carrozzieri-italiani.com

The ultimate italian coachbuilder site

The story of Carrozzeria Garavini

The beginning

Eusebio Garavini was born in Forlì on the 23rd of July, 1878 from father Fortunato, and mother Clotilde Tesei. In 1899 he moved to Turin and became a factory worker for Diatto’s workshops, where, after a little while, he gained more and more responsibilities in the machining departments. He then went to work for Locati & Torretta and, in the end, after he gained his certificate as a technical director, he started working in Carrozzeria Taurus in Turin.

Carrozzeria Garavini

In 1908 he took over Carrozzeria Piemonte which was planning the production of horse carriages and frames for motorized vehicles of any kind. The company, under the direction of Garavini, obtained great results, so much so that in 1911 it turned into G. Diatto – E. Garavini & Co. Other members of the company, situated in Turin, precisely in Corso Regina Margherita, were G. and E. Diatto, G. Fissore, F. Tosa, and G.B. Ceirano.

1914 Fiat 18 BL - Photo courtesy of Fondazione Negri

The dream starts off

Diatto-Garavini’s company started its activity with fifty workers, a remarkable workforce at the time for a company that was destined to the production of luxury cars, lorries, and omnibuses; but in 1914 the number of workers doubled. At the beginning of World War I the production shifted to military vehicles and ambulances; to make up for the increasing necessity for workers it reached five hundred work units and labor was divided into two turns. In 1917 the Diatto brothers left the company which, on the 11th of April 1918 turned into s.a.s. E. Garavini & Co.

1924 Advertising Isotta Fraschini Tipo 8 Limousine Dorsay

The success

At the end of the war, the company turned back to its production for civil use: FIAT, Lancia, Isotta Fraschini and Itala took advantage of its services for the bodies of their vehicles. A vehicle created by Garavini’s creativity, which gained great success was the “belvedere”, which had a special roof that could be unfolded and folded by just one person. Among his clients, there were Benito Mussolini, King Menelik and Queen Thaitù, and other dignitaries and royals from all over Europe. In the field of industrial vehicles, the company designed and built refrigerated wagons, vehicles for public transport, and ambulances for companies in Rome and Turin.

1924 Itala Tipo 61

In 1926 the company released its first completely metallic body with a roof that could be completely opened. In 1927 the “pleumelastica superleggerissima” was exhibited in the Milan Salon, it had a suspension system made of rubber pads inserted between the body and the frame which were designed to make the drive more comfortable. The system was defined as “the only real innovation” of the Salon during those days. From the official catalog of the Milan Salon from 1928, we see that the company had sales showrooms in the main Italian cities and that it provided busses for Rome’s and Turin’s urban services. Moreover, we can see the various vehicles exhibited, among which it’s worth remembering the spider cabriolet with the FIAT 509 frame, the car with the FIAT 510 frame, and the one with the FIAT 510 frame with folding seats and a middle partition wall; but it’s also worth mentioning other vehicles on Isotta Fraschini, Itala, Lancia-Lambda frames and a Lancia omnibus on a type-long Omicron frame.

1927 Lancia Pentajota Omnibus

The vehicles exhibited at the International Milan Salon in 1930 were also highly regarded by the public. Among these is worth remembering Victoria, which was defined as one the “most beautiful interpretations of the FIAT 514”, and the powerful Lancia-Lambda cabriolet. In that year’s Milan Salon there was also a low-noise belvedere bus with a transforming body, which was a true attraction. The bus could be transformed into a closed or open bus by just one person, and the uprights had the minimum thickness and it had wide protective glasses even in the opened version. The vehicle had a unique ventilation system that made sure the air was filtered in the passenger environment and that fumes were conveyed outside even when the glasses were completely closed. Then it had an innovative system for that time which allowed the driver’s seat to slide and to be adjusted according to the driver’s needs. The seat itself could also be tipped-up, creating a single plan with the seat immediately behind it.

(adsbygoogle = window.adsbygoogle || []).push({});

Dark years and WWII

The following years, also because of the international crisis, Garavini went through serious difficulties that led it to bankruptcy in 1933. After that, it was taken over by a management company in 1935 and turned into Stabilimenti Garavini.

Photo courtesy of Garavini Torino

During World War II the facilities worked at full speed making vehicles for the army but also ambulances and motorized sleds for the ARMIR (the Italian expeditionary corps in Russia). The conflict seriously damaged the facilities and after the war, Garavini chose to focus his productive effort on busses. In 1942 Garavini patented the three-axis trolley bus on which they anchored draw, suspension, and direction gears. Among other inventions from that period, Garavini’s company made sunroofs and folding doors.

Photo courtesy of Garavini Torino

Garavini was president and general manager until his death, which happened on the 6th of May 1947.

After war and the decline

At the beginning of the Fifties, Garavini’s facilities expanded in a large triangle in the village of Vanchiglia, in Turin. After the war, Garavini’s company introduced some innovations in the production of cars, for example, they abandoned every trace of wood in the body and preferred bodies with a completely metallic shell, which had already been introduced back in 1926, they also worked towards the invention of a monocoque since, according to Garavini engineers, the ideal car had to have a weight-bearing body so that there was a greater transport capacity with less weight and with the same power. They widely used light alloy like duralumin, which undergoes simple anomic oxidation to create a superficial layer that’s extremely tough and unalterable.

1947 Fiat 1500 Trasformabile

Because of the standardization of products that occurred after the second world war, there was less interest in custom-made products. Since Garavini’s company didn’t want to lose its essence made of luxury cars with personalized details they were forced to close down in 1958.

The rebirth

To celebrate the 111 years of the Coachbuilder Garavini, 2020 the brand sees its rebirth and will us delight with new creations in the next years. Keep following us for new updates.

More info here: www.garavinitorino.com

0 0 votes
Article Rating
Subscribe
Notify of
0 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.