carrozzieri-italiani.com

The ultimate italian coachbuilder site

Alfa Romeo C52 Disco Volante – The UFO

The origin

Alfa Romeo, like many other car manufacturers, was dealing with financial problems in the post-war years. Although Alfa had always been at the top of racing events and had even won the 1951 F1 World Championship, they had to withdraw from F1 because of the new regulations for the 1952 season which required a new engine Alfa was unable to develop at the time due to the budget shortfall. This decision didn’t mean that the race department had to quit any motorsports activity, but instead, they started working on a new project, developing the sport nature of their current products. What they already had was the 1900 road car, on which the modifications started in cooperation with Carrozzeria Touring of Milan, hoping to take part later at Le Mans or Mille Miglia with, or at least sell it to other racing teams. The C52 project started under the supervision of Carlo Felice Bianchi Anderloni as the head designer.

The 1900 engine design by Gioacchino Colombo was maintained, but aluminum alloy was substituted for cast-iron, and the 4 cylinders were bored out slightly. While using the original suspension, an all-new space-frame chassis was developed for the car. What makes it special is the iconic body, designed not just to reduce the drag, but the side winds effect too. When debuted at the New York International Motor Sports Show, people noticed a strange lenticular body with large overhung fenders that reminded them of a UFO; the reason it was nicknamed “Disco Volante”, which means Flying Saucer in Italian. Featuring also a full underbody cover, this body proved to be aerodynamically efficient, both at wind-tunnel tests, and on the track with almost no lift at the top speed, when first tested at Monza.

3 spider models were made in 1952, 2 of them were modified later; one was equipped with a fixed roof and changed to a Berlinetta, while the other one narrowed down for hill-climb races, cutting off the bulging fenders. The latter was dubbed Fianchi Stretti, the Italian for Narrow-Hipped. In 1953, 2 other examples were made, this time fitted with a basic version of 6C 3000 CM race model 6-Cylinder engine, but one of them is believed to be dismantled by the company and doesn’t exist today. So did this car eventually attend any race? The answer is: No. Actually, none of the 5 examples ever raced.

4 Cars were planned to be prepared for the 1952 24 Hours of Le Mans, to be raced by the pairs: Juan Manuel Fangio / Jose Froilan Gonzalez, Franco Cortese / Consalvo Sanesi, Emmanuel de Graffenreid / Willy Daetwyler and Giulio Cabianca / Bruno Ruffo. Unfortunately the decision was cancelled before the race since there were uncertainties about its ability to endure the race, and it also had some stability problems. In fact, Disco Volante was hastily developed in a too short time to be properly tested and corrected for before the race.

Whereabouts

Today, 2 of the 1st examples with the 4 cylinder engine, the original spider (Chassis no. 1359.00001) and the coupe (Chassis no.1359.00003), are settled at the Museo Storico Alfa Romeo in Arese, Milan. The Fianchi Stretti (Chassis no. 1359.00002) is preserved in the Schlumpf collection at Musée national de l’automobile in Mulhouse, France. And finally, the 6 cylinder example (Chassis no. 1361.00011) is being kept at the Museo Nazionale dell’Automobile in Turin.

Disco Volante, a perfect combination of beauty and performance just as we expect an Alfa, and a priceless heritage of the 50s, inspired so many following Alfas, as well as other cars after. Its chassis design was used in developing later race platforms by Alfa, like the 60s well-known Tubolare Zagato (TZ). You can also detect the curves and lentil-like body form on cars like Jaguar D-Type, and later the E-Type. Carrozzeria Touring also introduced a new limited production model at the 2013 Geneva Motor Show, based on the 8C Competizione and named it after the Disco Volante to revive its name and memory.

Technical specifications

The superleggera tubular space-frame with a 2220 mm wheelbase, had a front longitudinal engine, rear wheel drive layout and was fixed on the Alfa 1900 suspension which featured double wishbone at the front and live axle connected with upper triangle A-arms and double lower longitudinal reaction arms at the rear, both using coil springs and hydraulic telescopic shock absorbers. The car also used 4 drum brakes on 16” wheels. The aerodynamic lenticular body had an astonishing drag coefficient of 0.25 which was the lowest of any car at the time. The 4-cylinder examples had a curb weight of about 735 Kg, and the 6-cylinder version around 760 Kg, thanks to the superleggera structure and exploiting light-weight alloys. The modified Alfa 1900 straight-4 all-aluminum engine was a naturally aspirated, 2-valves/cyl, chain driven DOHC, with a 2.45 mm increased bore of 85 mm, stroke of 88 mm and total displacement of 1997 cc. The compression ratio was also raised from 7.75 to 8.73:1. The Spider and the Coupe each used 2 twin-choke Weber 50 DCO 3 carburetors, but the Fianchi Stretti had 2 Weber 40 DCOE ones. These carburetors were both side-draught to have a low and flat bonnet profile. This engine could produce 158 bhp at 6500 rpm, which was transmitted to the rear wheels through a double-plate clutch, a 4-speed synchro gearbox and a limited-slip differential, able to propel the car to a top speed of around 225 Km/h.

On the other hand, the 6-cylinder one used a chassis with slightly extended wheelbase and a 3495 cc straight-6 engine. There is no official information about the engine, but that’s believed to produce between 225-240 bhp at 6000 rpm and able to give the car a top speed of around 240 Km/h.

Photos:
Alfa Romeo Automobilismo Storico,
Centro Documentazione (Arese, Milano)

0 0 votes
Article Rating
Subscribe
Notify of
0 Comments
Oldest
Newest Most Voted
Inline Feedbacks
View all comments
Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.