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The De Tomaso Mangusta, a mongoose to kill the Cobra

de tomaso mangusta

The De Tomaso Mangusta, a pivotal piece of automotive history, emerged from the visionary endeavors of Alejandro de Tomaso and his ambitious pursuit of excellence for the small Modena-based company. This Italian masterpiece, produced by De Tomaso from 1967 to 1971, traces its roots back to the influential De Tomaso P70 project in 1965, a venture that held the promise of transforming the company’s trajectory.

The origin of the DeTomaso Mangusta

Before the P70, De Tomaso had gained recognition for crafting a limited number of competition cars and approximately fifty Vallelunga coupés, each equipped with Ford engines generating around a hundred horsepower. The company, under Alejandro de Tomaso’s leadership, aspired for a significant leap forward in both quality and prominence. The P70 project, a collaboration with Carroll Shelby in 1964, represented this ambitious endeavor.

Initially intended for the 1966 Can-Am, Shelby backed the P-70 race car. Alejandro de Tomaso, in conjunction with a collaborative team sent by Shelby, was tasked with developing and building five cars. However, faced with tight deadlines, De Tomaso couldn’t fulfill the agreement. Around the same time, Carroll Shelby diverted his attention to a contract with Ford for the development of the GT-40 for Le Mans, leading to the cancellation of the P70 project in late 1965. This decision left De Tomaso offended but undeterred.

Photo courtesy of Artcurial

Undeterred, De Tomaso, with the assistance of designer Pete Brock—who remained committed to the project—continued to develop the P70 race car. Ghia was enlisted to craft a body for the single remaining vehicle. In November 1965, this car was showcased at the Turin Motor Show under the name Ghia De Tomaso Sport 5000. Although the P70 never competed in the intended Can-Am series, its existence played a crucial role in the genesis of the De Tomaso Mangusta, leaving an indelible mark on the automotive landscape. This article will delve into the intriguing journey of the Mangusta, unraveling its origins and the transformative impact of the P70 project on the destiny of this iconic Italian automobile.

The Italo-Argentinian racer and constructor, in collaboration with Ghia, unveiled a prototype to the public. Initially presented as a static model and later showcased in motion, this prototype stemmed from the designs of American designer Pete Brock. Brock, employed by the renowned American pilot and preparer Carroll Shelby’s team, contributed to the creation of this innovative project. The Italo-Argentinian visionary hoped that upon completion and demonstration of the car’s technical prowess, it would be acquired by the American team to replace their aging Lang Cooper tubular frame cars. These Lang Cooper vehicles, modified versions of the Cooper Monaco powered by a 4.7-liter Ford engine, had reached the peak of their development, prompting the need for a superior alternative in the North American racing scene.

But it was precisely in 1965 that Shelby became involved with Ford’s GT40 program, which, up to that point, had yielded disappointing results. Shelby devoted himself entirely to this new undertaking, setting aside his own cars and their related development projects. As a result, Alejandro De Tomaso found himself without the primary recipient for his new sports car and was compelled to alter his plans. He decided to shift his focus to road-going sports cars, directly challenging the likes of Ferrari and Lamborghini—brands deeply rooted in the same geographic territory where his small company had originated and grown. The Argentine entrepreneur aimed to capture market share, especially in the affluent United States.

Drawing from the experience gained with the “P70 project,” built on the technical concepts of Vallelunga and its competition derivatives, De Tomaso did not let it go to waste. Instead, he infused it into the Mangusta, a name chosen by the spirited Argentine as a retaliation against Carroll Shelby. The mongoose, capable of combating cobras on equal terms, symbolized the vehicles of the American preparer.

Photo courtesy of Artcurial

Innovative Chassis Design

In Modena’s vision, the Mangusta’s strength and primary feature were its single-beam aluminum chassis, derived from the Vallelunga designed three years earlier. Essentially the same as the P70/Sport 5000, it featured a mid-rear engine with a semi-supporting function, akin to the competition cars of the seventies. This was an innovative solution for a road-going grand tourer. Complementing the single-beam chassis were independent suspensions on all four wheels, a dual-circuit four-disc braking system, and magnesium wheels supplied by Campagnolo in 7×15″ front and 8×15″ rear sizes.

