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Laffite: five electric hypercars signed by Giugiaro

A new begininng

The new car manufacturer founded by Bruno Laffite, grandson of F1 driver Jaques, makes its debut at the Miami Grand Prix. Sporty DNA and made-in-Italy style signed by Giorgetto and Fabrizio Giugiaro’s GFG Style.

Five Hypercars

The new Laffite Automobili brand for the production of full-electric hypercars debuts at the Formula 1 Grand Prix in Miami. A deliberately ‘Italian’ brand, both in the choice of location, in Turin, and in the development of engineering and design, entrusted to GFG Style of Giorgetto and Fabrizio Giugiaro. The founder of the new car manufacturer is Bruno Laffite, grandson of Jaques, Formula 1 driver between 1974 and 1986, and a driver himself, among the best of his generation. There are five models ready to be launched on the market, Atrax, Barchetta and LM1: three specific architectures, plus two other evolutions, built in record time under the stylistic direction of Fabrizio Giugiaro.

The Atrax & Atrax Stradale Hyper SUV

Under the stylistic direction of Fabrizio Giugiaro, GFG Style has designed and built for Laffite Automobili the Atrax, an extreme hyper-suv for off-road use, and a more road-going version, the Atrax Stradale. “The design of the Atrax and Atrax Stradale derives from my long design experience introduced as long as ten years ago,” explains Fabrizio Giugiaro, “and as often happens in my vision for the future, in addition to design I try to introduce new types of cars, as in this case the Hyper Suv. Only today many car manufacturers are introducing it to the market, but in the case of Laffite Automobili we have gone further, both in terms of design and use”. Atrax proposes itself as a sporty SUV with an exaggerated and extreme shape with significant volumes and generous roominess, allowing a 2+1 seat architecture. The starting point for the car’s design is the enormous all-terrain wheels with a diameter of almost a metre that generate important mudguards modelled with applied wheel arches, with very refined shapes in exposed carbon. The side is simple with a well-proportioned beltline and a door that lifts like a butterfly with a single window that drops regularly. The special feature of the door is the presence of the ‘detached’ A-pillar that acts as an aerodynamic element at the most delicate point of the flows, thus creating a unique design.

The Barchetta & Barchetta Coupé

The Barchetta and Barchetta Coupé project are the most complex in every respect and very innovative. The casr has two strong particularities: two separate seats, two individual windscreens and the halo, derived from Formula 1, which is decidedly unusual for an open, homologated car that gives maximum safety. The choice of a double dome was inspired by an idea of Giorgetto Giorgetto from 1959, later reproposed in the Aztec prototype of 1988. “The last formal experimentation of a similar scheme was proposed with the Dora concept car of 2020, which is actually the beginning of this project,” explains Fabrizio Giugiaro. “The double cockpit surmounted by the large Halo-type structures determines the real design innovation: to access the interior, the two cockpits rise independently but at the same time as the doors, creating a spectacular movement. The front end confirms Laffite’s stylistic features with the particularity of the double headlamps clearly delineated and separated by a large integrated wing. The stylistic element of the design is determined by the arched structure that makes the flank line continuous at the top and rests on the large wing-shaped B-pillars. Simple side treatment in the door that is exaggerated in the large rear wing. The rear is characterised by a continuous upper tail light that is also a spoiler, under which there is an exposed carbon part that integrates the three elements on each side to give additional tail light functions. The tail closes at the top with a spoiler attached to the two halo ends.

The LM1

Laffite Automobili’s most extreme model dreams of the racetrack: the new LM1 hypercar has the shape of a vehicle essentially intended for racing, but which is homologated for road use, with unexpected comfort for such a car. The low front end is well characterised by the headlights of the new Laffite family feeling. The central part of the bonnet is black and houses a large central air outlet, while on the painted mudguards are active fins. The dome is very narrow, teardrop-shaped, and with a maximum width of 90 cm as required by regulations for racing cars of this type. The wrap-around windscreen continues in the doors, creating side windows that descend to the B-pillar, which has a similar graphic design to the one on Atrax but here generates two small windows. “The lines are drawn by the wind, but thought out in all its stylistic aspects to make it even more attractive and uncompromising,” explains designer Fabrizio Giugiaro. “Laterally, the dome is pulled taut and descends at the rear as far as the diffuser and has the unique feature of having two pillars above it with a dual function. “The first to support the large active spoiler and the second to better convey the aerodynamic flow,” explains Giugiaro, “a real innovation that I bet we will soon see in future racing cars.

Fabrizio Giugiaro's vision

Fabrizio Giugiaro created the architecture and design for the new family of hyper cars, identifying the stylistic features that characterise the new Laffite Automobili brand and applying them to all five models. “This was my real challenge,” explains the designer, “to design original cars with completely different and unique characteristics. The first objective, the front of the car and its expression through its light clusters, to characterise the brand image. And so, at first glance, all five models have the same design sequence: lower wings, a horizontal bar integrating the light clusters and the air outlets on the well-shaped bonnets; but it is above all the lit Drl lights that give the real distinguishing mark. Everything has been interpreted with inspiration from the safety innovations adopted in motor racing. “On the Barchetta, the true hallmark of the entire brand is evident,” explains Giugiaro. “On the sides, the B-pillars have the same graphic design, but decidedly different proportions and functions. More personalised, on the other hand, are the rear of the cars with many functional elements in common, such as the diffuser and the ailerons that integrate the typical Formula 1 lights. And as far as the interior is concerned, the styling language is the same for all models, using the same elements: the specially designed vents and ceiling lights are an example of this.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.