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Carrozzeria Castagna Milano: A Timeless Legacy

Established in 1849, Carrozzeria Castagna Milano is an iconic name in Italian automotive history. From carriages to luxury automobiles, the company’s journey under Carlo Castagna’s leadership defined an era. Post-war challenges led to closure in 1954, but a 1990s revival, spearheaded by Uberto Petra and Gioacchino Acampora, brought the brand back to life. Today, Castagna continues its legacy with unique creations and collaborations, ensuring a lasting impact in the world of automotive craftsmanship.

The Early Years

Embarking on its journey in 1849, Carrozzeria Castagna has etched its name as one of the oldest and most successful players in Italian automotive history. What sets it apart is the seamless transition from crafting traditional carriages to pioneering in the world of automobiles. The roots of this story lie in the apprenticeship of a nine-year-old Carlo Castagna under Paolo Mainetti, who founded a Milanese factory on San Celso street (now Corso Italia) back in 1835. As Castagna climbed the ranks to become director and partner, the company expanded its influence through strategic acquisitions, absorbing competitors like Carrozzeria Fratelli Albini, Enrico Orsaniga, and Eugenio Ferrari.

In a pivotal moment in 1894, Castagna successfully orchestrated the merger of Ferrari, Mainetti & Orsaniga, laying the foundation for a new chapter. The dawn of the 20th century brought about a reorganization, transforming the company into a partnership with backing from esteemed Milanese aristocratic families. It rebranded as “Fabbriche Riunite di Carrozze già Mainetti, Ferrari ed Orsaniga di C. Castagna” and consolidated operations at Via Montevideo 19.

Castagna’s reputation as a supplier of luxury car bodies soared, catering to an elite clientele, including the Royal House. Noteworthy among its creations is the Fiat 24/40 Hp “Sparviero” designed for Queen Mother Margherita of Savoy in 1906. The Sparviero, used by the queen herself in the “Susa-Moncenisio” competition, showcased Castagna’s craftsmanship on a global stage.

The company’s innovations didn’t stop there. At the 1906 Milan Exposition, Castagna turned heads with features like the double-phaeton setup with side doors, a departure from the conventional rear access. In 1913, it unveiled the ALFA 40/60 Hp, a groundbreaking design by Count Marco Ricotti with a futuristic drop-shaped monovolume body.

The story of Carrozzeria Castagna entered a new chapter in 1914 with the passing of Carlo Castagna, leaving the company in the capable hands of his son, Ercole. However, the outbreak of World War I brought significant changes. Castagna adapted to the times by shifting its focus to the production of ambulances, trucks, and trailers to support the war effort. Demonstrating its remarkable versatility, the company even secured a contract in 1917 with Caproni to manufacture aircraft fuselages and wings. It is worth noting that Giovanni Boneschi, who had apprenticed at Carrozzeria Castagna, opened his own coachbuilding company in 1919, further enriching the Italian tradition of bespoke automotive design.

The Success

In 1919, Carrozzeria Castagna emerged as a trailblazer in Italy, boasting 400 employees and a sprawling workspace of 32,000 square meters, including 20,000 under cover. During these years, the focus was primarily on crafting high-end vehicles, with a special emphasis on brands like Isotta Fraschini. Additionally, the company thrived in third-party production, offering various services through its galvanic chrome plating department – the first of its kind in Italy. This department handled numerous external projects in furniture, components, and precision metalwork.

Among its noteworthy collaborations was with Compagnie Internationale des Wagons-Lits, a significant partner for finishing and producing elements for railway carriages. Castagna dedicated substantial effort to this field, contributing to the creation of various trains, including luxury ones like the Orient Express.

Following the conclusion of World War I, Castagna resumed its automotive activities. Participating in the first Concours d’Elegance events, the coachbuilder secured a category prize in Milan in 1926 with a Fiat 519 Limousine Dorsay and another accolade at the Monte Carlo Concours d’Elegance in 1928 with an Alfa Romeo 6C 1750 Spider.

Isotta Fraschini Tipo 8A SS Roadster by Castagna. Photo courtesy of Hyman Ltd

The success of Castagna’s creations was immense, gaining international acclaim. In a remarkable feat for an Italian coachbuilder of that era, Castagna even exhibited at the 1927 New York Auto Show. Orders poured in from around the globe; kings and magnates from every corner desired to travel in style on vehicles from Castagna, be it an Alfa Romeo, Fiat, Lancia, Isotta-Fraschini, Mercedes-Benz, or Duesenberg – all meticulously crafted by the skilled hands of Castagna artisans. The legacy of Castagna continued to transcend borders, marking an era of unparalleled craftsmanship and automotive elegance.

Ercole Castagna: introducing Innovation

As Ercole Castagna assumed the helm, his younger brother Emilio joined forces, providing a significant stylistic contribution while maintaining a keen focus on technological advancements. The company secured licenses for the French Baehr patent for detachable convertible bodies and the Clairalpax aluminum alloy body shells. As the Italian licensee for Paul Audineau’s Carrozzeria Viotti & Tolfo, Castagna also ventured into an American system for woody-wagon cars in 1929, albeit with modest success.

