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The Ferrari F90: A Tale of Secrecy and Unconventional Design

ferrari f90

In the annals of automotive history, there exist tales that defy conventions, and one such narrative revolves around the elusive Ferrari F90. Born from a clandestine collaboration between Pininfarina and Prince Jefri, the brother of the Sultan of Brunei, this supercar emerged as a symbol of opulence and innovation. What makes the F90 particularly intriguing is not only its design, credited to Enrico Fumia but also the shroud of secrecy that enveloped its creation. In this comprehensive exploration, we unravel the enigmatic story behind the F90, shedding light on its unconventional genesis, clandestine testing, and its place in the realm of automotive rarities.

The Tokyo Motor Show concept

In 1989, Pininfarina, embarked on an ambitious project: to create a supercar concept based on the iconic Ferrari Testarossa. This endeavor was not just any assignment; it was a challenge that would showcase the pinnacle of automotive design and engineering at the prestigious Tokyo Auto Show.

Led by the visionary minds at Pininfarina, the designer team set out to push the boundaries of automotive aesthetics and performance. Each designer poured their creativity and expertise into crafting their interpretation of the Ferrari Testarossa supercar concept. Among them, also Enrico Fumia.

However, it was Pietro Camardella who ultimately emerged victorious in Pininfarina’s internal competition. His creation, the Ferrari Mythos, captivated the imaginations of all who beheld it. With its sleek lines, aerodynamic contours, and aggressive stance, the Mythos was a testament to Pininfarina’s mastery of automotive design.

Though not meant for public sale, the current Sultan of Brunei, Hassanal Bolkiah, is known to have commissioned three Mythos cars: one in red, one in blue, and another in black. The black model was owned by the Sultan’s brother, Jefri Bolkiah.

ferrari f90

Despite Enrico Fumia’s proposal being rejected for the Tokyo Auto Show, its brilliance did not go unnoticed. Fumia, saw potential in his design beyond the confines of Pininfarina’s initial plans. He recognized an opportunity to breathe new life into his rejected concept.

The Secret Mission

In 1988, Prince Jefri, an avid car collector with an insatiable appetite for bespoke creations, approached Pininfarina with an extraordinary request. He sought an exclusive supercar with a completely unique design. This mission was not just exclusive but veiled in secrecy, a condition that would set the stage for an extraordinary journey in automotive design.

In a bold move, Fumia proposed his rejected Tokyo Auto Show design to Prince Jefri, a discerning enthusiast known for his appreciation of automotive excellence. To Fumia’s delight, Prince Jefri was impressed by the design and gave his approval. Thus, Fumia’s rejected proposal found a new home and a chance to dazzle audiences in a different arena.

The Unconventional Design

Unveiled in 2005 through a microscopic photo in Maranello’s annual, the F90’s design was anything but conventional. Standing as a ‘Targa’ completely outside the norm, it featured an integrated rear spoiler forming a shawl-like extension, partially covered rear wheel arches, and a remarkable glass roof that, when opened, slid over the rear windshield. The front end showcased elliptical motifs, a theme later revisited by Fumia in the 1995 Lancia Y.

Fumia reveals the creative link between the F90’s design and Ferrari’s stylistic past. Drawing inspiration from the brand’s heritage, he employed a method he calls Recognisability or Identity Cycle, comprising the reinterpretation of the brand’s stylistic past, selection of consolidated features, and historization through the introduction of new elements.

The design details, such as the “pointed ellipse” grille and the “quadrifrontal” motif, not only paid homage to Ferrari’s history but also showcased Fumia’s commitment to functional aesthetics. The F90’s grille, unlike the Testarossa, served a practical purpose by directing air to the front radiator.

Engine and Mechanical Evolution

Mechanically rooted in the Ferrari Testarossa, the F90 retained its V12 engine, producing 390 bhp for the rear wheels. Notably, the two side radiators were replaced with a single front radiator, offering both aesthetic and practical advantages. The F90 represented a departure from the Testarossa’s design, keeping only the wheels and mirrors from the original body.

Clandestine Testing and Recognition

Testing the F90 proved to be a covert affair, conducted mostly at night with the car camouflaged and devoid of any Prancing Horse emblems. While Ferrari remained oblivious to this secret project, the F90’s clandestine existence persisted until 2002 when a photo surfaced, exposing one of the cars in the Sultan’s garage.

The revelation led to a delicate situation, but Ferrari surprised everyone with its response. In 2005, the Prancing Horse officially recognized the F90 as an authentic Ferrari without ever laying eyes on it. The F90 became a part of Ferrari’s history, an acknowledgment that brought immense satisfaction to Enrico Fumia, the creative force behind the unconventional design.

ferrari f90

Legacy and Future Dreams

As of now, the six F90s remain shrouded in mystery, resting in the garage of the Sultan of Brunei. Fumia, however, harbors dreams of seeing at least one F90 showcased to the public, emphasizing his desire to share this unique creation with enthusiasts worldwide.

In closing, the Ferrari F90 stands as a testament to the marriage of secrecy, extravagance, and unconventional design. Its journey, from the drawing boards of Pininfarina to the clandestine testing grounds, remains a captivating chapter in the automotive saga—one that continues to fuel the dreams of its visionary creator.

Conclusion

The Ferrari F90’s saga remains a captivating chapter in automotive history, a story of unconventional design, secrecy, and a visionary designer’s bold move. As the F90 rest in the garage of the Sultan of Brunei, Enrico Fumia’s dreams persist—an aspiration to see his creation showcased to the world. The F90 stands not just as a supercar but as a testament to the uncharted realms where imagination and innovation converge, creating an enduring legacy in the automotive landscape.

Buy Enrico Fumia’s book “AUTOritratto” here on Amazon.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.