underscored Lamborghini’s commitment to performance excellence.

The design journey took an interesting turn with Marcello Gandini’s involvement. After initial proposals from Bertone, Gandini, a designer with a storied history with Lamborghini, reshaped the P140 into a wedge-shaped 2-door coupé. The result was a harmonious synthesis of Lamborghini’s heritage and a forward-thinking aesthetic, featuring a 4.0-litre V10 engine, an ergonomic dashboard, and extensive use of aluminum.

As the project advanced into the 1990s, Lamborghini’s parent company, Chrysler, faced financial headwinds due to the Gulf Oil Crisis. Concerns about the P140’s ability to justify its development costs and attract customers in uncertain economic times led to a momentary halt in its progression.

Despite financial challenges, Lamborghini managed to produce 3 to 4 P140 prototypes. Each prototype, whether painted orange, red, or white, embodied the spirit of innovation. These prototypes, though initially forgotten, became a testament to Lamborghini’s commitment to pushing boundaries, reaching top speeds, facing crashes, and later being enshrined in Lamborghini’s official museum.

The Unexpected Turn: The Lamborghini Calà

By 1992, the P140 was temporarily shelved to prioritize other Lamborghini models like the Diablo. However, in a surprising twist, the P140 story found a new chapter in 1995 at the Geneva Auto Show. Italdesign unveiled the Calà, a rebirth of the P140. The Calà showcased a departure from the wedge-themed design, introducing a curvaceous carbon-fiber body with a targa top, reaffirming Lamborghini’s commitment to innovation.

While the P140 project did not materialize into a production model, its legacy lived on through the Lamborghini Calà. The prototypes, once forgotten, became a testament to Lamborghini’s resilience in the face of challenges. The subsequent introduction of the Lamborghini Gallardo in 2002, with an evolution of the V10 engine used in the P140, marked a triumphant return for Lamborghini’s entry-level model. The P140 project remains a captivating chapter in automotive history, a tale of ambition, setbacks, and the enduring spirit that defines the Lamborghini legacy.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.