Similar to the Mangusta’s single-beam chassis, Lotus adopted a comparable solution, but the English automaker did not stress the engine as a structural element. Instead, it delegated the task of supporting the rear suspensions to extensions of the chassis. The Modena-based chassis, paired with a hefty and powerful cast iron Ford V8 engine, covered with a lightweight steel body featuring aluminum hoods and doors, exacerbated the stiffness issues previously encountered with the Vallelunga. It resulted in an unideal weight distribution of the vehicle. Attempting to alleviate this, De Tomaso replaced some components with aluminum castings, but the savings amounted to only 25 kg. To enhance dynamics, he decided to lower the engine. Unable to do so with a dry sump, due to high costs, he reduced the clutch bell diameter by fitting three small-diameter discs instead of the standard large one. However, the weight distribution remained imbalanced at 32% to the front and 68% to the rear, rendering the Mangusta’s driving dynamics uncertain and unpredictable as the adhesion limit approached—not quite reaching the standard set by its top competitors, despite its competitive power-to-weight ratio, which put it in contention with the contemporary Lamborghini Miura.

The engine, paired with a somewhat stiff 5-speed gearbox supplied by ZF, was the Ford 289 V8 with a displacement of 4.7 liters, tuned by De Tomaso to reach 306 horsepower. However, for the U.S. market, the significantly less potent Ford 302 V8, a 5-liter engine producing only 220 horsepower, was later installed in the cars. This adjustment aimed to comply with the increasingly stringent emissions regulations imposed by the U.S. federal government during that era.

Unfulfilled Potential and Italian Design Innovation

With Italian design flair, a gullwing hood, aerodynamic and stylish body, four disk brakes, and an overall sportier appearance, the Mangusta was anticipated to deliver exceptional performance, particularly given its superb suspension and mid-engine layout. However, it proved to be underdeveloped. The weight distribution ratio of 32/68 led to front-end lift during cornering, resulting in understeering. Simultaneously, the chassis frame lacked rigidity, occasionally causing oversteering. In summary, the Mangusta was unpredictable, unstable, and challenging to control. Despite its design upgrades, the Mangusta failed to outpace the Cobra, with approximately 500kg more weight and a less powerful engine.

A total of 401 units were produced, with around 150 designated for Europe, 250 for the U.S. market, and a special version equipped with a Corvette engine for Bill Mitchell, General Motors Vice President. The 1970 U.S. models, numbering 50, featured two pop-up headlights.

The body was designed by Giorgetto Giugiaro, then the chief designer at Carrozzeria Ghia in Turin. He adapted a previous rejected design for Iso Rivolta, captivating the new client, De Tomaso. The result was an extremely low-profile vehicle (only 1100 mm in height), sacrificing some interior space but achieving the right balance between elegance and aggression. It featured a massive windshield, necessitating the purchase of an air conditioner to alleviate the greenhouse effect in summer, and a split gullwing hood. Giugiaro’s design for the Mangusta incorporated flat elements, anticipating the protruding frame that encloses the grille and headlights, a solution later adopted by other manufacturers. The exterior sophistication contrasted with a particularly Spartan interior, aligning with the concept of a race car suitable for road use promoted by the manufacturer. Notably, for the U.S. market version, Giugiaro addressed the height restrictions imposed by the American Department of Transportation by fitting a single, larger, partially retractable round headlight, ensuring compliance while maintaining a distinctive aesthetic.

Conclusions

In conclusion, the De Tomaso Mangusta, born from Alejandro de Tomaso’s visionary P70 project, stands as a distinctive chapter in automotive history. Despite handling challenges, its Italian design, gullwing hood, and Ford V8 power left a lasting impression.

The Mangusta’s story extends beyond its 1967-1971 production, laying the groundwork for the De Tomaso Pantera. Introduced in the early 1970s, the Pantera refined the Mangusta’s flaws, becoming an iconic model with international success.

The transition from Mangusta to Pantera signifies De Tomaso’s resilience and innovation. Both models contribute to the enduring legacy of Italian sports cars, capturing the spirit of automotive enthusiasts. The Mangusta’s impact persists not only in its own history but also in the continued success and refinement seen in the subsequent Pantera model.

