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Interview with Mikael Lindberg: Koenigsegg designer and artist

Mikael Lindberg: Swedish, Artist and Automotive designer, IF DesignAward winner in 2012 and Red Dot Award in 2013: Among his many customers we can count Volvo, McLaren and Hypercar brand Koenigsegg. During the Concours d’Elegance in Schwetzingen we had the opportunity to interview the talented designer:

Hi Mikael, it’s nice to have you as our first guest ever in this new column. First of all i want to ask you what came first for you, was it design or car?

Booth, the fascination for cars and design started at the same time. I started sketching cars when I could hold a pencil. Im literally doing the same thing since I was 3 years old,  the only difference is Im getting paid for it compared as a kid, a dream job!

Byton M-Byte designed by Mikael Lindberg

If you had to choose between 3 car models, what do you consider the most beautiful cars ever made?

That is probably the most difficult question to give a car designer/ car enthusiast! There are so many, but will try. Mercedes Benz 500K Autobahn Kurir (pref. in black), Maserati A6 GCS Berlinetta by PininFarina (pref. in silver) & Aston Martin DB5 by Touring Superleggera (pref. in silver)

You’ve worked for different brands in the automotive industry. Which of your creations you are most proud of?

Another difficult question, its like asking a father to choose his favorite child. Because the car design process is such long tough emotional process.  You compete against other great design talents, to make your design in favour for the management by sketches/ renderings, clay models, digital models. But the first project is always special, which I was working on during my summer semester from university between 2 and 3 year,  for Koenigsegg Automotive AB, just a 4 months long period. It was the first produciton car, Koenigsegg CCv8s.  We did such important improvemets to get it certified, many practical and easthetical detalis that we solved there, in a very short period.  Im very thankful to Christian von Koenigsegg for had given me that opportunity.  I learned how a sports car is assembled, how the whole process work that I was able to be part of it, practically.  Im very fortunate about having that knowledge, in an early age. Not many car designers does ever possess that experience! Making tool moulds,  laying carbon fibre on a tool before its put in the autoclave oven, and be part of the rest of the manufacturing process.  I met the Master set up driver, Loris Bichocchi, with all his knowledge, was an eye opener as well. He just had a field note book, to write things down in,  no tech equipment, just pure feeling and experince. I think, meeting and working with him and Christian might be the lime light moment in my carrer.

The Koenigsegg CCv8s

What motivates you? 

Music is the greatest motivation, great coffe, Syd Mead artwork, watching Zlatan playing football.

And what are your Inspiration sources?

Running in the forest, being close to nature, old cars, study animals, architecture.

A free sketch by Mikael Lindberg: The Lamborghini Cabrera

What do you feel is the most important skill an automobile designer should possess?

To be able to sketch freely what you think with a ballpoint pen, for communicating and express your ideas to others on a paper!

What was your greatest accomplishment as an automobile designer?

Design prices are always lovely to possess, but working in a team with other professionals and share a vision and a dream, then accomplish that, is the greatest in my mind. Car design is a team work! When we designed the mighty Koenigsegg Jesko, I think that was achieved. Sadly we lost the engine genius Dag Böhlenius earlier this year, a truly master mind behind the succes of the brand!

Koenigsegg Jesko

We are in a transition phase. The automotive world is changing. How is your relation with EV? Do you think that simpler and less bulky mechanics give you more freedom of design?

Im not a fan of EV’s, even though I have worked for pure EV companies such Byton and Hongqui. There are other solutions, better for the environment for the moment in my opinion, that haven’t been given a fair chance as the EV startups I think. There are always two sides of the coin. It is a political question, and I think we need to grab the whole line of solutions, than just pick one for finding THE solution. We need several solutions, fitting different needs and abilities. Concerning the design freedom in EVs, not needed with front grille, will change the face of a car. The petrol engines front grill was pure functional but also used as the most important part on the car to express the car brands expression

What design projects are you currently working on?

Im working on something very interesting and revolutionary, but I can talk much about it for the moment! More to come.

We are looking forward to know more about your new project, what do you foresee in the automobile industry?

More assimilations between companies for lowering production costs, but I hope we have more small brave hearts in smaller companies that could change it! I hope that the autonomous driving will be less and focus the investments for improving cars for the future.

…and also from an aesthetic point of view! Last question Mikael: What is next for you?

In my project, the financials are important issues for the moment. When you plant a new seed as a project, investments at the right moment are a key to success, no matter how brilliant the idea is. Concerning my art, i’m blessed to work with a great collector of my art and Im about starting up creating a great collection of new paintings for him.

Andreas Scheidl from Carrozzieri-Italiani.com with Mikael Lindberg @ 17. Classic-Gala Schwetzingen Internat. Concours d‘Elegance

You can find Mikael Lindberg here:

www.Petrolhead.portfoliobox.io
Instagram: @swedemikael

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Stefano
Stefano
3 years ago

Interessante nuovo format! please more Andreas!

Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.