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1969 Abarth 2000 Scorpione Concept by Pininfarina, the Italian Samurai

The origin

Filippo Sapino was an Italian designer who started his professional career at Ghia in 1963. We know him as the designing director of Ghia, but it was not before 1973, 2 years after Ghia was acquired by Ford. In 1967 he joined Pininfarina, where he was responsible for some projects during his 2-year cooperation including Ferrari 350 GTC. But back in the late 60s, auto-shows welcomed some astonishing models with peculiar Wedge-Type bodies, featuring sharp lines as the top trend being experimented on concepts, introduced by Gandini with Alfa Carabo. There are a few of those concepts the automotive history still doesn’t seem willing to forget at all, the Abarth 2000 Scorpione included.

In January 1969, the Brussels Motor Show was adorned with a wedge body concept called Abarth 2000 Scorpione designed by Sapino and built on an Abarth 2000 Sport Spider SE chassis by Pininfarina. Sapino used the general outlines of this style on another concept by Pininfarina, Ferrari 512-S Berlinetta Speciale, exhibited later that year at the Turin Motor Show.

What people saw was a ready-to-be-launched rocket, aberrantly styled with a sharp nose having no space for common headlights, a canopy type one-piece cockpit roof and an open tail exposing a naked engine also visible from the glass cover on top. The large pillarless one-piece roof, windshield, side window, tilted forward to let the driver in and what could be seen inside was a simple interior with a minimalistic dashboard. A massive trumpet stuck out of the engine bay roaring loudly gave a shout-out to the beating heart of the car, you would expect it to be a V-12 or V-8 at least.

Japanese architect and Abarth collector, Shiro Kosaka, askes Pininfarina to sell him the one-off. After consultation with Fiat, they agree to grant his wish if he agrees to open an Abarth museum. It’s believed the car was sold to him in 1977, but was not displayed until the museum was inaugurated in 1992, near Yamanaka Lake in Japan. The Scorpion had a trip back to Europe once again to take part at the 2014 Concorso d’Eleganza Villa d’Este, where she could draw everyone’s attention just like 45 years before.

Technical specifications

Abarth 2000 Sport SE was a successful race prototype in late 60s, with a rear engine layout based on a modified multi-tubular space-frame chassis of the 2000 Sport Spider SE010, developed by Mario Colucci, on which the Scorpione was built.

This one-off concept used a detuned Fiat/Abarth Tipo 236 Straight-4 race engine, mounted behind the rear axle following the Abarth tradition, with an over-square bore/stroke ratio of 88/80mm, a reduced compression ratio of 10.5:1 from 11.5:1 and a total displacement of 1946cc. Using dry-sump lubrication, double ignition, DOHC valvetrain with 4valves/cyl, and fed by 2 Weber 45 DCOE carburetors instead of 58 DCOs, the detuned engine was able to produce less power of 220 hp, but at a lower 7600 rpm, not 8700, which was delivered to the rear wheels through a 5-speed manual transmission and could propel the super-light 670 Kg car to a claimed top speed of around 280 Km/h. The car had disk brakes on all 4-wheels and for both front and rear suspension it used trailing arms with coil springs over hydraulic dampers plus anti-roll bar.

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Carlo Pinin
Carlo Pinin
3 years ago

Pinin Farina, al contrario di Bertone, pur provandoci non ha mai osato in modo esagerato. Questo modello ne è l’esempio: linea a cuneo ma morbido nella vista laterale.

Coachbuilder
Coachbuilder
3 years ago
Reply to  Carlo Pinin

Non è per niente vero che Pininfarina non ha mai osato, basta pensare alla Ferrari Modulo. La direzione ha dato massima libertà a Paolo Martin.

Andreas
Admin
3 years ago

Quando Gandini fece scuola…

Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.