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The Lancia Fulvia Sport by Zagato

The Lancia Fulvia Sport Zagato

As had already happened for the Appia, Flavia and Flaminia, Lancia gave Zagato the task of creating the sport version of the Fulvia, equipped with an aerodynamic aluminum body.

Designed by Ercole Spada, and built in the workshops of the Milanese coachbuilder in Terrazzano di Rho, the Lancia Fulvia Sport had an extremely modern and sleek design.

Unveiled in 1965, the Sport had the same mechanics as the stock Coupé – except for the axle ratio – but thanks to better aerodynamics it reached higher top speeds. Despite this, it was almost never used in rally competitions due to its chassis structure on which was attached its light body.

The alluminum bodywork was the main technical difference (a part of the design), which distinguished it from the original Lancia model on which is was based.

Lancia Fulvia Sport Zagato

The Lancia Fulvia Sport in fact adopted (from 1965 to 1967) a bodywork entirely in Peraluman. From 1968 to 1970 a steel body was addopted, with only the bonnet, doors and spare wheel compartment made in Peraluman. The tailgate has always been in steel on all versions. The evolution of mechanics and engines follows that of the original Coupé, except for the 1231 cm³ engine.

At the 1968 Turin motor show, the Lancia Fulvia Sport was also presented in as Spider variant which, however, had no commercial follow-up remained a one-off, due to the changed industrial plans of Lancia in conjunction with the transfer of ownership of the brand to Fiat, which it certainly could not stand these expensive coachbuilt collaborations. A special feature of the Fulvia Sport Zagato was the tailgate that opened electrically with a button positioned on the dashboard. An electric motor placed under the tailgate in the center of the boot opening raised the tailgate a few centimeters enough to circulate air in the passenger compartment. A luxury for the time.

In 1970 the mechanics of the second series were adopted on the last 600 bodies of the first series.

At the end of 1970 the bodywork of the Lancia Fulvia Sport became entirely in steel, losing the moving parts in Peraluman, the body was slightly redesigned by Mittino, raising the roof for a easier access and widening the mudguards to accommodate larger tires. The bonnet was also hinged on the front, as required by the safety rules of the time.

Lancia Fulvia Sport Zagato

Production ceased in 1972, after Zagato had assembled approximately 6,183 units.

Due to its handcrafted assembly, the Lancia Fulvia Sport presented slightly differences in the body shapes and measures from one side to the other, the asymmetry was also present on the bodies of the second series.

Of particular historical and collector’s interest is the defined Competizione series, which at the request of sporting customers or the Lancia Squadra Corse, were fitted with lightened Peraluman bodywork, side and rear windows in Plexiglas, widened wheel arches and Campagnolo 6J13 rims.

Although the Competizione versions were intended for race, it had standard engines (818.302 and 818.303). The HF engine (second series) was used only on the Sport 1600, but the HF logo was never addopted.

In 1969 Maglioli and Pinto, on the Lancia Fulvia Sport prototype, chassis 001911, engine 818.540 and 5-speed gearbox, finished 11th overall and first in the prototype class at the 24 Hours of Daytona.

The breakdown between the various versions is as follows:

Fulvia Sport 818.132, 1216 cc (80 HP):
202 examples produced from 1965 to 1967

Fulvia Sport 1.3 818.332, 1298 cc (87 HP):
1578 units produced from 1967 to 1969 (of which about 700 with Peraluman bodywork)

Fulvia Sport 1.3 S 818.362, 1298 cc (93 HP):
1898 units produced from 1968 to 1970 (some, upon specific request, have Peraluman bodywork)

Fulvia Sport 1.3 S second series 818.650, 1298 cc (90 HP):
2600 units produced between 1970 and 1972 (of which 600 with first series bodywork called series 1 and ½)

Fulvia Sport 1600 818.750, 1584 cc (115 HP):
800 units produced between 1971 and 1972

The production numbers of the Lancia Fulvia Sport are indicative because the numbering presents discontinuities.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.