Navigating through the challenging waters of the 1929 economic crisis, which severely impacted the luxury car sector, Carrozzeria Castagna not only recovered but flourished in the 1930s. It emerged as a master of Italian style, a pioneer in aerodynamic design, and a significant contributor to bodywork development. Ercole Castagna himself founded a school for aspiring coachbuilders in Milan, emphasizing both innovation and craftsmanship. Notable among their creations was the Maserati 26M Sport Double Phaeton showcased at the 1931 Milan Motor Show, winning the top category prize at the 1932 Villa d’Este Concours d’Elegance. Subsequent years saw the production of high-end vehicles on Rolls-Royce, Bugatti, Lancia, and Isotta Fraschini chassis.

In 1937, Carrozzeria Castagna introduced a patent that would define its legacy: the Vistotal, adapted from the French Labourdette’s Vutotal. This innovation featured a windshield without pillars, providing unobstructed panoramic visibility.

The Alfa Romeo 6C 2300 Trasformabile Pescara

During this period, Castagna initiated its first aerodynamic research in collaboration with German engineer Bergmann, establishing a dedicated department within its facility. The result was the creation of “aerodynamic” models on less prestigious chassis such as Fiat and Alfa Romeo. This style often merged with flamboyant elements or drew inspiration from models across the ocean. Ercole Castagna’s passion for innovation became increasingly evident during these years.

Among the most ardent admirers of Carrozzeria Castagna are Gabriele d’Annunzio and the Mussolini family.

In 1939, the company transitioned under the leadership of Emilio Castagna, the younger brother and a graduate in visual arts from the Brera Academy. Emilio not only prioritized style but also emphasized new solutions, techniques, and engineering. He invested significantly in researching novel patents and collaborated with individuals beyond the automotive realm. For instance, he worked with French designer Jean Patou on fabric choices, integrating these findings for the benefit of the company.

Emilio Castagna’s innovative spirit extended to the production of show cars on Alfa Romeo, Cisitalia, and FIAT chassis, equipped with the “Vistotal” system. However, despite these technical advancements, these creations failed to captivate the favor of both the public and specialized press.

In addition to style, Emilio Castagna’s keen focus on research and development, as well as his collaborations with diverse talents, added a distinctive flair to the company’s portfolio. Carrozzeria Castagna continued to evolve under his leadership, creating a lasting legacy that blended artistic elegance with pioneering engineering solutions. This period marked a chapter of innovation and exploration for the famed coachbuilder, solidifying its place in the annals of automotive history.

Second World War and the Family Split

As the Second World War erupted, Castagna Coachworks faced a sudden and challenging shift in production towards military supplies. However, in 1942, the company’s fate took a devastating turn when bombings obliterated its Milan facility, wiping out all vehicles in progress and existing material stocks. The economic toll was staggering, but Ercole Castagna, with the assistance of his sons Carlo, Cipriano, and Savino, made a resilient decision to rebuild. They envisioned a new beginning and laid the foundation for a brand-new factory in Venegono Superiore (VA), rallying a workforce of over 600 employees.

The challenges continued with the realization that the designs by Ercole Castagna were not gaining the expected traction. In response, the Carrozzeria sought the expertise of Giuseppe Seregni, a former designer from Carrozzeria Touring. This move marked a stylistic turning point, steering away from the baroque aesthetics of previous models and introducing a fresh and more appealing design approach.

Emilio Castagna's Trottolina

Meanwhile, in the spring of 1940, Emilio Castagna embarked on a new chapter, parting ways with his brother to establish his independent coachbuilding workshop at 24 Via Giovanni Battista Fauchè. This location had previously served as the headquarters of Carrozzeria Torinese until 1930. The timing, unfortunately, coincided with the tumultuous period of World War II. Despite the challenging circumstances, Emilio’s workshop struggled to survive through the war, attempting, albeit unsuccessfully, to venture into the production of the microcar Trottolina.

Heroes Behind the Wheel: Carrozzeria Castagna's Secret Mission

Getting back to Venegono Superiore (VA), just a few kilometers from the Swiss border, amidst a daring venture, Carrozzeria Castagna played an unexpected role during World War II by producing cars specifically for Nazi generals. Ercole Castagna, Giuseppe Barni, and Giuseppe Seregni emerged as unsung heroes in this clandestine operation. Castagna took the wheel, while Seregni occupied the passenger seat. Little did anyone suspect that the cars used by Nazi officers, seemingly on innocent trips with their grandchildren to enjoy Swiss chocolate, would serve as lifeboats for numerous individuals.

Between Varese and Como, many high-ranking German officers resided, and they approached Castagna to modify their vehicles, predominantly Alfa Romeos. Apart from the Reich insignia, workshop head Giuseppe Barni and designer Giuseppe Seregni were tasked with 60 models.