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Bugatti EB110

In the world of high-performance automobiles, few cars command as much intrigue as the Bugatti EB110. Brought to life by Italian entrepreneur Romano Artioli, the EB110 was a groundbreaking effort to revive the storied Bugatti name. Combining avant-garde engineering, meticulous design, and theatrical presentation, it was a car that set new benchmarks for what a supercar could achieve—both on paper and in practice.

Who Is Romano Artioli?

Romano Artioli is a visionary entrepreneur and car enthusiast who played a pivotal role in the revival of the Bugatti brand. Born in the Province of Mantua, he grew up in Bolzano, where he established himself as a key figure in the luxury and performance automotive world. In the 1980s, he managed the largest Ferrari dealership in the world, expanding his reach into northern and southern Germany.

Artioli’s expertise extended beyond Italian exotics. He entered the business of importing Japanese cars through his company Autexpò, which in 1982 became the first official importer of Suzuki vehicles in Italy. This venture bolstered his business acumen and financial resources, laying the groundwork for larger ambitions.

Bugatti EB110

A passionate admirer of Bugatti, Artioli joined forces with Ferruccio Lamborghini and Paolo Stanzani to resurrect the legendary French marque. Leveraging their credibility and Stanzani’s industrial expertise, Artioli negotiated with the French government, which controlled the Bugatti brand at the time. In 1987, he successfully acquired the rights to Bugatti, forming the Bugatti International holding company, with Jan-Krister Breitfeld as president.

The same year, Artioli and Stanzani co-founded Bugatti Automobili S.p.A., with Stanzani acting as sole administrator and technical director. Initially, Artioli took a backseat, not assuming a direct managerial role until 1990, when he became president of the company. However, deep-seated disagreements over business strategy led to Stanzani’s departure just as the Bugatti EB110 prototypes were nearing completion.

Romano Artioli’s Vision for Bugatti

The Bugatti marque, dormant since the mid-20th century, was revived in 1987 when Artioli acquired the rights. For Artioli, Bugatti was more than a brand; it was an embodiment of perfection and artistry. His vision was to resurrect the marque in a way that honored its legacy while propelling it to the forefront of automotive innovation.

Bugatti EB110

To that end, he established Bugatti Automobili S.p.A. in Campogalliano, Italy, a high-tech facility designed to reflect Bugatti’s meticulous ethos. Even the smallest details of the factory, from its architecture to its branding, were crafted to exude sophistication. Artioli’s pursuit of excellence extended to every facet of the operation, with no expense spared to ensure that the car would become a technological and artistic marvel.

The Bugatti EB110: Designed for Elegance and Performance

The design of the EB110 emerged after several high-profile proposals were reviewed. While initial sketches by Marcello Gandini offered an angular and aggressive aesthetic, Artioli found them inconsistent with Bugatti’s legacy of elegance. Additional proposals were considered, including contributions from Italdesign Giugiaro, Bertone, and Paolo Martin.

Ultimately, the task of finalizing the car’s design fell to Gianpaolo Benedini, who also oversaw the construction of the Campogalliano factory. Benedini reworked Gandini’s initial drafts, softening the harsh lines and introducing a more aerodynamic, timeless shape. The final design balanced modernity with subtle nods to Bugatti’s heritage, including a minimalist interpretation of the iconic horseshoe grille.

Artioli’s design philosophy for the EB110 drew inspiration from the weight-saving principles famously championed by Carrozzeria Touring, applying advanced materials and innovative techniques to achieve unparalleled efficiency and performance.

A Technical Masterpiece

At the heart of the EB110 was a 3.5-liter quad-turbocharged V12 engine, a marvel of engineering that delivered both raw power and remarkable sophistication. The engine, featuring five valves per cylinder (three intake, two exhaust), produced 553 horsepower in the GT model and 603 horsepower in the more aggressive SS variant.

This technological showcase included 12 individual throttle bodies, ensuring razor-sharp response. Engineered to operate at a stratospheric 8,600 RPM redline, the powertrain underscored Bugatti’s commitment to pushing the boundaries of what was mechanically possible.

