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The Bugatti EB112: A Visionary design

Bugatti EB112

When the Bugatti EB112 was unveiled at the Geneva Motor Show in 1993, its design and engineering caused quite a stir. It managed to establish a brand new segment for ultra-luxurious Grand Tourisme vehicles, showcasing Bugatti’s unrivaled heritage and commitment to innovative technologies. Moreover, the EB112 successfully revolutionized the concept of a saloon car.

The origin of the Bugatti EB112

After, Bugatti had unveiled the EB110, for which Italdesign had also competed for the commission with the ID90 concept, during the Turin motor show, Giugiaro asked Artioli if he could have a chassis to create a car for his own purposes-to attract customers.

The EB112 made its debut at the 1993 Geneva Motor Show, captivating the audience with its remarkable presence. A significant announcement was made, stating that production of this extraordinary vehicle would commence in 1995, with an anticipated output of approximately 300 units annually.

Bugatti EB112

But in that very year, Bugatti SpA fell into bankruptcy, a fact that decreed the end of every dream and project of Romano Artioli, the architect of the company’s short-lived rebirth. At the time it closed its doors, pre-series production had just begun and four examples were still incomplete. Gildo Pallanca Pastor, owner of the small French manufacturer Venturi, purchased these examples with the aim of making two complete ones, examples that were completed in 2001. These, together with the Geneva prototype, are the only representatives of the EB112.

A visionary design

Giorgetto Giugiaro continues to shower the EB112 with utmost admiration to this day. According to him, the Bugatti EB112 incorporated several nostalgic design elements inspired by the iconic models of the renowned French brand from the late 1930s. However, it presented these features in a car that showcased innovative mechanics. The EB112 can be considered a visionary vehicle, as it paved the way for the high-performance fastback models we are familiar with today. It seamlessly merged cutting-edge design with advanced technological and engineering characteristics that were significantly ahead of its era.

Giugiaro’s design has been widely acclaimed as a significant accomplishment, receiving praise from numerous critics who consider it the most exquisite sedan ever crafted and a true embodiment of Bugatti’s excellence, seamlessly combining performance and luxury.

Bugatti EB112

The visionary touch of the EB112’s flowing aesthetic has been proven. As a genuine precursor to Bugatti’s current philosophy of ‘form follows performance’, the EB112 successfully merged a bold and sophisticated aesthetic with impressive technical prowess. This led to the creation of a high-performance Berline car with exceptional aerodynamic capabilities. In numerous aspects, the EB112 is now regarded as a spiritual predecessor to both the Veyron and Chiron models.

The EB112 showcases an exquisite aesthetic approach that embodies Bugatti’s renowned design DNA. Positioned at the forefront, it sets the stage for the grille arrangement seen in the Veyron a decade later. Additionally, the longitudinal rib extending from the bonnet, over the roof, and through the rear window pays homage to the stylistic elements of the Bugatti Type 57 SC Atlantic. This design feature was subtly recreated in both the Veyron and the Chiron.

Tecnical specifications

The EB112 possessed a captivating and enduring charm, while also introducing a groundbreaking revolution. Its all-aluminum body, coupled with a carbon fiber monocoque derived from the advanced EB110 super sports car, showcased a remarkable fusion of elegance and innovation. This pioneering body and chassis technology not only set new standards in the sports car segment in 1993 but also marked a significant milestone in the realm of saloon cars.

The world premiere at Geneva was the highlight of the event. Meticulously crafted over several months leading up to the prestigious Swiss exhibition, the EB112 gracefully made its way to the display area using its own propulsion. The powertrain itself was revolutionary, featuring a remarkable 60-valve (five per cylinder) 6.0-liter (5994cc) V12 engine coupled with a six-speed manual transmission and an advanced four-wheel drive system.

The V12 engine, without any forced induction, generated 460 horsepower at 6,300 revolutions per minute. Its maximum torque of 590 Newton meters was accessible from as low as 3,000 revolutions per minute, enabling the possibility of achieving exceptional performance surpassing that of other high-performance sedans of its time. The EB112 had a maximum speed of 300 kilometers per hour (186 miles per hour) and could accelerate from 0 to 100 kilometers per hour (62 miles per hour) in a mere 4.3 seconds.

Bugatti EB112

The EB112 featured an upgraded version of the advanced four-wheel drive system found in the EB110. In this model, the torque distribution was optimized with 38% going to the front wheels and 62% to the rear wheels. This ensured exceptional performance and stability in any driving conditions. Additionally, the engineers at Bugatti strategically positioned the powerful V12 engine towards the rear, between the axles, in a front mid-mounted configuration. This not only improved the car’s weight distribution but also contributed to its crash safety performance, making it a well-rounded technical specification.

Luigi Galli, Bugatti’s Specialist Heritage and Certification, described the Bugatti EB112 as a true trailblazer, a visionary that foreshadowed the revolutionary transformation of the sedan segment in the automotive industry. In 1993, this car introduced a completely new category for Berline Coupé vehicles. Prior to its arrival, there was a lack of high-performance sedans that embodied the remarkable attributes showcased by the EB112, combining forward-thinking design with exceptional power and opulent luxury. Over time, it has become an iconic milestone in Bugatti’s illustrious automotive legacy.

Bugatti’s unparalleled EB112 sedan in 1993 exemplified Bugatti’s unwavering commitment to pushing boundaries, advancing technology, and establishing entirely new automotive standards, all while staying true to its core principles that define the Bugatti brand. Giorgetto Giugiaro, renowned for his visionary design and aesthetic prowess, also played a pivotal role in the brand’s revival in 1998 with the introduction of the Bugatti EB118, a two-door coupe concept car, and its four-door counterpart, the Bugatti EB218. As the brand enters a new era under the leadership of Mate Rimac, models like the iconic EB112 and visionary creations like Giugiaro’s will undoubtedly continue to serve as a source of inspiration.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.