The Wehrmacht officers utilized hidden compartments to transport gold and documents across the border. Castagna saw an opportunity to capitalize on the cover provided by these vehicles. After all, who would doubt a car belonging to the German army?

Giuseppe Barni & Giuseppe Seregni

The cars needed fuel, and they had to be tested. With this pretext, Castagna and his collaborators were able to conceal Jews. Determining the exact number of people the trio managed to rescue, risking their own lives, is challenging. Many were children, and everyone involved, including their families, remained unaware of the covert operation.

The courage displayed by Ercole Castagna, Giuseppe Barni, and Giuseppe Seregni during those perilous times transformed the Carrozzeria Castagna into a beacon of hope, proving that even in the darkest hours, unexpected heroes can emerge behind the wheels of ordinary-looking cars.

The Struggles and Triumphs: Castagna Coachworks in the Post-War Era

Fame alone is not enough, and recovery proves to be a formidable challenge. Castagna embarked on creating unique masterpieces on Alfa Romeo, Fiat, and Lancia chassis, often incorporating the Vistotal windshield with new, modern, and distinctive designs. The arrival of Giuseppe Seregni as a designer made a noticeable impact, continuing the success at elegance competitions. A Fiat 1100 Vistotal claimed the top prize at the 1948 Rome Concours d’Elegance, and the following year, an Alfa Romeo 6C 2500 Coupé Castagna secured another first-place category award in Rome.

The Alfa Romeo 1900 design proposal by Castagna Milano.

In 1950, Castagna aimed for a significant contract for the Alfa Romeo 1900 Coupé. The competition included other milan coachbuilders such as Boneschi, Colli, and Touring, each presenting their proposals. Touring, the firm where Giuseppe Seregni had previously worked before joining Carrozzeria Castagna, emerged victorious. Seregni’s creation faced defeat against that of his former colleague Federico Formenti. It was a moral blow, both for Seregni and his employer. However, this setback did not deter Castagna from producing at least three speciments of the Alfa Romeo 1900.

Numerous factors precipitated Castagna’s gradual decline: the initial blow came with the shuttering of Isotta Fraschini Automobili in the aftermath of the American market collapse. This led to the company losing its primary market and subsequently the superior chassis used for its bespoke bodywork. The automotive landscape in Milan underwent a transformation, with only Alfa Romeo and Bianchi remaining. However, with Bianchi’s closure after the war, the conditions for sustaining the business vanished. Consequently, in 1954, the coachbuilding workshop closed its doors. Despite grappling with defeat and economic challenges, a substantial business revival remained elusive, ultimately prompting Carrozzeria Castagna to cease operations in 1954. The post-war period marked a chapter of resilience, creativity, and competition for Castagna, leaving behind a legacy of exceptional designs and significant contributions to the world of automotive craftsmanship.

What concerning Emilio Castagna’s business: The post-war era saw him and his carrozzeria navigating through several years, specializing in creating custom cars, especially on the Fiat 1100 platform. These bespoke designs were undeniably elegant, although notably more budget-friendly compared to the luxurious vehicles crafted with his brother before the war. Emilio’s workshop endured through challenging times but eventually closed its doors in 1960.

The Revival

Revival of Carrozzeria Castagna Milano occurred in the 1990s. In 1994, businessman Uberto Petra and Italian automotive designer Gioacchino Acampora acquired the Carrozzeria Castagna name. Acampora, responsible for all recent projects at Castagna Milano, has played a pivotal role in the company’s modern endeavors.

Actively engaged in the automotive sector, Castagna serves as both a tuner for models from various manufacturers and a prominent producer of bespoke cars and concepts, in line with the brand’s rich tradition. A significant milestone was reached at the Villa d’Este Concorso d’Eleganza in 2002, where Castagna unveiled the “Auge,” a custom-built car on a Maserati chassis.

Further showcasing their prowess, Castagna participated in the 2003 Geneva Motor Show, presenting a trio of models: a 4-seater coupe on Maserati mechanics (Auge), a 2-seater coupe on Alfa Romeo mechanics (Ginevra), and a 2-seater barchetta on Ferrari mechanics (Rossellini). Known for ultra-luxury adaptations of Mini vehicles, the Milanese workshop has extended its expertise to the Fiat 500 Cinquino.

Introduced in October 2007, the Cinquino features a Light Tuning Kit for the New Fiat 500, marked by a distinctive two-tone paint scheme, wheel arch extensions, and a dual stainless steel exhaust. Customizable interiors, using leather and Alcantara, replace the standard Fiat model’s plastics. The trunk has been expanded, gaining an additional 40 liters of cargo capacity.

The Castagna AZNOM, a concept car based on the Corvette Z06 platform, highlights the company’s innovation. Recent projects extend to collaborations with Peugeot, Range Rover, and Citroen, showcasing Castagna’s ongoing commitment to automotive excellence.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.