Bugatti EB110

The engine’s advanced systems were paired with a six-speed manual gearbox, allowing precise control over the car’s immense power. To harness this energy, the EB110 employed a sophisticated all-wheel-drive system that delivered 27% of the torque to the front wheels and 73% to the rear. This rear-biased setup provided excellent traction while maintaining the dynamic feel of a rear-wheel-drive sports car.

The EB110’s chassis was equally advanced. Its carbon-fiber monocoque, developed in collaboration with aerospace specialists, was one of the first of its kind in a production car. This construction provided exceptional rigidity while keeping weight to a minimum. The suspension system, with double wishbones at all four corners, ensured precise handling and a planted feel at high speeds.

The car’s aerodynamics were optimized through extensive wind tunnel testing, with active features like a deployable rear spoiler that adjusted based on speed and braking inputs. All of this culminated in a car capable of 0 to 60 mph in just 3.2 seconds and a top speed of 218 mph, making it one of the fastest cars of its era.

A Spectacular Debut

The launch of the EB110 on September 15, 1991; Ettore Bugatti’s 110th birthday; was a spectacle befitting its ambitious design. The unveiling began in Paris, the birthplace of the original Bugatti marque, where a carefully choreographed celebration honored the brand’s heritage. Over 70 vintage Bugatti cars were displayed in a horseshoe formation, evoking both history and exclusivity. Thousands of guests, including dignitaries, journalists, and celebrities, were treated to an elaborate presentation that emphasized Bugatti’s past and future.

Bugatti EB110

After the Parisian festivities, the EB110 was transported to Molsheim, France, where Ettore Bugatti had established his original factory. There, the car was revealed to the public, symbolizing the brand’s return to its roots.

Artioli spared no effort in making the event memorable. From champagne receptions to grand dinners, the entire celebration reflected the opulence and ambition that defined the EB110 project.

Challenges and Legacy

Despite its technological brilliance, the EB110 faced significant challenges. The global economic recession of the early 1990s reduced demand for ultra-expensive supercars, and Bugatti’s ambitious production targets proved unattainable. Financial pressures mounted, exacerbated by Artioli’s overextension into ventures like the acquisition of Lotus.

Rumors of industrial sabotage and pressure from rival manufacturers added to the drama. Bugatti Automobili declared bankruptcy in 1995, having produced only 139 units of the EB110. The company’s assets, including the Campogalliano factory, were eventually sold.

Yet, the EB110’s legacy endures. It set the stage for modern Bugatti hypercars like the Veyron and Chiron, which adopted its pioneering use of carbon fiber, all-wheel-drive systems, and quad-turbocharged engines. The EB110 is now a highly coveted collector’s car, celebrated for its engineering prowess and historical significance.

Why the Bugatti EB110 Failed

The failure of the Bugatti EB110 was a tragic convergence of bad timing, overambition, and industrial intrigue. Romano Artioli’s vision for Bugatti included not just reviving the brand but also acquiring Lotus, creating a global network of luxury dealerships. While Lotus found modest success, Bugatti faced a rough start, worsened by external and internal challenges.

The EB110 launched in 1991, during a global recession that decimated the exotic car market. Bugatti aimed to sell 150 cars annually, but only 115 were produced over three years. Compounding this was the Black Monday crash in 1987, just as Bugatti Automobili was established, creating economic turbulence that hampered the brand’s revival.

Bugatti EB110

Behind the scenes, Artioli claimed sabotage: suppliers allegedly cut off deliveries under pressure from rivals, and even employees were rumored to have tampered with production. Adding to the turmoil, Suzuki terminated its distributorship deal with Artioli, cutting a critical revenue stream.

Ambitious projects, like the state-of-the-art factory in Campogalliano, drained resources, while Bugatti’s inability to meet supplier payments strained production. Despite a car that dazzled in engineering and design, the company’s collapse was a tale of overreach and misfortune. The EB110 remains a brilliant but brief chapter in Bugatti’s storied history.

A Bold Dream, A Lasting Impact

The Bugatti EB110 was a supercar born of audacity and innovation. Though its production run was short-lived, the EB110 remains a symbol of what is possible when visionaries push the limits of technology and design. Its story, marked by triumph and turbulence, encapsulates the essence of the Bugatti spirit: a relentless pursuit of excellence in the face of overwhelming odds.