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The Alfa Romeo 412 Spider Vignale

The Alfa Romeo 412 Spider Vignale was a racing car built in 1939 with a Touring body then changed in 1951 by Vignale who used a more modern and aerodynamic livery in line with Alfa Romeo style of that period. It took part in different races with the original body but also with the one made by Vignale.

One-off belonged to Felice Bonetto until 1953, it was sligthly modificated during the years for road use. 412 passed away in the early 1960s.

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The car’s origins: the 12C-37 saved from the war

“I remember a itemized list of experimental racing cars existing at the Experience Service right after the war. It was the end of 1945.” In this way the memory about this car made by Elvira Ruocco, manager of the Alfa Romeo Historical Archive from 1983 to 2005, begins. She continues: “From this itemized list it appeared there were two 412 completed, (of 4 made), and one of them was located at the headquarter of Portello and anothe one was in another warehouse. Although I remember very well at the Triuggio decentralization a chassis complete with engine was in storage, another engine was storaged together with the 412 hospitalized in the Melzo decentralization.“

Its Story

The 412 was built in 1939 by Touring on the chassis of the 8C 2900A. Its engine is the 12-cylinder 4500, the same as the 12C of 1937. It had its debut on May 31, 1939 at the G.P. of Antwerp and it classified first and second thanks to the race drivers Giuseppe Farina and Raymond Sommer, and second at the G.P. of Luxembourg in 1939 thanks to Clemente Biondetti.

After the Second World War one of the four speciments produced (according to the book wrote by Fusi) was sold to the Swiss Willy Daetwyler, who led it to victory in different mountain races and in 1948, he won the G.P. of the Bremgarten.

The chassis shared with the 8C 2900-A was identified with the number 412151. Probably this number was used to named the car. It was equipped with a 12-cylinder V engine of 4495 cm3, built with two monoblocks 6 cylinders, which developed up to 430 hp and was turbocharged. It was designed by Vittorio Jano in 1937.

Therefore, the 412s derived from the 12C-37 single-seat, from which they inherited their engine. In 1936, the Grand Prix Alfa Romeos were called 12C-36s and they had an engine of 4,1 liter V12 and a similar, if not identical, car body to the 8C35 of 1935. In 1937 these cars were called 12C-37, and the engine was increased at 4,5 liters, but on a new and lower chassis.

On account of the subsequent limitation of the engine size for Gran Prix cars (3 liters), the 12 cylinders became useless, and were used since 1939 for sports-type races. With the Touring car body, the 412151 took part in different races, including the Mille Miglia of 1950 (Bonetto – Casnaghi) and the Targa Florio of 1950.

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Carrozzeria Vignale

In 1951, the Alfa Romeo 412 of Felice Bonetto took part at the “Giro di Sicilia”, from 31 March to the first of April, but it off the road wrecking its car body. So, coachbuilder Vignale built a very light Spider as a second dress, deeply modifying the previous one. With this new car, at the end of April 1951, Bonetto  took part at the Mille Miglia ranking sixth with the number 427.

So, the intervention of Vignale can be dated to April 1951. This photography taken during the above mentioned Mille Miglia in which it’s not painted (maybe to reduce its weight for the race) and with the number 427 painted by hand. The car then participated in a race in Oporto in 1951, which it won  beating the Ferrari 166s and the Maserati’s.

Successive changes and use on the road

After the Mille Miglia of 1951 the car was modified. In Oporto we can see it painted, but other photos shows the car with further modifications.

On Road & Track magazine of October 1951 we can find an article called “A special 230 hp Alfa”, written by Corrado Millanta in which we can see other images of this car. In these photos we can see that the aerodynamic appendix placed behind the drivers head has been removed (which it was present during the Mille Miglia of the same year). It was designed to eliminate the aerodynamic turbulence caused by the driver’s head on account of the windscreen which was placed very low; moreover we can notice thin moldings surrounding the ‘volume’ in relief that comes from the shield, which runs through the hood reaching the ends of the windshield and up to the end of the car. The painting has a slight chromatic variation: the central part is slightly darker, giving the idea of a two-tone or a tone on tone body car. Comparing the other Alfa’s of that period, colors could be red with the central part dark red, red with the central part blue or red with the central part red blood, like the colors of the 6C 2500 Ala Spessa of 1939- 40.

