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The Lamborghini 400-GT Monza by Nembo: the Missing Gem

The origin of the Lamborghini 400 GT Monza

In 1963, the 350-GTV was introduced as the 1st prototype by a new Italian company, Lamborghini. Dallara designed a chassis which was built by Neri & Bonacini. Established by Giorgio Neri & Luciano Bonacini in Modena, and known as Nembo, it was a coachbuilding and mechanic workshop generally working on race cars for Maserati and Ferrari, also accepting orders from private clients.

Photo courtesy of © Bonhams

They continued their cooperation with Lamborghini, making the chassis for the 1st production model, the 350-GT, but gave it up later due to the increase in the orders for production. This was not the end.

Whereabouts

At the 1967 Barcelona Motor Show, where the new model, Miura, was also presented by Amato, the Spanish Lambo agent, a car was of as much interest, if not more: Lamborghini 400 GT Monza .

This exotic one-off was hand-built on a 350-GT chassis, no. 01030, and equipped with the stronger engine of the later model, 400-GT; guess by who, Neri & Bonacini. In a recent interview with Octane magazine, Giorgio Neri mentioned that the car was built earlier in 1963 or 4, for an American commissioner, probably to race at Le Mans, but it never happened due to the homologation rules. What we know is that the very car we see today was finished by June 1966.

Photo courtesy of © Bonhams

Back to the Barcelona Motor Show, a wealthy Spanish sportsman and race driver falls in love with the Lamborghini 400 GT Monza and succeeds in the negotiations to buy it.

The car, then badged as Jarama after its new home by the owner, had covered just 7136 km by 1970, when it was left in his garage and maybe forgotten.

For a long time after, many journalists and enthusiasts had been looking for the Lamborghini 400 GT Monza and there have been some rumors about its whereabouts. It was missing until 1996, when Bonhams, which was known as Brooks then, announced that they have found the missing gem in its totally original condition. The owner had passed away a short while before and it took 9 years until his family decided to sell it.

It was auctioned at Bonhams’ London Olympia sale on December 5, 2005 and sold at for $315,000 buyer’s premium included.

Tecnical specifications

As mentioned, the Lamborghini 400 GT Monza was built on a 350-GT chassis which was a redesigned production format of the 350-GTV’s race chassis.

Designed by Gian Paolo Dallara and Paolo Stanzani, it had a tubular steel frame structure with square tubing for the central floor and round tube for its superstructure. For the suspension, it used all-independent, double wishbones with coil springs over telescopic shock absorbers and anti-roll bar both in the front and rear. It also used 4 wheel Girling disk brakes.

Photo courtesy of © Bonhams


It was powered by a front-mounted 400-GT model engine which was a naturally aspirated all-aluminum block V-12 @ 60°, wet-sump DOHC with 2valves/cyl, with a bore/stroke ratio of 82/62mm, a compression ratio of 10.2:1 and a total displacement of 3929cc. Fed by 6 twin-choke Weber 40 DCOE 2 carburetors, it was able to produce 320 bhp @ 6500 rpm and 375 Nm @ 4500 rpm of power & torque respectively which was delivered through a 5-speed ZF manual gearbox and a Salisburry limited slip differential to the rear wheels and able to propel the car to a top speed of around 250 km/h.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.