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The BMW Nazca M12 project by Italdesign

BMW Nazca M12

In the dynamic landscape of automotive design and engineering, the early 1990s saw the emergence of a groundbreaking collaboration between two industry giants Giorgetto Giugiaro’s Italdesign and BMW. The result of this union was the BMW Nazca M12, a vehicle that not only pushed the boundaries of aesthetics but also showcased technological innovations that set it apart from its contemporaries.

Background and Genesis of the Nazca Project

The Nazca project’s origins can be traced back to 1990 when the workload of the seasoned Giorgetto Giugiaro prompted him to pass the torch to his son, Fabrizio. At the tender age of 25, Fabrizio found himself at the helm of a project that would redefine the intersection of form and function in automotive design. The Nazca M12 made its debut in 1991 at the Tokyo Motor Show, revealing a design influenced by the Bugatti ID 90 concept unveiled a year prior.

The Bugatti ID90

As Fabrizio Giugiaro stepped into the role of lead designer, a unique dynamic unfolded during the collaboration with BMW. Recollections of bi-weekly meetings with a room full of 15 German engineers underscored the gravity of the project. The Nazca M12 was conceptualized even before the BMW 850, utilizing a pre-production engine that was still in the experimental phase.

The Aesthetic Marvel: Design Philosophy and Inspirations

The Nazca M12’s aesthetic appeal drew inspiration from the sleek lines and aerodynamic features of Group C race cars. This influence permeated every aspect of the design, from the pronounced curves to the streamlined silhouette. The 12-cylinder BMW engine, placed centrally, became both a visual centerpiece and a testament to the collaboration’s commitment to performance.

BMW Nazca M12

The BMW 12-cylinder engine, a technological marvel in its own right, was shrouded in secrecy during its development. An engineer, bound by confidentiality, constructed the engine in his own home. This clandestine approach not only highlighted the groundbreaking nature of the project but also added an air of mystique to the Nazca M12.

One of the Nazca M12’s defining features was its complete carbon fiber construction. Italdesign’s bold decision to utilize this lightweight yet robust material marked a paradigm shift in automotive manufacturing. The monocoque chassis, crafted from a single carbon fiber piece, contributed to the car’s svelte weight of 1,100 kg.

BMW Nazca M12

The gull-wing door mechanism, initially perceived as a theatrical touch, was a functional solution to the car’s low height. The glass engine cover, providing a mesmerizing view of the 5.0-liter V12 engine shared with the BMW 850i (Rumors suggest that its design is credited to Pininfarina, leading to alterations to accommodate the Ferrari 456 – read the story), added a layer of sophistication to the Nazca M12’s exterior.

Innovations Beyond Aesthetics

The BMW Nazca M12 was not merely a visual spectacle; it was a technological tour de force. It boasted the distinction of being the first car to feature ABS, anti-skid, and an adjustable suspension system: a testament to its commitment to both safety and performance. These innovations showcased the foresight and engineering acumen that characterized the collaboration between Italdesign and BMW.

The incorporation of BMW components into the interior of the Nazca M12 by Italdesign served a dual purposeç demonstrating the adaptability of German engineering and conveying the feasibility of mass production to BMW. By seamlessly integrating elements from BMW’s E36 series, such as the climatizer and onboard computer, into the Nazca M12, Italdesign showcased the versatility of BMW’s technology. This strategic utilization not only illustrated the seamless compatibility of German engineering components within the Nazca M12 but also sent a clear message to BMW regarding the ease of mass-producing this collaborative masterpiece. Moreover, the collaborative synergy extended beyond the E36 series, with Italdesign sourcing additional components from BMW’s existing lineup. Headlights and indicators, for instance, were borrowed from the BMW Z1 and the BMW GS80 motorbike, further emphasizing the collaborative bond between Italdesign and BMW. These choices were not arbitrary; instead, they were deliberate selections aimed at demonstrating the practicality and ease with which the Nazca M12 could be integrated into BMW’s existing production frameworks.

Evolution of the Nazca: The C2

A year after the Nazca M12’s debut, the evolution continued with the introduction of the Nazca C2 in 1992. This variant featured a redesigned front, relocating the headlamps beside the kidney grille, and a modified engine. Notably, the involvement of German manufacturer Alpina in the project added a new dimension to the Nazca C2’s performance capabilities.

Alpina’s contribution to the Nazca C2 included a modification of the engine, resulting in an additional 49 horsepower. This enhanced engine, shared with the Alpina B12 5.0, elevated the Nazca C2’s performance to new heights. The C2 also featured fixed racing seats and three rear spoilers, signaling its race-inspired status.

Beyond aesthetic modifications, the Nazca C2 boasted a claimed weight reduction of 100 kg compared to its predecessor. This reduction, coupled with the performance enhancements, transformed the driving dynamics of the Nazca C2, making it a worthy successor to the original M12. Also a Spider version was made.

Legacy and Limited Production

Despite the groundbreaking design and technological advancements, the Nazca M12 remained a rare gem in the automotive landscape. Originally intended as the official successor to the BMW M1, only three units were produced, each becoming a collector’s item. The original showcar is part of the Giugiaro Collection.

Today, these limited-edition vehicles stand as a testament to the indomitable spirit of collaboration between two automotive powerhouses. The BMW Nazca M12, a symphony of artistry and engineering excellence, continues to captivate enthusiasts and collectors alike with its enduring legacy. Its rarity, coupled with its technological innovations and avant-garde design, ensures that the Nazca M12 remains a coveted piece in automotive history.

Conclusions

The BMW Nazca M12 stands as a testament to the limitless possibilities that emerge when Italian creativity intertwines with German precision. Its design, influenced by Group C racing, pushed the boundaries of conventional aesthetics. The use of carbon fiber and the incorporation of cutting-edge technologies showcased a commitment to innovation. The Nazca C2, with its evolution, added another layer to the legacy, solidifying the collaborative efforts between Italdesign and BMW.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.