The 412 Vignale is a pure two-seater Spider, characterized by a very long hood, 4 chromed air intakes for each side placed between the front fender and the cockpit. The front has 4 headlights, two at the ends and two central plus turn signals. Moreover it has the “scudetto”, appeared in a completed shape for the first time the year before (1950) on the 1900 sedan.

Unlike the 1900s, the shield has a very subtle vertical shape, recalling the design of the one of 6C 2500 Villa d’Este and other 6C 2500 made by Touring from 1946. As mentioned before, the shield is placed on a raised volume which continues along the entire bonnet up to the windshield, creating its basis in a very clear and marked way, as for the Villa d’Este, but here its smoother and without details/chrome, probably on account of the ‘essential’ character of this racing car. This is a beautiful Alfa Romeo which expresses a strong balance between great elegance and a sporting spirit. Its line is absolutely particular because it blends features of the Villa D’Este with others of the 1900 in a really unique way that we can’t see in other Alfa Romeo. Moreover the 12-cylinder engine equipped on this car increases enormously its appeal. Starting from the end of 1951 this car was also used on road (or maybe only forprivate use only, because it no longer took part in competitions and it was registered), as mentioned in another article appeared on Road & Track Magazine in September 1952, written by Burton Harrison. The journalist is accompanied on a breathtaking journey on the 412 driven by Bonetto, probably around the San Siro stadium in Milan. During the path of the car, an increasingly large crowd is witnessing the driver’s skills with growing enthusiasm. The 412 was parked at the Scuderia Volpini and its engine had just remade by Alfa Romeo, which had recommended not to exceed 5000 rpm. Although Bonetto was ‘in love’ with this car, it had already been put for sale, as confirmed also by an advertisement appeared on Road & Track Magazine in January 1953.

The death of Bonetto and the succession of sales

Felice Bonetto died on November 21, 1953 due to a racing accident, in Mexico, during the IV Carrera Panamericana. The 412 was sold to Cortese, who on 4/12/1954 offered it for 20 million lire to Henry Wessells, an American, well-known automobile collector, in particular of Alfa Romeo. In another letter of 12/1/1955 Cortese replied to Wessells that it  was no longer available because the car had been sold in Spain, but this step is not documented enough, and probably the car was sold to the Italian branch of a Spanish dealer.

The car was ‘saw again’ by Marc Wallach in Milan in 1958, who in 1999 wrote a letter to the editor of ‘Forza’ telling this episode, when he visited the last workshop of Enrico Nardi, in via Vincenzo Lancia in Turin. In that workshop he noticed 2 touring bodied cars with 6C 2500 engines and “a wonderful Alfa Romeo V12 GP 12C, with a 2-seat body from Vignale. There’s a photo taken in the workshop where we can see Wallach near the 412, identifiable by the rear air intake, placed between the cockpit and the rear fender.

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The end of the 412

Probably Enrico Nardi kept the car as it is until 1960, a year that maybe marked the end of the 412. There are few sources about the last chapter of the history of this car and all referable to the history of Nardi and his activity, so they come from a single source and they aren’t verifiable, although no other source contradicts what is told in all publications about Nardi’s activity.

In 1960 the car was dismantled: chassis, engine and body were separated and had different fates. Part of the chassis was used to make a new car (read here our special): the Plymouth Silver Ray designed by Michelotti which remained a one-off.

It had a Plymouth engine, an eight-cylinder 320 hp. The news is also supported by a 1992 Nardi  calendar which shows it, specifying it was made on (or part of) an Alfa Romeo 4500 chassis.

The engine of the 412 remained for years in Nardi’s workshop until his daughter sold it in auction in 1998. It was bought by Larry Auriana, an American collector, who had it restored by Epifani Restorations, in Berkeley (USA). Probably he still owns it. The comment accompanying the engine at the auction is quite inaccurate but provides interesting news about the car.

There are no sources or news about the destiny of the car body of the 412 Vignale. The end of this beautiful, unique and engaging ‘dress’ is a mystery, although probably it didn’t survive, since there are no news about it.

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Interesting facts

There’s at least one test of replication of the 412 Vignale, in red color. This is only an imitation with many inaccuracies compared to a photo of the original.

There are many scale models of this car which represent it both in the Mille Miglia race configuration and painted in different colors. Searching on internet we can find many photos of them, as further proof of the fact that 412 Vignale fascinated thousands of car enthusiasts, alfisti and not, from its birth to the present day.

