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La dolce vita: the Spiaggina beach cars

A new way to enjoy the summer holidays

The birth of the Spiaggina Beach Cars (Spiaggia = Beach) takes place in the immediate post-war period at the initiative of some Italian coachbuilders which transformed small mass production cars in order to make them suitable for the needs of wealthy customers during the holiday period in the seaside resorts.

The changes, made on the client’s need, were the most varied and generally included the removal of the roof and its replacement with a fabric awning, the installation of canvas or wicker seats and the elimination of the lateral glazed surfaces. and access doors.

The name “Spiaggina” was introduced with the 1958 Fiat 500 Boano Spiaggina, built on the Fiat Nuova 500 platform and mechanics and designed by Mario Boano. This car, despite being built in only two specimens, became famous in magazines all over the world for being photographed with its owners, Gianni Agnelli and Aristotle Onassis. Probably, it contributed to the affirmation of the term “Spiaggina”, also in reference to the folding beach chairs (which in italian are called in fact Spiaggina) used in bathing establishments, so this kind of cars were often referred by journalist as “beach furniture”.

From the second half of the fifties, various models of Spiaggina cars were built in small series by the main Italian coachbuilders until the early nineties.

With the definitive closure of the coachbuilder era, which mainly worked on Fiat production chassis, the term “Spiaggina” fell into oblivion due to safety regulations. But these cars will always have a special place in the heart of  car enthusiasts and remain protagonists in many Concorsi d’Eleganza and world auctions reaching high prices.

So lets dig into deeper and see (in alphabetical order) the italian coachbuilder creations:

Boano

The first documented Spiaggina was built by Carrozzeria Boano on the Fiat 500 chassis. Two speciments were built. Boano also made the Torpedo Marina which was based on the big sister Fiat 600, this version allowed to carry more people, basically a family version of the Spiaggina.

Castagna

Since the rebirth in 1994, the historic Carrozzeria from Milan relaunced the trend of the Spiaggina on various modern platforms. The most notables are the Mini based “Tender” and various interpretations on the Fiat 500, like the “Capri” and the “Tender2“.

Fissore

The first example of Spiaggina made by Carrozzeria Fissore was this Fiat 600 Marinella. It features a two-tone yellow, brown paintwork, wood slatted bench seating, Coir carpeting and a Surrey top. Fissore made also its larger version based on the Multipla: the Fiat 600 Multipla Marinella which features semi-circular passenger seating, boat-style wood embellishment in the interior and a fixed roof. More than 20 years later a new interpretation followed on the Fiat 127 base: the Scout. Its body was made of fibreglass and had an almost off-road vibe.

Photo courtesy of Stuart Parr Collection

Frua

The first Spiaggina made by Pietro Frua was unveiled at the 1957 Salone dell’Automobile di Torino. Based on the Fiat 500, this motorboat look-a-like one-off features an unusual position for its headlights: under the windshield. In 1977, Frua tried his luck again, this time (like Fissore) on the Fiat 127: the Dinghy.

Ghia

Carrozzeria Ghia was the first Coachbuilder which mass produced the Spiaggina. With the Fiat 600 Jolly, designed by Sergio Sartorelli, Ghia gave basically birth to the iconic beach car. While the 600 Jolly was all about fun, its big sister, the Fiat 600 Multipla Jolly was more practical. More than 100 speciments in many versions were hand-built by Carrozzeria Ghia. Variants were also built on other brands like Renault and Autobianchi.

Photo courtesy of Hyman Ltd / Erik Fuller

Italdesign

The 2011 Volkswagen Up! Azzurra Sailing Team was created by Italian designers Giorgetto Giugiaro and Walter de Silva for Italdesign as a modern interpretation of the Spiaggina car. The Up! makes use of high-tech and highly stylish materials in the interor, all of which are completely waterproof, and they intentionally resemble the fittings of a luxury yacht. These features include the four seats in white-blue leather, numerous chrome components and a dashboard in mahogany with maple wood inlays. Its surfaces are coated in a synthetic resin.

Volkswagen Up! Azzurra Sailing Team

Michelotti

Probably one of the most famous Spiaggina Cars is the 1966 DAF Kini Beach Car. Designed by Giovanni Michelotti for the dutch car brand, it was made as gift for the royal family which used it at their summer residence in Porto Ercole. The 1968 Fiat Shellette in other hand, carries a lot of similarities with the Kini Beach car. Born in collaboration with Yacht designer Phillip Schell, it was based on the Fiat 850. About 80 were built, only less then 10 are still in existance.

Photo courtesy of Bonhams

Moretti

Moretti, which was born as car manufacturer, and later became a coachbuilder was also involved in the realizzation of Spiaggina cars. In 1958 it built a Spiaggina based on the BMW Isetta. Of course there were also some interpretations on Fiat chassis like the 1960 Multipla Mare and again, on the Fiat 127 chassis, the Midimaxi.

Pininfarina

Unveiled at the 1956 Turin Motor Show, Pininfarina’s debut of the Spiaggina cars was this Fiat 600 Multipla Eden Roc. Henry Ford Jr. bought this speciments on the first day of the show, and a second one was made for the Avvocato Agnelli. In 1969 Pininfarina presented the Teenage: a Spiaggina built on the Fiat 128 chassis which features a folding windshield and walkie talkies. No doors of roof were available. In 2001, to celebrate the 80’s birthday of Gianni Agnelli, Pininfarina built the Fiat Multipla Spider, a modern interpretation of the Spiaggina, which was followed in 2018 by the Fiat 500 Spiaggina 4.0, made in collaboration with Lapo Elkann,  chairman and creative director of Garage Italia.

Savio

The less known coachbuilder Savio with its Spiaggina versions on the Fiat 600 and 500 basis designed by Boano followed in the 70’s by the 127 Albarella and the 126 Jungla.

Vignale

Carrozzeria Vignale made various Spiaggina cars based on the Fiat Multipla and all designed by Giovanni Michelotti. Its worth mentioning the 1956 Fiat 600 Multipla Spiaggia exhibited at the 1957 Geneva Motor Show, and the 1963 Fiat 600 Torpedo Marina.

What is your favourite interpretation of the Spiaggina car? Comment below and check out for more here

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.