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The Fiat Cinquecento Concept Cars

At the 1992 Turin Motor Show, Fiat unveiled a series of prototypes designed by famous Italian coachbuilders to celebrate the arrival of the small Cinquecento on the market. None of these concepts had an “official” production follow-up under the Fiat brand (but Giugiaro’s ID Cinquecento will give birth, with great results, to the Daewoo Matiz, and Maggiora built a small series of its creation), but this operation was a shining example of Italian automotive creativity, at the time supported by the value of coachbuilders and design institutes. Here are the creations which were exhibited at the Fiat Stand.

Fiat Cinquecento Birba

The Fiat Cinquecento Birba is a four seater cabriolet designed by the Maggiora atelier, the same one that will be responsible for the production of the Fiat Barchetta from 1995. Unlike the other cars in this review, it will actually be built by Maggiora itself in a few examples at the request of some customers. For the rest, it remains quite faithful to the original model, rollbar aside.

Fiat Cinquecento Cita

The Cinquecento Cita got its name from the Moretti Cita citycar. This open-top two-seater, also faithful to the citycar from which it takes its cue, is instead a creation of the Stola coachbuilder designed by Aldo Garnero. As is the case on the discoveries of the time, the fabric soft top adopts a PVC rear window. As on the Birba, bumpers and bumper fascias are painted to contrast with the bodywork. The solution of such a generous third volume hints at the coupe-cabriolets that would become all the rage in the following decade.

Fiat Cinquecento Fionda

The Cinquecento Fionda is the most futuristi proposal. Mechanics and platform are the same as the starting model made available by Fiat itself, but otherwise this creation of the Coggiola coachbuilder has nothing in common aesthetically. The soft, sleek lines are reminiscent of a small coupe.

Fiat Cinquecento 4x4 Pick-up

The Fiat Cinquecento Pick-Up by Pininfarina: Four-wheel drive and a center pillar that remains fixed and act like rollbar make this car a mini pickup truck. A small Landaulet: this configuration is reminiscent of Suzuki’s small 4×4 soft tops. The rear seats, when not needed, can fold down into the floor flush with the cargo area, transforming the car into a pickup truck. A solution reminiscent of the Citroen C3 Pluriel.

Fiat Cinquecento ID

The Fiat Cinquecento ID is Italdesign’s interpretation of the Cinquecento with MPV shapes and similar overall dimensions. It was not made explicit at the time, but it was a proposal for a possible heir to the Italian citycar itself. Fiat, as is known, would prefer not to follow up on Giugiaro’s idea, which in turn would evolve the prototype into the Italdesign Lucciola. Instead, Daewoo will be the one to take advantage of this, starting from this project and creating its successful Matiz.

Fiat Cinquecento Rush

Created by Bertone under the creative direction of Luciano D’Ambrosio, the Cinquecento Rush is a modern dune buggy developed on the basis of the small Fiat citycar. Although highly original, the dune buggy was not a simple showcar, but a prototype whose features did not preclude an eventual production follow-up. The soft, rounded shapes in line with the brand’s later products, starting with the Punto, of which Bertone himself would make the popular Cabrio version.

Fiat Cinquecento Griguà

With the Fiat Cinquecento Griguà, the Turin-based I.DE.A Institute offers a futuristic version of Fiat’s citycar with modern shapes that are still relevant today with large glass surfaces. The car explores the possibility of a passenger compartment that can give plenty of room for three people. The driver is seated in the center, while the two passengers find placement to the side, but in a more rearward position.

Fiat Cinquecento Z-Eco

As guessed by its name, the Cinquecento Z-Eco is the proposal of the well-known Milanese atelier Zagato. The idea stems from the desire to accompany four-wheel mobility with “soft” transportation solutions, perhaps to leave the car behind and access the traffic-free historic centers of big cities by bike.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.