Many years have passed since the last time in which the powerful and metallic sound of the 12-cylinder Alfa Romeo engine resounded on the streets of Milan and Italy, combined to the unique livery created by Vignale. Since then the Alfa has built the history of motoring in Italy and all over the World, marking it with its unique and admired brand, even if sometimes it experienced crises and dark times. The history of this car inserts itself into all stories of cars and men who making great this brand thanks to their passion, their tenacity and their Sports Heart.

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Mark84
Mark84
3 years ago

I read about the replica which is currently for sale for around $350.000 !!!! This is crazy considering that it has the 6c engine. I would never pay for a replica that much money

The BMW M1 holds a unique place in automotive history. As the first production car from BMW’s Motorsport division, the M1 was intended to showcase the company’s engineering prowess and racing pedigree. However, despite its striking looks, impressive performance, and significant impact on the BMW brand, the M1’s journey was fraught with challenges, including financial turmoil, production delays, and regulatory hurdles. Today, the M division has evolved into a symbol of high-performance street cars, but the M1’s legacy remains one of both triumph and failure.

The Birth of BMW Motorsport

In 1972, BMW established its Motorsport Division, known as “M,” with the goal of advancing the brand’s competitive edge in the world of motorsports. Prior to this, BMW’s racing efforts were fragmented, with various teams involved in different categories but lacking a unified structure. This all changed when Bob Lutz, BMW’s head of sales and marketing, spearheaded the formation of BMW Motorsport. The division’s primary mission was to build competitive race cars and elevate the brand’s reputation, particularly in touring car racing.

BMW’s first major success in the motorsport arena came in 1973 with the BMW 3.0 CSL, which dominated the European Touring Car Championship. This victory cemented BMW’s position in the racing world. However, as the division grew, it became apparent that creating race cars from existing production models was unsustainable in the long run. The company needed a purpose-built race car, one that would push the boundaries of performance. This vision led to the creation of the BMW M1, a car that would become a defining symbol for BMW Motorsport.

Michelotti and the BMW Turbo Concept

Alongside the creation of the M division, BMW was developing the BMW Turbo, a concept car that would become a landmark in automotive design and technology. Designed by Paul Bracq, the Turbo E25 introduced bold new features, such as a mid-mounted engine, gullwing doors, and retractable headlights, marking a radical departure from BMW’s previous designs. The car represented a vision of the future, combining performance with cutting-edge safety features, and was intended as a technology showcase for the brand.

Initially, BMW contracted Carrozzeria Michelotti, to assemble the Turbo prototype. Giovanni Michelotti, famous for his work with a variety of automotive brands, established a 10,000-square-meter workshop dedicated to the Turbo project. Michelotti built two BMW Turbo prototypes in total, with one being showcased at the 1972 Frankfurt Motor Show. This partnership underscored BMW’s ambition for the car and its desire to create something truly revolutionary.

However, the timing of the project was unfortunate. The 1973 oil crisis caused a global economic downturn, dramatically increasing fuel prices and severely affecting the automotive industry, particularly for performance cars like the BMW Turbo. The crisis placed enormous financial strain on car manufacturers, and BMW was forced to reconsider its plans, including the costly decision to move forward with the Turbo prototype.

The Fallout and the Shift to Italdesign

As the crisis deepened, BMW was unable to fulfill its contract with Michelotti, and the planned collaboration was put on hold. Financial constraints led the company to reevaluate its spending, and resources allocated to the Turbo project were reduced. Michelotti’s specially built workshop, which had been prepared to assemble the car, remained underutilized as BMW shifted its focus.

However, the end of the oil crisis opened up new possibilities. Italdesign, the renowned design and engineering firm led by Giorgetto Giugiaro, came to BMW’s aid. In the years following the crisis, Italdesign purchased Michelotti’s workshop, which would become the production base for the BMW M1. Giugiaro’s expertise in design and engineering played a pivotal role in transforming BMW’s ambitious race car project into a road-going reality.

Giugiaro’s task was to refine the BMW Turbo E25 concept into a production car that could both meet the demands of motorsport and appeal to the consumer market. His design for the M1 retained the sharp, angular lines and futuristic profile of the Turbo, but with refined proportions to suit both racing needs and road-going practicality. The M1’s mid-engine layout, wide stance, and low roofline emphasized its racing pedigree, while its aggressive, sleek design ensured it would stand out as a supercar.

A Race Car for the Road

The BMW M1 was originally conceived as a Group 5 race car, competing against purpose-built machines like the Porsche 935. The project aimed to blend motorsport engineering with production cars, creating a race-bred vehicle that could also be sold to the public. To achieve this, BMW enlisted Lamborghini, to help with the development of the M1. Despite Lamborghini’s expertise in high-performance road cars, it lacked experience in motorsport, which ultimately led to complications during the project.

In the early stages, Lamborghini was tasked with developing the chassis and body of the M1, while BMW would provide the engine. However, Lamborghini’s financial troubles soon became apparent. The company was experiencing significant cash flow issues, and it ultimately misappropriated funds intended for the M1 project. In a dramatic turn of events, BMW was forced to reclaim the project’s components and tooling from Lamborghini, a move that involved a late-night raid to retrieve the M1’s parts. This disruption delayed the project and ultimately led BMW to take full control of the M1’s development.

The Engineering Challenges

Despite the setbacks, the M1 took shape as a highly capable performance car. The vehicle was powered by the M88 engine, a 3.5-liter, straight-six unit that produced 277 horsepower in its road-going form. This engine, derived from the racing program, provided the M1 with impressive performance, allowing it to rival other supercars of the era, such as the Lamborghini Countach and Ferrari 512 BB.

The M1 featured a mid-engine layout, which contributed to its excellent handling characteristics. The car’s design was primarily focused on its racing capabilities, making it relatively raw and unrefined for a road car. It lacked amenities such as power steering, and the cockpit was cramped, with the steering wheel offset to the right to accommodate the center-mounted engine. Despite these compromises, the M1’s performance on the road was outstanding, with acceleration and handling that earned it widespread praise from automotive journalists.

The Racing Struggles and ProCar Series

One of the most significant challenges the M1 faced was its inability to compete in mainstream racing. To homologate the M1 for Group 5 racing, BMW needed to produce 400 road cars. However, production delays meant that only 200 units were built in the first two years, preventing the car from racing in most major events.

In response, BMW created the ProCar Series, a one-make racing championship exclusively for the M1. The ProCar Series was unique in that it featured Formula One drivers competing against privateer M1 owners, creating an exciting spectacle at Formula One race weekends. Although the series generated interest and the M1 proved competitive in this setting, it was not enough to elevate the car into mainstream motorsport. Furthermore, the M1’s performance in ProCar did little to resolve its commercial issues.

Commercial Challenges and Production Woes

The M1 was also a commercial disappointment. Originally, BMW had intended to sell the M1 for around 100,000 Deutsche Marks, placing it in direct competition with supercars like the Lamborghini Countach. However, due to the disruptions caused by Lamborghini’s financial troubles and the increased cost of production, the M1’s price climbed to 113,000 Deutsche Marks. Even with this increase, the car was difficult to sell. BMW was only able to produce 399 M1s, well below the original goal of 1,000 units, making it a rare and expensive model.

Despite its high performance and exotic status, the M1 was a hard sell. Its design was too closely aligned with its racing origins, and its lack of creature comforts and high price point made it less appealing to the typical supercar buyer. Additionally, the car’s raw nature, with its lack of power steering and awkward driving position, alienated many potential customers. In the end, the M1’s commercial failure contributed to its relatively low production numbers and limited legacy as a production car.

Legacy and the Evolution of the M Division

Although the M1 was a commercial and racing disappointment, it laid the foundation for the success of BMW’s Motorsport division. The lessons learned from the M1 project helped shape future BMW M cars, starting with the iconic E30 M3. The E30 M3, developed as a more practical and accessible performance car, became a massive success in both motorsport and sales, marking the beginning of a new era for BMW M.

The M1 also solidified the link between BMW’s racing heritage and its high-performance street cars. Today, the M badge is synonymous with powerful, driver-focused vehicles, but it all traces back to the M1. The M1’s legacy is less about its financial success and more about its role in shaping the identity of BMW M as a division dedicated to performance engineering and motorsport excellence.

Conclusion

The BMW M1’s story is one of ambition, innovation, and hard lessons learned. It was a car ahead of its time, a race car designed for the road, and a symbol of BMW’s commitment to motorsport. While it never reached the commercial success BMW had hoped for, it played a crucial role in the development of the M division and set the stage for future performance cars. The M1 may not have been the financial success BMW wanted, but its influence on the brand and its impact on the automotive world cannot be overstated. Today, the M1 remains a revered classic, a testament to BMW’s racing heritage and the trials and triumphs of the M division.